# taggings

created_at: 2018-11-01 16:16:21
text:
  The film is pointless, even as entertainment, because it builds to nothing more than a comic book blood bath.

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created_at: 2018-11-01 16:16:21
text:
  What was it about this cramped, underdeveloped parlor drama -- the majority of which takes place on one set -- that caused Tarantino to think 70mm?

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created_at: 2018-11-01 16:16:21
text:
  The Hateful Eight is a big, shambling, audacious inversion of the Western, held together by Tarantino's sincere conviction that beyond his high juvenilia, American audiences might recognize their own fractious nation.

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created_at: 2018-11-01 16:16:21
text:
  This is Tarantino's bleakest and most violent film, but it's also his slowest, a meditation on vengeance and justice in America and possibly in his own movies. Why he needs three hours to draw no apparent conclusion is unclear.

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created_at: 2018-11-01 16:16:21
text:
  This is an impressive ensemble, and Tarantino has a true gift for dialogue and story twists, but in the end, all that talent seems to have been spent on pretty empty notions.

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text: Quentin Tarantino's The Hateful Eight is a lot of things. Boring, of course, isn't one of them.
created_at: 2018-11-01 16:16:21
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created_at: 2018-11-01 16:16:21
text:
  This is Tarantino. And it's very entertaining, even when it's entertainingly vile, which happens a lot in this overlong movie's extended third act.

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created_at: 2018-11-01 16:16:49
text:
  Let's face it: Culkin's self-reliant suburban warrior has entered a whole generation's pop mythology. He's their Knight in Shining Parka, safely beyond criticism.

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created_at: 2018-11-01 16:16:52
text:
  A good half hour too long, and badly in need of some scares, Hook is a huge party cake of a movie, with too much frosting. After the first delicious bite, sugar shock sets in.

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created_at: 2018-11-01 16:16:52
text:
  The exposition is so underlined and re-underlined, you could teach yourself to fly waiting for something to happen.

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text: Big, splashy, energetic, one-size-fits-all Hollywood entertainment.
created_at: 2018-11-01 16:16:52
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created_at: 2018-11-01 16:16:52
text:
  Here we get the uncanny suspicion that Hook was written and directed according to the famous recipe of the country preacher who told the folks what he was going to tell them, told them, and then told them what he had told them.

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created_at: 2018-11-01 16:16:52
text:
  Hook is overwhelmed by a screenplay heavy with complicated exposition, by what are, in effect, big busy nonsinging, nondancing production numbers and some contemporary cant about rearing children and the high price paid for success.

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text: Let's hope 2006's first horror film isn't an indication of where the genre is going this year.
created_at: 2018-11-01 16:17:05
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created_at: 2018-11-01 16:17:05
text:
  The film is too casually misanthropic and enamored of its expulsive prosthetic virtuosity to be politically relevant, and it's not clear what response -- shame? outrage? titillation? -- Roth is after.

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created_at: 2018-11-01 16:17:05
text:
  Sadly, as with [director Eli] Roth's promising but flawed debut feature, its central conceit is more compelling than what ended up on screen.

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created_at: 2018-11-01 16:17:05
text:
  Roth, by presenting his characters as victims of the same world of flesh-for-fantasy they were grooving on in the first place, digs deep into the nightmare of a society ruled by the profit of illicit desire.

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created_at: 2018-11-01 16:17:05
text:
  The tone is too schizophrenic for the movie to be great, but writer/director Eli Roth is showing serious potential.

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created_at: 2018-11-01 16:17:05
text:
  The thing is just a clunky and tasteless and dumb scare picture, isn't it? Clunky, yes. Tasteless, for sure. But not so dumb I fear.

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created_at: 2018-11-01 16:17:05
text:
  Roth doesn't know when to leave well enough alone. Piling the gore on without benefit of artful tension, the film ends up approaching parody.

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text: Even after an outré punch line is revealed, the film is neither shocking nor adequately terrifying.
created_at: 2018-11-01 16:17:05
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created_at: 2018-11-01 16:17:27
text:
  The film actually improves on Cunningham's novel, thanks to gorgeous cinematography, a deft script by playwright David Hare ... a mournful, melodious but never intrusive score by Philip Glass and a superb cast.

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text: A boldly realised, affecting work.
created_at: 2018-11-01 16:17:27
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created_at: 2018-11-01 16:17:27
text:
  David Hare's screen adaptation reduces Woolf and her art to a set of feminist stances and a few plot points, without reference to style or form.

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created_at: 2018-11-01 16:17:27
text:
  It's a collection of elusive moments and connections, a musing on nothing less than the meaning of life itself.

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created_at: 2018-11-01 16:17:27
text:
  Some moviegoers may interpret The Hours as waving a banner for gay life. Actually, it waves a banner for individuality in a world that does not always sanction such a stance.

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text: This movie is in love with female victimization.
created_at: 2018-11-01 16:17:27
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created_at: 2018-11-01 16:17:27
text:
  The performances are so beautifully synchronized -- for which Hare, Daldry and editor Peter Boyle also deserve credit -- that it is impossible to choose one as being better than another.

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created_at: 2018-11-01 16:17:27
text:
  Far from a bad film, and at least two of its central trio of performances provide moments of disarming grace, but don't be surprised if a whiff of self-congratulation emanates from the screen.

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created_at: 2018-11-01 16:17:38
text:
  It doesn't suffer from the compulsive tidiness of some of Allen's later movies -- the juices are flowing, the hysteria is closer to the surface -- and in this looser, more volatile atmosphere his extraordinary cast gets to soar.

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created_at: 2018-11-01 16:17:38
text:
  With its relationship angst and Lolita temptations, Husbands and Wives hits embarrassingly close to Allen's home. But it also hits its comic target.

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created_at: 2018-11-01 16:17:38
text:
  With excellent performances (Davis and Pollack in particular), it's his finest film since Hannah and Her Sisters.

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created_at: 2018-11-01 16:17:38
text:
  Allen's conception of character is as banal and shallow as ever, but the lively performances of some of his actors and the novelty of the film's style make this more watchable than many of his features.

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created_at: 2018-11-01 16:17:38
text:
  Allen, the schlemiel, has humiliated himself and hurt his family, disillusioned his fans and become a case in point for the GOP, but he has also hit upon an issue that is universally applicable.

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created_at: 2018-11-01 16:17:38
text:
  What Husbands and Wives argues is that many "rational" relationships are actually not as durable as they seem, because somewhere inside every person is a child crying me! me! me!

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created_at: 2018-11-01 16:17:38
text:
  Woody Allen's Husbands and Wives is a very fine, sometimes brutal comedy about a small group of contemporary New Yorkers.

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created_at: 2018-11-01 16:17:41
text:
  If something brilliant is happening in The Hudsucker Proxy -- and you're meant to believe that it is -- it's apparent only to Ethan and Joel Coen.

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created_at: 2018-11-01 16:17:41
text:
  A minor work, but confirmation of the Coens' position among America's most ambitious, able and exciting film-makers.

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text: A wickedly funny and incisive lampoon of big business.
created_at: 2018-11-01 16:17:41
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text: Clever but cold, a heartless mechanical gizmo.
created_at: 2018-11-01 16:17:41
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created_at: 2018-11-01 16:17:41
text:
  A jeering, dreamlike comedy with nothing much on its mind except how neat the Coen brothers are and how stupid or contemptible everybody else is, including everyone in the audience.

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created_at: 2018-11-01 16:17:41
text:
  Not even the slightest attempt is made to suggest that the film takes its own story seriously. Everything is style. The performances seem deliberately angled as satire.

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text: Succeed on its own terms as an entertaining mid-season popcorn movie.
created_at: 2018-11-01 16:17:58
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text: Performances, plot and pacing are as mechanical as the hard-wired cast.
created_at: 2018-11-01 16:17:58
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text: For the most part, this is thrilling fun.
created_at: 2018-11-01 16:17:58
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text: Substandard Will Smith action-hero vehicle.
created_at: 2018-11-01 16:17:58
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created_at: 2018-11-01 16:17:58
text:
  A CGI-laced action movie cum merchandising opportunity, warped into insensate silliness by the pop-iconic demands of Smith's megabucks macho action-hero persona and peppered with stock cop-on-the- edge action-movie situations.

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created_at: 2018-11-01 16:17:58
text:
  By adeptly combining action and ideas, it proves that Hollywood can still produce astonishing entertainment.

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created_at: 2018-11-01 16:17:58
text:
  [The screenplay is] good enough to keep things moving, to supply Smith with one- liners and to provide an excuse for the compelling backdrop.

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text: For all its flaws, I, Robot is arresting to look at.
created_at: 2018-11-01 16:17:58
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created_at: 2018-11-01 16:17:58
text:
  A movie of its kind and of its time -- functional, professional, slickly manufactured and slouching toward consciousness -- I, Robot is a perfect slave to mechanical convention.

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created_at: 2018-11-01 16:18:13
text:
  'After I killed him, I dropped the gun in the Thames' -- so begins In Bruges, an insanely clever thug's tale so rife with obscenity that those 11 words form one of the longest complete sentences that can be repeated safely here.

extra_data:
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created_at: 2018-11-01 16:18:13
text:
  A film that's so bloody wonderful (in both meanings of the word) that all other movies this year might as well go straight to video.

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created_at: 2018-11-01 16:18:13
text:
  The dialogue is front and center, in spite of the picturesque setting and all the goings-on, and it's the best thing about the film.

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created_at: 2018-11-01 16:18:13
text:
  It plays really engagingly, with the leads doing a wonderful Mutt and Jeff act and the camera lingering lovingly over scenery that looks awfully pretty in the moments before it gets spattered with blood.

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created_at: 2018-11-01 16:18:13
text:
  In Bruges is a wildly imperfect feature debut, but it does make you curious to see what else McDonagh has to offer.

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created_at: 2018-11-01 16:18:13
text:
  Overplotted, choppy, and contrived, it nonetheless has a curious vitality that makes you wonder where McDonagh will go next.

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created_at: 2018-11-01 16:18:13
text:
  Those who know McDonagh's work know a vein of darkness will run deeply through the comedy. It has seldom been darker. Or funnier.

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text: Disappointingly strip-mines the very fatigued comic hit-man genre to diminishing returns.
created_at: 2018-11-01 16:18:13
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created_at: 2018-11-01 16:18:13
text:
  A kind of eccentric, wisecracking Waiting for Godot that shifts gears into a bloody, unpredictable action spectacle that never loses its heart.

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text: In Bruges is not a great movie, but there's no mistaking that it's the product of a great talent.
created_at: 2018-11-01 16:18:13
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text: A rude and riotous laugher.
created_at: 2018-11-01 16:18:13
extra_data:
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created_at: 2018-11-01 16:18:13
text:
  This dark comedy shifts effortlessly between silly and sobering, and it finally gives Colin Farrell the chance to be as funny as we've long suspected he could be.

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created_at: 2018-11-01 16:18:13
text:
  In the end, In Bruges is a bit arch and artificial, but it is more than redeemed by Farrell and Gleeson's presence, and by the bushwhacking wit of the film's writer/director.

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text: For all his movie's tough talk, it's a sometimes slipshod construction.
created_at: 2018-11-01 16:18:13
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created_at: 2018-11-01 16:18:13
text:
  It's hard to mix dark wit with real tragedy, but that's what writer-director Martin McDonagh pulls off with In Bruges, a wonderfully realized examination of unintended and deadly consequences.

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created_at: 2018-11-01 16:18:13
text:
  Its mock-artistic thriller trappings notwithstanding, 'In Bruges' is basically a funny, tragicomic two-hander, with the casting of Farrell alongside Gleeson enabling a pleasing Irish inflection.

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created_at: 2018-11-01 16:18:17
text:
  This film's overall success hangs on Cumberbatch and what is, to date, his finest performance on the big screen.

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text: It would be hard to foul up the story of Alan Turing, and thankfully The Imitation Game doesn't.
created_at: 2018-11-01 16:18:17
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created_at: 2018-11-01 16:18:17
text:
  While their careers include fine performances, Benedict Cumberbatch and Keira Knightley are so ambitious, so subtle and so intelligent as the protagonists of "The Imitation Game" that their earlier work feels light.

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created_at: 2018-11-01 16:18:17
text:
  This film about one of the past century's smartest humans at times treats its own audience like a classroom of remedial learners.

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created_at: 2018-11-01 16:18:17
text:
  We go into a movie knowing that the subject was as genius or a hero, a martyr or titan. We should leave with a more nuanced understanding of who he was, his complexities and flaws.

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created_at: 2018-11-01 16:18:17
text:
  As uncomplicatedly likeable and effortlessly rootable as its main character and star, The Imitation Game ultimately wins at any easy game, when it could have risked - and revealed - so much more.

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created_at: 2018-11-01 16:18:17
text:
  It's easy to see The Imitation Game as a triumph - after all, Turing accomplished what all the experts claimed was impossible - but it's equally apparent that underlying the triumph is a tragedy.

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created_at: 2018-11-01 16:18:17
text:
  Cumberbatch is moviedom's man of the moment, and with this painfully human performance, the actor who has specialized in difficult geniuses finally cracks the code of compassion.

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created_at: 2018-11-01 16:18:17
text:
  [Cumberbatch's] whose portrayal of the British mathematician and WWII code-smasher is a feat of nuanced intelligence, a portrait of anguish with hints of arid humor. And, yes, arrogance.

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text: A moving tribute to an extraordinary man.
created_at: 2018-11-01 16:18:17
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created_at: 2018-11-01 16:18:17
text:
  Consider the code cracked, translated, and laid out for all to see: different is special is good, and ordinary morality is a sham, anyway.

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created_at: 2018-11-01 16:18:17
text:
  A handsome and stirring film of Second World War ingenuity that also succeeds as cracking good entertainment.

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created_at: 2018-11-01 16:18:17
text:
  Cumberbatch's finely calibrated performance helps bring to life one of history's lesser-known stories and most shameful injustices.

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created_at: 2018-11-01 16:18:17
text:
  The "action" here is Turing tinkering with his machine. Or simply thinking -- which, as Cumberbatch portrays it, is adventure of the highest order.

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created_at: 2018-11-01 16:18:17
text:
  Produced with a Masterpiece Theater eye for period detail, but also with a missionary's zeal to honor a wrongly dishonored man.

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created_at: 2018-11-01 16:18:17
text:
  It's a film about drive, about imagination, and how brilliance thrives outside the mainstream. These are common enough themes given uncommon purchase in a film about a man who likely saved millions of lives by never fitting in.

extra_data:
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created_at: 2018-11-01 16:18:17
text:
  There's a film to be made about how government secrecy came spiraling out from Bletchley to conquer the future in which we now live, but "The Imitation Game" would rather give you a very good night at the movies.

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text: It's not bad, exactly. It's not a desecration of the franchise. It's just . . . tired.
created_at: 2018-11-01 16:18:37
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text: Indy isn't boning up on Babylonian texts; he's leafing through the Weekly World News.
created_at: 2018-11-01 16:18:37
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created_at: 2018-11-01 16:18:37
text:
  Even as the movie occasionally trips over its nostalgias, it's still a likable, if unremarkable, entertainment, a pleasant echo of past delights.

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created_at: 2018-11-01 16:18:37
text:
  The action sequences are staged and edited sloppily, a far cry from the death-defying stuntman extravaganzas of yore.

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created_at: 2018-11-01 16:18:37
text:
  Expecting Brando-esque menace or Dreyfus-ian uplift from the Indiana Jones tetralogy is like going to the candy counter at the mall multiplex and asking for some goat cheese and a nice cabernet.

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created_at: 2018-11-01 16:18:37
text:
  Crystal Skull isn't bad -- there are a few dazzling sequences, and a couple of good performances -- but the unprecedented blend of comedy and action that made the movies so much more fun than any other adventure series is mostly gone.

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text: The action is the movie's raison d'être, of course, but the setups are wittier than the payoffs.
created_at: 2018-11-01 16:18:37
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created_at: 2018-11-01 16:18:37
text:
  The character and plot contrivances are dumber than ever, but this is basically vaudeville, not narrative, and the thrills keep coming.

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created_at: 2018-11-01 16:18:37
text:
  Indiana Jones and the Kingdom of the Crystal Skull is probably the worst of the Indiana Jones movies, but it's still pretty much a delight, from the beginning almost until the end.

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text: Crystal Skull is a fun ride, but if we have to wait 19 years for the next one, that's OK by me.
created_at: 2018-11-01 16:18:37
extra_data:
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created_at: 2018-11-01 16:18:37
text:
  Nearly two decades after the last appearance, Indiana Jones is back, along with its diminishing returns and its aging principals and their trademark tools.

extra_data:
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created_at: 2018-11-01 16:18:37
text:
  We're also (relievedly) a long way away here from the strenuous self-importance of the Bruckheimer-era blockbuster, and one should never look even such modest gift horses in the mouth.

extra_data:
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created_at: 2018-11-01 16:18:37
text:
  It's romantic manliness at its purest, almost but not quite schmaltz, ideally calculated to please true believers and ironic snorters at once.

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created_at: 2018-11-01 16:18:44
text:
  It's only the latest indication that Christopher Nolan might be the slyest narrative tactician making movies today.

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created_at: 2018-11-01 16:18:44
text:
  Inception is that rare film that can be enjoyed on superficial and progressively deeper levels, a feat that uncannily mimics the mind-bending journey its protagonist takes.

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created_at: 2018-11-01 16:18:44
text:
  Even as you tick off the film's overload of references, though -- a Matrix here, a James Bond there -- the amazing effects and Cobb's quest carry you along.

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created_at: 2018-11-01 16:18:44
text:
  This endlessly fascinating swirl of a film could have come only from Nolan, who blends the cerebral twistiness of Memento (his thriller that moves backward in time) with the spectacular action of his Batman megahit, The Dark Knight.

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created_at: 2018-11-01 16:18:44
text:
  Like his protagonist, Nolan excels as an implanter of subversive ideas. This time, alas, he didn't dig quite deep enough for them to take root.

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created_at: 2018-11-01 16:18:44
text:
  Nolan's film is surely the most ambitious psychological thriller ever, and yet also the most personal. His baroque imagination makes most directors' efforts look like beach-pail sand castles alongside Mad King Ludwig's Neuschwanstein Castle.

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text: An astonishment, an engineering feat, and, finally, a folly.
created_at: 2018-11-01 16:18:44
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created_at: 2018-11-01 16:18:44
text:
  The ambition on display is so huge, and the filmmaking so intelligent, you'll emerge feeling as if you've just watched an entire season of the greatest sci-fi series never made.

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text: All it asks of viewers is that they do something rare: engage the intellect.
created_at: 2018-11-01 16:18:44
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created_at: 2018-11-01 16:18:44
text:
  By convoluting the various planes of experience, by overlapping and obscuring ostensible realities and ostensible dreams, Mr. Nolan deprives us the opportunity of investing emotionally in any of it.

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created_at: 2018-11-01 16:18:44
text:
  This is a popular entertainment with a knockout punch so intense and unnerving it'll have you worrying if it's safe to close your eyes at night.

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created_at: 2018-11-01 16:18:44
text:
  Nolan, like Cobb, is an assiduous extractor, and he knows how to wow audiences. But scaling big and thinking big are not the same thing. And dark, just because it's dark, isn't more artistic than light.

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text: A heist film of thrilling, almost delirious complexity.
created_at: 2018-11-01 16:18:44
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text: Pretty good, not bad, but brilliant it surely ain't.
created_at: 2018-11-01 16:18:44
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created_at: 2018-11-01 16:18:44
text:
  A spectacular fantasy thriller based on Nolan's own original screenplay, Inception is the smartest CGI head-trip since The Matrix.

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created_at: 2018-11-01 16:18:48
text:
  Fans of Steven Spielberg and George Lucas' Indiana Jones series may rest assured that the latest installment, Indiana Jones and the Last Crusade, is fully up to, as well as virtually indistinguishable from, its predecessors.

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created_at: 2018-11-01 16:18:48
text:
  Not surprisingly, Ford has most of the action here. But Connery -- in what is often a test of a true actor -- shows how much you can do with an essentially passive part.

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text: You want Adventure? Thrills? How about Rats?
created_at: 2018-11-01 16:18:48
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created_at: 2018-11-01 16:18:48
text:
  This is not so much a bad film as a machine-like one lacking the same energy as the original, which it most resembles.

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created_at: 2018-11-01 16:18:48
text:
  Jeffrey Boam's script dabbles with themes of neglect and reconciliation, but there's nothing ponderous about the duo's near death scrapes and light-hearted tussels over the same blonde Fräulein.

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created_at: 2018-11-01 16:18:48
text:
  The final section, in which Indy must claim the Grail and save his father's life, is imbued with a turgid, pop-mystical tone.

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created_at: 2018-11-01 16:18:48
text:
  Captures some of the sense of fun that infused the first movie while using the addition of Sean Connery to up the comedic ante and provide a father/son dynamic.

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created_at: 2018-11-01 16:18:48
text:
  Though Last Crusade lacks the novelty of Raiders (and, by the way, the flat-out breathless pacing of Temple of Doom), it's an entertaining capper to the trilogy.

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created_at: 2018-11-01 16:18:48
text:
  The fast pace and force-fed wisecracks are as seamless as ever, but rarely has audience laughter sounded as hollow.

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created_at: 2018-11-01 16:18:48
text:
  What was conceived as a child's dream of a Saturday matinee serial has evolved into a moving excursion into religious myth.

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created_at: 2018-11-01 16:18:48
text:
  As I watched it, I felt a real delight, because recent Hollywood escapist movies have become too jaded and cynical, and they have lost the feeling that you can stumble over astounding adventures just by going on a hike with your Scout troop.

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created_at: 2018-11-01 16:18:48
text:
  Even if he's considerably more battered than his nearest competitor, Indiana quits at the top of the heap. It's just that the heap isn't what it was eight years ago. It's been almost flattered to death.

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created_at: 2018-11-01 16:19:02
text:
  The film betrays no human impulse higher than that of a ten-year-old boy trying to gross out his baby sister by dangling a dead worm in her face.

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created_at: 2018-11-01 16:19:02
text:
  Part of the trouble is that anything clearly does go, including the slender hold on credibility that Raiders managed to maintain.

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created_at: 2018-11-01 16:19:02
text:
  It's not the darker turn that makes The Temple of Doom uncomfortable at times; it's its mean-spiritedness.

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text: Spielberg has come up with another rousing piece of entertainment.
created_at: 2018-11-01 16:19:02
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created_at: 2018-11-01 16:19:02
text:
  Again you will savor the Indiana Jones schizophrenia: by day a bow-tied, bespectacled archaeologist; by night a resourceful swaggerer, whom Ford brings to life as a modern blend of Bogie and the Duke, with just a glint of misfit psychopathy in his eyes.

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created_at: 2018-11-01 16:19:02
text:
  The kind of movie where your date is always grabbing your forearm in a viselike grip, as unbearable excitement unfolds on the screen. After the movie is over, you've had a great time but your arm is black-and-blue for a week.

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created_at: 2018-11-01 16:19:02
text:
  Too shapeless to be the fun that Raiders is, but shape may be beside the point. Old- time, 15-part movie serials didn't have shape. The just went on and on and on, which is what Indiana Jones does with humor and technical invention.

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created_at: 2018-11-01 16:19:12
text:
  This soulful, unabashedly lyrical film is best enjoyed by sinking into it like a sweet, sad dream. When you wake up, a mythical place and time will have disappeared forever. But you'll know that attention - briefly, beautifully - has been paid.

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created_at: 2018-11-01 16:19:12
text:
  This is one of the strangest yet most satisfying movie experiences of the year, one of those films in which you can't really appreciate what you've seen until it's over. You just have to trust that the trip is worth the trouble. And it is.

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created_at: 2018-11-01 16:19:12
text:
  Isaac, who also shared the screen with Mulligan in "Drive," may remind some moviegoers of the young Al Pacino. And like Pacino, he has a gift for being appealing even when he's unpleasant.

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created_at: 2018-11-01 16:19:12
text:
  When the Coen brothers commit to something, there's no half-stepping. Every street corner bristles with authenticity. Every song lands exactly where and how it should.

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created_at: 2018-11-01 16:19:12
text:
  If it weren't for a single forced, cheap scatological gag, I'd call this the Coens' most nearly perfect film.

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created_at: 2018-11-01 16:19:12
text:
  The broad, black humor of the Coens' early features has ripened over the years into a sadder, more philosophical brand of comedy (A Serious Man) that puts them in a class with Billy Wilder and Ernst Lubitsch (yeah, you heard me).

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created_at: 2018-11-01 16:19:12
text:
  You don't end up rooting for Llewyn Davis because there's not much to root for. And this imparts a weird sort of impersonality or cold-bloodedness to the film's core.

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created_at: 2018-11-01 16:19:12
text:
  The unreliable, brooding Llewyn is a prickly sort, making it a challenge for his industry - and movie audiences - to fully embrace him. And yet, the talent is undeniable.

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text: Some quibbles. But it's well worth seeing.
created_at: 2018-11-01 16:19:12
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created_at: 2018-11-01 16:19:12
text:
  The sad-funny story of a stubborn, talented Greenwich Village folk singer becomes a stunning, tragicomic paradigm of an artist's struggle in America.

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created_at: 2018-11-01 16:19:12
text:
  It never becomes more than one scene, followed by the next, and then another. Yet those scenes are easy to watch, and they have the Coens' signature humor.

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created_at: 2018-11-01 16:19:12
text:
  It's about a sensitive, confused young man in desperate pain, negotiating an identity crisis during an important moment in American cultural history.

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created_at: 2018-11-01 16:19:12
text:
  The whims of fate and vagaries of artistic success have never been so clearly defined, or so musically.

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created_at: 2018-11-01 16:19:12
text:
  There's not much of a plot to speak of, just a piercing, evocative sense of a time and place and the characters contained within it.

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text: The Coen brothers have crafted another unique period piece.
created_at: 2018-11-01 16:19:12
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text: Inside Llewyn Davis plays like some beautiful, foreboding, darkly funny dream.
created_at: 2018-11-01 16:19:12
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created_at: 2018-11-01 16:19:12
text:
  In the end you feel Llewyn's pain even as you realize he is a pain. Llewyn Davis is nobody you'd want to be inside.

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created_at: 2018-11-01 16:19:12
text:
  "Inside Llewyn Davis" is a transporting cinematic experience with a churl at its center, and how you feel about the movie may depend on how you feel about the churl.

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created_at: 2018-11-01 16:19:13
text:
  For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

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created_at: 2018-11-01 16:19:13
text:
  I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

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created_at: 2018-11-01 16:19:13
text:
  Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

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created_at: 2018-11-01 16:19:13
text:
  The performance of Christoph Waltz, playing the Nazi Gestapo figure Col. Hans Landa, is the highlight of the film. His ability to convey courtliness and sympathy and then go to commit the cruelest of horrors is simply superb.

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created_at: 2018-11-01 16:19:13
text:
  Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

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created_at: 2018-11-01 16:19:13
text:
  Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

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created_at: 2018-11-01 16:19:13
text:
  Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

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text: Like a bat to the head, it's not too subtle, but you can't help but watch.
created_at: 2018-11-01 16:19:13
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created_at: 2018-11-01 16:19:13
text:
  I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

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created_at: 2018-11-01 16:19:13
text:
  Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

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created_at: 2018-11-01 16:19:13
text:
  Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

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text: One of the best performances of the decade in one of the most entertaining movies of the year.
created_at: 2018-11-01 16:19:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erichardroeper%2Ecom%2Freviews%2Fid%2F115%2F&at%3Asource=Richard%20Roeper%2Ecom


created_at: 2018-11-01 16:19:13
text:
  War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

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created_at: 2018-11-01 16:19:13
text:
  Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

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created_at: 2018-11-01 16:19:13
text:
  Waltz will be unknown to most American audiences -- he was certainly unknown to me -- but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

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created_at: 2018-11-01 16:19:27
text:
  Without diminishing the deep transcendentalist yearnings of its young hero, Into the Wild builds to a climax of profound human connectedness, profound human pain.

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text: Penn's main idea about going native is making eye contact with a deer.
created_at: 2018-11-01 16:19:27
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eieweekly%2Ecom%2Fcms%2Fstory%2Fdetail%2Fthe_beast_within%2F21%2F&at%3Asource=I%2EE%2E%20Weekly


created_at: 2018-11-01 16:19:27
text:
  As [Hirsch] struggles with the elements, his increasing frailty and the cinematography's increasing grandeur mesh in a way that's at once iconic and wrenching.

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created_at: 2018-11-01 16:19:27
text:
  In its expansive spirit of investigation and embrace of life as a creative act, Into the Wild comes as close as any picture ever made to capturing the America that Jack Kerouac discovered half a century ago.

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created_at: 2018-11-01 16:19:27
text:
  Hirsch, who carries the film on his increasingly emaciated shoulders, performs heroically, but there's an edge missing.

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created_at: 2018-11-01 16:19:27
text:
  Sean Penn's Into the Wild is certainly visual -- it's entirely too visual, to the point of being cheaply lyrical.

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created_at: 2018-11-01 16:19:27
text:
  The photography is of the sort you'd find in any half decent nature documentary, with cloying emphasis placed firmly (and sometimes clumsily) on the idea that our neglectful, selfish and not to mention rampantly capitalist ways are destroying the planet.

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created_at: 2018-11-01 16:19:27
text:
  Super '70s in both style and sensibility, Into the Wild does for vagabond New Age souls what Deliverance did for misguided suburban macho.

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created_at: 2018-11-01 16:19:27
text:
  This is one of those movies I can imagine deciding is a masterpiece in a month's time. And by any measure, "Into the Wild" is a big leap forward for Penn as a director and deserves to be one of the most talked about films of the season.

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text: Beautifully structured and performed.
created_at: 2018-11-01 16:19:27
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created_at: 2018-11-01 16:19:27
text:
  A road movie with a lofty message that too frequently gets lost in its own thematic barrens. Whereas Krakauer's disturbing book sticks with you, Penn's movie, wrapped in the balloon of its fanciful rhetoric, just floats off.

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text: Sean Penn's spellbinding film adaptation of this book stays close to the source.
created_at: 2018-11-01 16:19:27
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created_at: 2018-11-01 16:19:27
text:
  Into the Wild takes your heart and shakes it, offering inspiration, exasperation and blunt realization in a true story of one young man's dream and nightmare.

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created_at: 2018-11-01 16:19:27
text:
  Sequences are gorgeously filmed by cinematographer Eric Gautier, and they're heady with the joy of discovery -- they make you want to hit the road into the magnificent landscape we forget is out there.

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created_at: 2018-11-01 16:19:45
text:
  "Interstellar" is a grand undertaking, but in shooting for the stars, it loses its footing. It goes to infinity and beyond, when infinity would have been plenty.

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created_at: 2018-11-01 16:19:45
text:
  Interstellar is thrilling to watch across its moments but ultimately unmemorable; I feel it slipping away from me even now.

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created_at: 2018-11-01 16:19:45
text:
  For a movie about transcending all manner of dimensions, "Interstellar" ultimately falls surprisingly flat.

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created_at: 2018-11-01 16:19:45
text:
  After the first hour, with its poignant depiction of humanity's decline, Interstellar always seems to be rebuilding its momentum, offering plenty to think about but little to hold on to.

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created_at: 2018-11-01 16:19:45
text:
  Nolan, a director often accused of coldness, finally got all mushy when he went to outer space. I can't solve that equation, but I've enjoyed trying to scratch it out.

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text: Interstellar may be a preposterous epic, but it is an epic nonetheless.
created_at: 2018-11-01 16:19:45
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created_at: 2018-11-01 16:19:45
text:
  It's a film I didn't exactly enjoy and can't say I would recommend. And yet as an event, as a singular movie-watching opportunity, it's undoubtedly worthwhile.

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created_at: 2018-11-01 16:19:45
text:
  Interstellar is an entertainment disaster for reasons that have dogged our films since they began: ridiculous story; implausible segues; laughable dialogue; the absence of character, drama, and command.

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created_at: 2018-11-01 16:19:45
text:
  Comes closer to mimicking the feel and structure of 20th-century hard sci-fi in the Arthur C. Clarke mode that just about any other movie.

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created_at: 2018-11-01 16:19:45
text:
  It's a mass audience picture that's intelligent as well as epic, with a sophisticated script that's as interested in emotional moments as immersive visuals. Which is saying a lot.

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created_at: 2018-11-01 16:19:45
text:
  By the closing credits, it seems possible that Nolan himself hails from another planet, and while he has tried diligently to show humanity in a flattering light, he lacks enough inside information to get it right.

extra_data:
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text: You thought Gravity was an immersive lost-in-space experience? Just you wait.
created_at: 2018-11-01 16:19:45
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eusmagazine%2Ecom%2Fentertainment%2Fnews%2Finterstellar-review-matthew-mcconaugheys-gripping-film-stands-out-2014511&at%3Asource=Us%20Weekly


created_at: 2018-11-01 16:19:45
text:
  What the neg-heads are missing about Interstellar is how enthralling it is, how gracefully it blends the cosmic and the intimate, how deftly Nolan explores the infinite in the smallest human details.

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created_at: 2018-11-01 16:19:45
text:
  Jessica Chastain deserves Best Supporting Actress consideration for her work. One of the most beautiful films I have ever seen.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erichardroeper%2Ecom%2Freviews%2Finterstellar%2Easpx&at%3Asource=Richard%20Roeper%2Ecom


text: There are many words to describe Interstellar. Entertainment isn't one of them.
created_at: 2018-11-01 16:19:45
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Finterstellar%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-11-01 16:19:45
text:
  The Nolans plant some actual characters onto that landscape, but it's too arid for anything interesting to grow.

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text: Disarmingly gentle, sweet and whimsical.
created_at: 2018-11-01 16:20:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2F2010%2F10%2F08%2Fmovies%2F08funny%2Ehtml&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:20:01
text:
  So many elements, from its setup to scenes of therapy sessions and hallway high jinks, seem as canned as the blandest dayroom Muzak.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fits-kind-of-a-funny-story%2C1163198%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:20:01
text:
  Above all, Fleck and Boden break the fourth wall brilliantly and frequently, and that inventiveness is one of the film's great charms.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fnews%2Fla-et-funny-story-20101008%2C0%2C2180035%2Estory&at%3Asource=Los%20Angeles%20Times


text: Mental illness is not inherently funny. But people acting crazy can be.
created_at: 2018-11-01 16:20:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eusatoday%2Ecom%2Flife%2Fmovies%2Freviews%2F2010-10-08-kindoffunny08_ST_N%2Ehtm&at%3Asource=USA%20Today


created_at: 2018-11-01 16:20:01
text:
  It's Kind of a Funny Story lacks substance, but after you've spent a short time in this ward, you have to agree with Craig: These crazies aren't so bad.

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text: A pleasant movie, but no more.
created_at: 2018-11-01 16:20:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F89081%2Fits-kind-of-a-funny-story%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:20:01
text:
  A funny and warm film that addresses its serious issues with sensitivity but refuses to become bogged down in somberness.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Efilm%2Ecom%2Ffeatures%2Fstory%2Freview-turns-out-depression-kind%2F41590033&at%3Asource=Film%2Ecom


text: The acting is strong, with Galifianakis doing an especially good job as the likeable Bobby.
created_at: 2018-11-01 16:20:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D2192&at%3Asource=ReelViews


created_at: 2018-11-01 16:20:01
text:
  ... limp and phony and cute, smothered in fantasy sequences... depicting serious mental illness as a series of charming quirks or stick-on makeup scars, peddling the same tired obligatory but-wait-maybe-it's-we-who-are-the-crazy-ones clichés.

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text: The film itself is fairly slight: I'm not sure what it adds up to. Still, I enjoyed every moment...
created_at: 2018-11-01 16:20:01
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonline%2Ewsj%2Ecom%2Farticle%2FSB10001424052748704696304575537913562672970%2Ehtml%3Fmod%3DWSJ_ArtsEnt_LifestyleArtEnt_2&at%3Asource=Wall%20Street%20Journal


created_at: 2018-11-01 16:20:01
text:
  Like a short course of intelligence-numbing anti-depressants: Though it may make you feel temporarily better, it's probably not worth the icky aftertaste.

extra_data:
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created_at: 2018-11-01 16:20:01
text:
  Despite the pleasant, loopy energy and fine performances -- Galiflanakis conjures a surprisingly sad character, and I grew fond of Gilchrist, with his impenetrable black eyes and rosebud mouth -- you walk out of it shaking your head.

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created_at: 2018-11-01 16:20:01
text:
  The journey is aided immeasurably by the casting of Keir Gilchrist as young Craig. He has dark, sensitive eyes and a probity about him that wins you to his side.

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created_at: 2018-11-01 16:20:01
text:
  Ryan Fleck and Anna Boden, the film's co-writing-directing team, are too principled to tip the film into the slacker reaches of sorrow.

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created_at: 2018-11-01 16:20:01
text:
  The writing-directing team of Ryan Fleck and Anna Boden have created a solid mix of serious, darker scenes and flights of fancy.

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text: Weird. And disappointing.
created_at: 2018-11-01 16:20:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Edetnews%2Ecom%2Farticle%2F20101008%2FENT02%2F10080303%2F1034%2Fent02%2FReview--%25E2%2580%2598Funny-Story%25E2%2580%2599-treats-mental-illness-too-lightly&at%3Asource=Detroit%20News


created_at: 2018-11-01 16:20:02
text:
  Anderson's projects have always had a meticulous quality to them, but "Isle of Dogs" is exacting to the point of alienation. Someone needs a leash.

extra_data:
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created_at: 2018-11-01 16:20:02
text:
  While the film's pace is speedy to a fault, it pauses just long enough to ponder the emotional contract between master and pet.

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text: Seriously, if I had a tail, I'd be wagging it.
created_at: 2018-11-01 16:20:02
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created_at: 2018-11-01 16:20:02
text:
  There's so much going on in "Isle of Dogs" that it probably has to be seen at least twice to be properly appreciated. How many films can you say that about?

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created_at: 2018-11-01 16:20:02
text:
  Wes Anderson "Isle of Dogs" is such a feast of illustrated imagination and subtle wit in its depiction of an exiled canine kingdom that the idea of a life lived under the heavy paw of our pooch overlords doesn't seem like such a bad one.

extra_data:
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created_at: 2018-11-01 16:20:02
text:
  By the time Anderson's animators show us a meal of sushi being prepared in meticulous close-up, I was ready for any trick Anderson wanted to perform for me. Isle of Dogs takes Best in Show.

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created_at: 2018-11-01 16:20:02
text:
  Even with a narrative that feels more like a diagram, even with some questionable decisions regarding cultural translation, Isle of Dogs bursts with its maker's drollery and contagious passion for the medium of film.

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created_at: 2018-11-01 16:20:02
text:
  It's true that Isle of Dogs is a film about scapegoating, political hysteria, and deportation. But it is also--and at its best--a film about dogs. May they never go unpetted.

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created_at: 2018-11-01 16:20:02
text:
  With the dark and enchanting animated parable "Isle of Dogs," Wes Anderson raises his little personal world to new, finely detailed heights.

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created_at: 2018-11-01 16:20:02
text:
  Isle of Dogs is in need of a stronger storyteller. And, yes, there are times when the cleverness starts to feel smug. I would have liked Isle of Dogs more if there had been less of it.

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created_at: 2018-11-01 16:20:02
text:
  Wes Anderson's joyous stop-motion feature looks and sounds like nothing we've encountered before, including his previous stop-motion feature, "Fantastic Mr. Fox," which was pretty wonderful too.

extra_data:
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created_at: 2018-11-01 16:20:02
text:
  The multilayered, cross-cultural results, especially in the postapocalyptic, quasi-Rube Goldberg environment of Trash Island, are continually inventive and always delightful.

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text: A delight, albeit one that is red in tooth and claw.
created_at: 2018-11-01 16:20:02
extra_data:
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created_at: 2018-11-01 16:20:02
text:
  Worth seeing and often very droll, as well as exactingly, rigorously, fastidiously composed, stop-motion frame by frame.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagotribune%2Ecom%2Fentertainment%2Fmovies%2Fsc-mov-isle-of-dogs-rev-0326-story%2Ehtml%23nt%3Doft13a-2gp1&at%3Asource=Chicago%20Tribune


created_at: 2018-11-01 16:20:02
text:
  It remains more a dazzling conceit or experiment rather than a realized whole. We stay on the outside, admiring its originality and all the talent that went into it, without ever really finding our way in.

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text: Maybe I'm just a cat person.
created_at: 2018-11-01 16:20:02
extra_data:
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created_at: 2018-11-01 16:20:02
text:
  This is a film where a character is literally whitewashed, an act that makes him more agreeable afterwards. Isle of Dogs treats this as a sight gag. It plays more like a confession.

extra_data:
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created_at: 2018-11-01 16:20:02
text:
  I was transfixed. There is so much to look at in "Isle of Dogs" that a second viewing is almost mandatory. You can forgive its fetishism. Mania this dedicated deserves its due.

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text: Wes Anderson's latest stop-motion movie is another lovely, artful trifle.
created_at: 2018-11-01 16:20:02
extra_data:
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created_at: 2018-11-01 16:20:02
text:
  "Isle of Dogs" is a visual bento box assembled by a gifted dilettante, an outsider who loves the art of a place but seems much less interested in its meaning to the people and culture that created it.

extra_data:
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text: The performance at the center just isn't up to the job.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Edetroitnews%2Ecom%2Farticle%2F20130816%2FENT02%2F308160026&at%3Asource=Detroit%20News


text: Jobs is the equivalent of a feature-length slow clap.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Evulture%2Ecom%2F2013%2F08%2Fmovie-review-jobs%2Ehtml&at%3Asource=New%20York%20Magazine%2FVulture


created_at: 2018-11-01 16:20:37
text:
  The irony is that a man who treasured innovation and sleek, stylish design should be the subject of a film that's so bland and bloated.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fchristylemire%2Ecom%2Fjobs%2F&at%3Asource=ChristyLemire%2Ecom


text: A blandly superficial treatment of a deeply complex man.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eusatoday%2Ecom%2Fstory%2Flife%2Fmovies%2F2013%2F08%2F15%2Fjobs-review%2F2581945%2F%3Futm_source%3Dfeedburner%26utm_medium%3Dfeed%26utm_campaign%3DFeed%253A%2BUsatodaycomMovies-TopStories%2B%2528Life%2B-%2BMovies%2B-%2BTop%2BStories%2529&at%3Asource=USA%20Today


created_at: 2018-11-01 16:20:37
text:
  Other than people who are mildly curious about the guy who put the smartphone in their pocket and the tablet computer in their knapsack, I'm not sure who "Jobs" was made for.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fentertainment%2Fmovies%2F219809941%2Ehtml&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-11-01 16:20:37
text:
  It's a film whose plea to the audience resembles Jobs' appeal to the crowd in that iPod-unveiling scene: "Believe this is important and exciting," it asks, "because I say so."

extra_data:
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text: A missed opportunity.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D2654&at%3Asource=ReelViews


created_at: 2018-11-01 16:20:37
text:
  Like the man it's about, "Jobs" is thin and unassuming, but keeps surprising you with ideas and innovation.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Ftv-movies%2Fjobs-movie-review-article-1%2E1426804&at%3Asource=New%20York%20Daily%20News


text: [A] merely serviceable film ...
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enpr%2Eorg%2F2013%2F08%2F15%2F211645809%2Flives-and-history-through-the-eyes-of-big-and-small%3Fft%3D1%26f%3D1045&at%3Asource=NPR


text: Not that the real man's career wasn't marked by conflict, but does Jobs have to be such a drag?
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fentertainment%2Etime%2Ecom%2F2013%2F08%2F15%2Fashton-kutcher-in-jobs-a-mythd-opportunity%2F&at%3Asource=TIME%20Magazine


text: There's a void inside the man that Kutcher never manages to fill.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgoingoutguide%2Fmovies%2Fjobs-movie-review%2F2013%2F08%2F14%2F2a4aef0a-0052-11e3-9711-3708310f6f4d_story%2Ehtml&at%3Asource=Washington%20Post


text: At its best, it's a good picture, and at its worst, it's almost good.
created_at: 2018-11-01 16:20:37
extra_data:
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text: It seems like an extended Apple ad, with a few gossipy asides, but less entertaining.
created_at: 2018-11-01 16:20:37
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eboston%2Ecom%2Fae%2Fmovies%2F2013%2F08%2F15%2Fjobs-review-apple-founder-gets-pulped-laborious-film%2F3lqeXtGzZr667Bj9MYSeVJ%2Fstory%2Ehtml&at%3Asource=Boston%20Globe


created_at: 2018-11-01 16:20:37
text:
  The movie itself, ultimately worshipful, ends up being Jobs-like in the cold way it treats flesh-and-blood people.

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created_at: 2018-11-01 16:20:37
text:
  It's an American success story of epic proportions, but Joshua Michael Stern's biopic of the Apple co-founder is hardly epic.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20130816__Jobs__no__Social_Network_%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:20:37
text:
  When a movie presents its subject as a messiah of intuitive design who insisted that corners never be cut and compromises never struck, it should at least attempt to emulate such exacting standards.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fjobs-2013&at%3Asource=RogerEbert%2Ecom


created_at: 2018-11-01 16:20:45
text:
  Juno may look like Knocked Up's kid sister, but it bests it on all fronts from jokes to emotional insight.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eieweekly%2Ecom%2Fcms%2Fstory%2Fdetail%2Flife_is_life%2F859%2F&at%3Asource=I%2EE%2E%20Weekly


created_at: 2018-11-01 16:20:45
text:
  Once [Page] - and her character - move beyond the too-cool-for-school act, Juno becomes something special, and memorable.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eazcentral%2Ecom%2Fent%2Fmovies%2Farticles%2F1213juno1214%2Ehtml&at%3Asource=Arizona%20Republic


created_at: 2018-11-01 16:20:45
text:
  Screenwriter Diablo Cody and director Jason Reitman make Juno the marvelously un-still center of a wistfully acerbic comedy that qualifies as a feminized version of Knocked Up.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enpr%2Eorg%2Ftemplates%2Fstory%2Fstory%2Ephp%3FstoryId%3D17376764&at%3Asource=NPR%2Eorg


text: What kind of movie is Juno? The rarity that plucks your heartstrings while tickling them.
created_at: 2018-11-01 16:20:45
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Finquirer%2Fcolumnists%2Fcarrie_rickey%2F20071214_Many_laughs_in_spite_of_it_all%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:20:45
text:
  Fierce without being cruel, sweet without becoming saccharine, and never short of hilarious, it's not only the best comedy of the year, but one of the best films, period.

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text: Juno invites you into a world you won't want to leave.
created_at: 2018-11-01 16:20:45
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fentertainment%2Fmovies%2F12476651%2Ehtml&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-11-01 16:20:45
text:
  Juno isn't a film made in the bell jar of unlikely reality that is, far too often, Hollywood: It's a film whose attention to real-life detail is so fine, audiences will be hopelessly and happily lost in its story from the first frame.

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created_at: 2018-11-01 16:20:45
text:
  It transcends its own genre. Only superficially a teen comedy, the movie redounds with postmodern -- but emotionally genuine -- gravitas.

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text: The movie is distinctive for its complicated emotions.
created_at: 2018-11-01 16:20:45
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fbriefs%2Fnextweek%2F32585_JUNO%2Ehtml&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:20:45
text:
  By its end, Juno, in its guilelessly chatty way, touches the heart -- and yes, I had tears in my eyes. This movie works, on its own terms.

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created_at: 2018-11-01 16:20:45
text:
  The best thing about this movie is that for all its wiseacre badinage, it's utterly believable about the most basic of human situations.

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created_at: 2018-11-01 16:20:45
text:
  Juno, the second feature directed by Jason Reitman, is far from great but it has qualities of feeling that lift it far above the ordinary.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2F2007%2F1214%2Fp12s03-almo%2Ehtml&at%3Asource=Christian%20Science%20Monitor


created_at: 2018-11-01 16:20:45
text:
  Juno is the best movie of the year. It's the best screenplay of the year, and it features the best actress of the year working with the best acting ensemble of the year.

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created_at: 2018-11-01 16:20:45
text:
  That smart, hip, human comedy you've been waiting for all year? The one with dialogue like a sugar rush and performances like grace notes? It's called Juno and it just arrived in theaters. Go forth and multiplex.

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text: That T. rex is worth the wait, but the wait itself is even more memorable.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evillagevoice%2Ecom%2F2013-04-03%2Ffilm%2Fjurassic-park-3d%2F&at%3Asource=Village%20Voice


created_at: 2018-11-01 16:20:58
text:
  Jurassic Park shows us a director in transition, and the film captures his transformation in its own kind of cinematic amber.

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created_at: 2018-11-01 16:20:58
text:
  The characters aren't much more well-defined than the anonymous victims of a teen horror movie... The dinosaur effects, however, are absolutely stunning, and sometimes so natural that one even forgets to be impressed.

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text: Jurassic Park doesn't have organic flow; it can't disguise its clunky, B-movie soul.
created_at: 2018-11-01 16:20:58
extra_data:
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text: The well-selected cast is winningly sympathetic and entertainingly idiosyncratic.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Fnews%2Fjurassic-park-review-1993-movie-802289&at%3Asource=Hollywood%20Reporter


created_at: 2018-11-01 16:20:58
text:
  Spielberg is still supreme as an action director, and when the T Rex makes beefburger of the jeep, or the vicious 'Raptors stalk their human prey, the film inspires wonder and awe.

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text: This is as close as any of us is likely to get to witnessing life in prehistoric times.
created_at: 2018-11-01 16:20:58
extra_data:
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created_at: 2018-11-01 16:20:58
text:
  Jurassic Park is an astonishing success in one sense and one sense only: It is the monster of all monster movies, guaranteed to challenge weak bladders, flutter heartbeats and win automatic Oscars for the [tech crew].

extra_data:
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text: There's more soul to be found in any Kong close-up than in this film's overplayed reactions.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F4883_JURASSIC_PARK&at%3Asource=Chicago%20Reader


text: Do the dinosaurs work? Indeed they do. Does anything else? Not really.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Farticles%2Elatimes%2Ecom%2F1993-06-11%2Fentertainment%2Fca-1933_1_jurassic-park&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:20:58
text:
  The enthralling man-vs.-nature parable based on the late Michael Crichton's best-selling novel hasn't aged one bit.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fjurassic-park-3d%2C1226720%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:20:58
text:
  Spielberg has gone on to weightier and more prestigious projects, but this thrill ride is one of his best and a masterpiece of the genre.

extra_data:
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created_at: 2018-11-01 16:20:58
text:
  Spielberg's peerless twin gift has always been for making the fantastic seem real (Close Encounters, E.T., the Indiana Jones trilogy) and the real fantastic (Jaws).

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text: This movie doesn't just stand the test of time, it transcends it.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ethestar%2Ecom%2Fentertainment%2Fmovies%2F2013%2F04%2F04%2Fjurassic_park_3d_teaches_an_old_dino_new_tricks_review%2Ehtml&at%3Asource=Toronto%20Star


created_at: 2018-11-01 16:20:58
text:
  "Jurassic Park" remains an absolute thrill from a Spielberg in top form: Funny, scary, fast-moving and full of just-right details.

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created_at: 2018-11-01 16:20:58
text:
  The 3-D process adds not just dimension but depth - a technological extension of cinematographer Gregg Toland's deep-focus innovations in The Grapes of Wrath and Citizen Kane. The change in perspective creates greater intensity.

extra_data:
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text: "Jurassic Park" was impressive in 1993. Twenty years later, it's flawless.
created_at: 2018-11-01 16:20:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgoingoutguide%2Fjurassic-park-3d-movie-review%2F2013%2F04%2F04%2F4b9abbe6-9c65-11e2-9bda-edd1a7fb557d_story%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:20:58
text:
  The earthshaking footfalls of these lizard-kings are palpable and terrifying. Spielberg's crew of dinosaur-effects artists has conjured up a Mesozoic menagerie whose realism outdoes anything in cinema history.

extra_data:
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created_at: 2018-11-01 16:20:58
text:
  For all the ingenuity of the movie's engineering, Jurassic Park doesn't have the imagination -- or the courage -- to take us any place we haven't been a thousand times before. It's just a creature feature on amphetamines.

extra_data:
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text: I'm a fan of this movie. It is thrilling, and the 3-D treatment is a nice enhancement.
created_at: 2018-11-01 16:20:58
extra_data:
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text: The film ultimately lacks the emotional charge it needs.
created_at: 2018-11-01 16:21:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Fjust-a-breath-away-dans-la-brume-review-1100996&at%3Asource=Hollywood%20Reporter


text: An amateur's take on the disaster movie.
created_at: 2018-11-01 16:21:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Erogerebert%2Ecom%2Ffestivals-and-awards%2Ffantasia-2018-just-a-breath-away-nightmare-cinema&at%3Asource=RogerEbert%2Ecom


created_at: 2018-11-01 16:21:31
text:
  Not only is this the work of a major and vital talent in full bloom, it's the most thrillingly entertaining American movie so far this year.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2FWWW%2ETheStar%2ECOM%2FNASApp%2Fcs%2FContentServer%3F%26amp;pagename%3Dthestar%2FLayout%2FArticle_Type1%26c%3DArticle%26cid%3D1065780324099%26call_pageid%3D1022183557980%26col%3D1022183560753&at%3Asource=Toronto%20Star


created_at: 2018-11-01 16:21:31
text:
  Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.

extra_data:
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text: This is some glorious filth -- in the most flattering, arterial-spraying sense of filth.
created_at: 2018-11-01 16:21:31
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text: It boggles the mind that after six years of silence, all Tarantino has to offer is this garbage.
created_at: 2018-11-01 16:21:31
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2003%2F10%2F10%2FDD25088%2EDTL&at%3Asource=San%20Francisco%20Chronicle


text: Simultaneously a spectacular act of movie-making and a slight movie.
created_at: 2018-11-01 16:21:31
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eglobeandmail%2Ecom%2Fservlet%2FArticleNews%2Fmovie%2FMOVIEREVIEWS%2F20031009%2FBILL09&at%3Asource=Globe%20and%20Mail


text: Delivered with such high panache and brio, it's mesmerizing.
created_at: 2018-11-01 16:21:31
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Fcontent%2Farticle%2F2003%2F10%2F10%2FAR2005033117139%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:21:32
text:
  People who stayed away from Vol. 1 because of its genre-dictated violence may find Vol. 2 so much fun that they'll want to catch up on Vol. 1.

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text: A soul-deadening experience.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Fcontent%2Farticle%2F2004%2F04%2F16%2FAR2005033113017%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:21:32
text:
  for all the craft that's gone into Kill Bill, Vol. 2, despite the chance Tarantino has taken in departing from the wham-bam movement of the first half, my final reaction to the movie is, so what?

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created_at: 2018-11-01 16:21:32
text:
  Where KB1 had the pace of an ADHD six-year-old on a sugar high, KB2 has been Ritalinized, its tempo slowed to a crawl in self-conscious, and self-defeating, imitation of Sergio Leone. It's two hours that feel like five.

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text: If Kill Bill - Vol. 1 was like a roundhouse kick to the head, Vol. 2 is practically a warm hug.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esunjournal%2Ecom%2Fnode%2F190922&at%3Asource=Associated%20Press


created_at: 2018-11-01 16:21:32
text:
  Vol. 2 fills in the motivational and emotional blanks that left the first movie tasting like a meal made only of appetizers.

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text: It's flawed but so audaciously unique that I can't imagine missing it if you love movies.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fseattletimes%2Enwsource%2Ecom%2Fhtml%2Fmovies%2F2001904327_kill16%2Ehtml&at%3Asource=Seattle%20Times


text: A comic book at heart, albeit a thoroughly, grandly romantic one in the end.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Fcontent%2Farticle%2F2004%2F04%2F16%2FAR2005033116449%2Ehtml&at%3Asource=Washington%20Post


text: A witty and entertaining action movie.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2004%2F04%2F16%2FDDGSK6522A1%2EDTL%26type%3Dmovies&at%3Asource=San%20Francisco%20Chronicle


text: If he doesn't take care Tarantino could make something significantly worse.
created_at: 2018-11-01 16:21:32
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echireader%2Ecom%2Fmovies%2Farchives%2F2004%2F0504%2F051404_2%2Ehtml&at%3Asource=Chicago%20Reader


text: Revenge is a meal that gets better with the second course.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2FWWW%2ETheStar%2ECOM%2FNASApp%2Fcs%2FContentServer%3Fpagename%3Dthestar%2FLayout%2FArticle_Type1%26c%3DArticle%26cid%3D1082109819330%26call_pageid%3D1022183557980%26col%3D1022183560753&at%3Asource=Toronto%20Star


text: A gargantuanly entertaining double feature.
created_at: 2018-11-01 16:21:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C1101040426-612388%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-11-01 16:21:32
text:
  So much cinematic majesty perched precariously atop so little common sense ... [but] a castle with a shaky foundation is still quite a sight.

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created_at: 2018-11-01 16:22:44
text:
  Structured like a Mad magazine parody where there's a promised joke in each frame. It doesn't add up to a movie.

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created_at: 2018-11-01 16:22:44
text:
  The Ladykillers is small and compact -- it doesn't kill, it's just a doodle -- but it's a very pleasant cartoon for grown-ups. It's some sweet fodder.

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created_at: 2018-11-01 16:22:44
text:
  While being far from the Coens' finest hour, it remains more intelligent and ambitious than most of what currently passes for Hollywood mainstream comedy.

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created_at: 2018-11-01 16:22:44
text:
  The remake -- which could have been shot anywhere and probably was filmed on a studio back lot -- has almost nothing coherent to say about Mississippi, though it does recycle a few cliches.

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created_at: 2018-11-01 16:22:44
text:
  Never settles into an assured rhythm, and instead the actors always seem to be pushing, putting the hard sell on an audience that, however distracted by the strenuousness of the sales pitch, still isn't buying.

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created_at: 2018-11-01 16:22:44
text:
  Not quite top-drawer Coen Bros., but good enough to make you wish it were, The Ladykillers is a case of being grateful for small pleasures.

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created_at: 2018-11-01 16:22:44
text:
  Always wildly signaling for us to notice it. Not content to be funny, it wants to be FUNNY! Have you ever noticed that the more a comedian wears funny hats, the less funny he is?

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created_at: 2018-11-01 16:22:44
text:
  Playing is the operative word since the visual whimsy gets equal billing with a mordant wit that's too much fun to be easily summed up as mere black comedy.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fseattletimes%2Enwsource%2Ecom%2Fhtml%2Fmovies%2F2001887800_lady26%2Ehtml&at%3Asource=Seattle%20Times


created_at: 2018-11-01 16:22:44
text:
  If you set your expectations low enough there are real laughs to be had, but coming to the Coens with low expectations somehow just feels wrong.

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created_at: 2018-11-01 16:23:17
text:
  This has to be one of the most completely realized comedies ever made, and, in its odd way, one of the most civilized.

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text: The chic stylishness of the characters comes over as overbearing rather than satirically revealing.
created_at: 2018-11-01 16:23:17
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F65509%2Fthe_discreet_charm_of_the_bourgeoisie%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:23:17
text:
  Luis Buñuel's 1972 comic masterpiece, about three well-to-do couples who try and fail to have a meal together, is perhaps the most perfectly achieved and executed of all his late French films.

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text: For about 45 minutes, it's actually rather droll.
created_at: 2018-11-01 16:23:17
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created_at: 2018-11-01 16:23:17
text:
  Most of the films of Luis Bunuel are comedies in one way or another, but he doesn't go for gags and punch lines; his comedy is more like a dig in the ribs, sly and painful.

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created_at: 2018-11-01 16:23:17
text:
  Luis Bunuel adds another fine film to his solid record with this surrealistically oriented tale of so-called bourgeois types.

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created_at: 2018-11-01 16:23:42
text:
  Now that the waiting is over and the shivers of suspense at an end, let the trumpets be sounded and the banners flung against the sky.

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created_at: 2018-11-01 16:23:42
text:
  Chaplin is at his most profound in suggesting that there is much of the Tramp in the Dictator, and much of the Dictator in the Tramp.

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created_at: 2018-11-01 16:23:42
text:
  Like all major Chaplin works, Dictator was a cheaply, but methodically, made film, a cardboard act of humanist defiance, and, thanks to its purity of purpose, the cheesier the jokes get, the harder they land.

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text: It is a funny film, which we expect from Chaplin, and a brave one.
created_at: 2018-11-01 16:23:42
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fthe-great-dictator-1940&at%3Asource=Chicago%20Sun-Times


created_at: 2018-11-01 16:23:42
text:
  It's when he is playing the dictator that the comedian's voice raises the value of the comedy content of the picture to great heights.

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created_at: 2018-11-01 16:23:42
text:
  The first full-blown talkie from the biggest star of the silent era, complete with a message that Chaplin couldn't have sent more loudly or clearly.

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created_at: 2018-11-01 16:26:02
text:
  Unfortunately, it conveys the sense that the machinery has already started to wear down, and the inventiveness to wear thin.

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created_at: 2018-11-01 16:26:02
text:
  With its feints at horror and pathos, the third Star Wars film is the most Disney-esque in its emotional outline, yet that outline is buried beneath an obnoxiously hyped-up pace that reduces the emotions to rubble.

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text: Highly entertaining.
created_at: 2018-11-01 16:26:02
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Freview97%2Freturnofthejedihowe%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:26:02
text:
  The trilogy is superior entertainment that, have assimilated its sources, has itself become the real thing, making movie history.

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created_at: 2018-11-01 16:26:02
text:
  Before this portion of the Star Wars saga is history, let us take time to praise the principal performers.

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created_at: 2018-11-01 16:26:02
text:
  It is not as exciting as Star Wars itself, which had the advantage of novelty. But it is better and more satisfying than The Empire Strikes Back...

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created_at: 2018-11-01 16:26:02
text:
  The characters and dialogue get lost somewhere between the bug-eyed monsters and the exploding spaceships, but it is all so much fun it probably really does not matter a whole lot.

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created_at: 2018-11-01 16:26:02
text:
  Though slow to pick up the pace and saddled with an anticlimatic sequence at the finish, Jedi is nonetheless reasonably fast paced for its 133-minute length, a visual treat throughout.

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created_at: 2018-11-01 16:26:02
text:
  Lucas has once again recycled the B movies of his youth: jungle movies, gangster movies, pirate movies, you name it. He culls bits from them that still have oomph and mounts them with a Sesame-Street zap.

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created_at: 2018-11-01 16:26:02
text:
  With every Jedi disappointment comes a new appreciation: for the genius of John Williams' music; for all that father-son stuff that once felt so mushy and now, with maturity, feels elemental; for Han's ironic-hero stance.

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created_at: 2018-11-01 16:26:02
text:
  "Return of the Jedi," the final act of George Lucas' first "Star Wars" trilogy, is the best one yet.

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created_at: 2018-11-01 16:26:02
text:
  The film is a huge, rousing finale that resolves all plot twists, settles all accounts, reunites old friends and sweeps to a climax that all but blows the theater apart.

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created_at: 2018-11-01 16:26:02
text:
  Though it looks almost too polished, a handful of eye-smacking action scenes were breakthroughs in precomputer cinematic graphics. And when the film moves, it does so with blazing energy and awesome noise.

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created_at: 2018-11-01 16:26:02
text:
  It's everything it ought to be -- glorious, exhilarating, exciting, absorbing, technically wondrous. But there also is something bittersweet in the knowledge that, with Jedi, we are bidding a fond farewell to all of the characters we got to know so well.

extra_data:
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created_at: 2018-11-01 16:26:02
text:
  Though the 1983 film's effects seem almost quaint by today's awesome standards, Jedi has something the newer movies don't: characters we care about, not to mention a plot that involves both them and us.

extra_data:
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created_at: 2018-11-01 16:26:02
text:
  At the end of it all, after the three movies, we've taken an epic fantasy journey. Lucas has in common with all great storytellers the ability to create a complete world.

extra_data:
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created_at: 2018-11-01 16:26:02
text:
  With this last of the central Star Wars cycle, there is the sense of the closing of a circle, of leaving behind real friends. It is accomplished with a weight and a new maturity that seem entirely fitting, yet the movie has lost none of its sense of fun.

extra_data:
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created_at: 2018-11-01 16:26:02
text:
  In scope and ambition, Jediresembles nothing so much as the next level of a computer game, with a new environment, new gadgets and new creatures.

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text: "Les Cowboys" keeps you off-kilter from the start.
created_at: 2018-11-01 16:26:50
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created_at: 2018-11-01 16:26:50
text:
  Bidegain can tell a sweeping story across several years and with multiple characters in very economical ways.

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created_at: 2018-11-01 16:26:50
text:
  Bidegain and cinematographer Arnaud Potier speak multitudes with wide-angle, slow-panning shots that immerse us in a post-9/11 quagmire that's never less than utterly personal.

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created_at: 2018-11-01 16:26:50
text:
  Remaking a classic John Ford western might sound like a good idea, but there's just one problem: You're not John Ford.

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created_at: 2018-11-01 16:26:50
text:
  It's John Ford's "The Searchers," French style, but director Thomas Bidegain has given the premise a unique flavor, crafting a fine, timely screenplay that skips over some years of the story but allows us to fill in the blanks.

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created_at: 2018-11-01 16:26:50
text:
  It proceeds with a hushed tone that wants to be taken for observant modesty, but eventually reveals itself as suffocating self-importance.

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created_at: 2018-11-01 16:26:50
text:
  Reaching across 15 years and multiple countries, "Les Cowboys" repurposes the narrative codes of the classic western to explore the complexities of a disrupted world.

extra_data:
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created_at: 2018-11-01 16:26:50
text:
  Bidegain ... respects the simple, melodramatic appeal of his story, and the primal emotions lurking beneath this story of parents and children torn apart.

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created_at: 2018-11-01 16:26:50
text:
  The strange, ever-changing result is, at times, as original as loose remakes come, with Bidegain using his hallowed source material as a springboard for something rare: a "writer's movie" that loses nothing in the jump from script to screen.

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created_at: 2018-11-01 16:26:50
text:
  Bidegain's approach respects his viewers' intelligence and rewards those willing to put in the work.

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created_at: 2018-11-01 16:26:50
text:
  It takes a lot of confidence for a director to pay homage to John Ford's "The Searchers" (1956), and in the case of Thomas Bidegain's "Les Cowboys" it is not altogether unwarranted.

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text: With all this working against it, Les Cowboys strikes a fresh chord.
created_at: 2018-11-01 16:26:50
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created_at: 2018-11-01 16:26:50
text:
  This modern western hits hard and stays with you. It's an auspicious debut for Bidegain as a director. As to whether it can stand shoulder to shoulder with The Searchers, that'll be the day.

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created_at: 2018-11-01 16:26:50
text:
  As uneven as it is, Les Cowboys nevertheless shows promise for Bidegain as a filmmaker with complexities on his mind and big territories to explore.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ethewrap%2Ecom%2Fles-cowboys-review%2F&at%3Asource=TheWrap


created_at: 2018-11-01 16:28:41
text:
  If there's an original moment in this movie, producer Joel Silver and director Richard Donner sincerely apologize.

extra_data:
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created_at: 2018-11-01 16:28:41
text:
  What this sequel delivers is still the kind of high-speed roller-coaster action that producer Joel Silver's films often do so well.

extra_data:
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created_at: 2018-11-01 16:28:41
text:
  Yes, there is a shot of Mel Gibson's bum, and, no, director-producer Richard Donner still hasn't learned the first thing about directing action so that it has any coherence or beauty.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Flethalweapon3rhinson_a0a771%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:28:41
text:
  They know what they're doing and how to do it, but we miss the sense of invention that brightened the earlier movies.

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created_at: 2018-11-01 16:28:41
text:
  Manages to be highly entertaining and sanctions all its violence by making the bad guys so despicable that death seems to be the only solution.

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text: The movie isn't going anywhere, but it goes in circles at top speed.
created_at: 2018-11-01 16:28:41
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D9E0CE3DA1F3EF936A25756C0A964958260%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:28:48
text:
  The climactic streetfighting clash between Mel and coldly charismatic martial arts star Jet Li is a bone-crunching classic.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F80324%2Flethal_weapon_4%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:28:48
text:
  Given the expectations that constrain it, Lethal Weapon 4 is probably the best motion picture that could possibly result from another teaming of Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover).

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created_at: 2018-11-01 16:28:48
text:
  There's no plot worth describing, no repartee wittier than 'Oh shut up,' no acting moments that rise above the level of posing.

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created_at: 2018-11-01 16:28:48
text:
  One could argue about which Lethal Weapon is the best, but No. 4 is certainly the funniest, warmest and most idiosyncratic.

extra_data:
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created_at: 2018-11-01 16:28:48
text:
  Lethal Weapon 4 has all the technical skill of the first three movies in the series, but lacks the secret weapon, which was conviction.

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created_at: 2018-11-01 16:28:50
text:
  It's all very pacy, with the overly straightforward plotting dimmed but not obscured by the hi-tech effects.

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created_at: 2018-11-01 16:28:50
text:
  Dalton revives the cool, ironic detachment of the Connery years, but he also allows a touch of obsession to show through Bond`s surface aplomb.

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created_at: 2018-11-01 16:28:50
text:
  With Dalton straightening out Bond for the second time, Licence to Kill continues the salvage operation begun in The Living Daylights and rescues a series that was in danger of shooting itself in the foot. With a Walther PPK, of course.

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created_at: 2018-11-01 16:28:50
text:
  You may find yourself shaken -- not stirred -- by the screenwriting cruelty and cynicism behind the 16th Bond.

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created_at: 2018-11-01 16:28:50
text:
  Dalton plays a straight-faced, humorless, no-nonsense Bond -- all guns and no play -- and it makes for a very dull time.

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created_at: 2018-11-01 16:28:50
text:
  Licence to Kill may be taut and gripping, but it's not traditional Bond, and that, as much as any other reason, may explain the public's rejection of this reasonably well-constructed picture.

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created_at: 2018-11-01 16:28:50
text:
  If the series is ever going to return to its Connery-era glory, it definitely needs some new writers, ones who know how to streamline a story and keep the dialogue tight.

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created_at: 2018-11-01 16:28:50
text:
  Despite some shaky narrative continuity and muddled motivations, this manages to move pretty briskly, and the action sequences are generally well handled, especially at the climax.

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created_at: 2018-11-01 16:28:50
text:
  Every once in a while, [the Bond series] pulls in its stomach, pops the gun from its cummerbund, arches its eyebrow and gets off another bull's-eye. The newest, Licence to Kill, is probably one of the five or six best of Bond.

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created_at: 2018-11-01 16:28:50
text:
  The Bond women are pallid mannequins, and so is the misused Dalton -- a moving target in a Savile Row suit. For every plausible reason, he looks as bored in his second Bond film as Sean Connery did in his sixth.

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text: The stunts all look convincing, and the effect of the closing sequence is exhilarating.
created_at: 2018-11-01 16:28:50
extra_data:
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created_at: 2018-11-01 16:28:50
text:
  The thrills-and-spills chases are superbly orchestrated as pic spins at breakneck speed through its South Florida and Central American locations.

extra_data:
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text: It is heartening to reflect that the best of Bill Murray may be yet to come.
created_at: 2018-11-01 16:28:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Farchive%2F2005%2F01%2F17%2F050117crci_cinema&at%3Asource=New%20Yorker


created_at: 2018-11-01 16:28:57
text:
  The Life Aquatic drifts along at a lazy pace, the occasional encounter with pirates notwithstanding.

extra_data:
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created_at: 2018-11-01 16:28:57
text:
  Like the film's fake fish, The Life Aquatic is endlessly fascinating to watch but, if you look closer, there's not much there.

extra_data:
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created_at: 2018-11-01 16:28:57
text:
  This take on undersea adventure movies, though studded with amusing bits, feels smug and self-satisfied, as if the quirkiness no longer is merely a by-product of the way Anderson views the world.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echron%2Ecom%2Fentertainment%2Fmovies%2Farticle%2FThe-Life-Aquatic-with-Steve-Zissou-1628392%2Ephp&at%3Asource=Houston%20Chronicle


created_at: 2018-11-01 16:28:57
text:
  It's one of the great mysteries of contemporary Hollywood that a talent as sideways as Wes Anderson gets bankrolled by a major, and not famously risky, studio like Disney.

extra_data:
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created_at: 2018-11-01 16:28:57
text:
  Noah Baumbach collaborated on the arch script, whose bittersweet weirdness leaves a residue even as the narrative disintegrates.

extra_data:
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created_at: 2018-11-01 16:28:57
text:
  Despite its cast and director, it's an amazingly unfunny movie, drowned in its own conceits, half-strangled by the tongue so obtrusively in its cheek.

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text: The film is often quite funny.
created_at: 2018-11-01 16:28:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fsfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2004%2F12%2F25%2FDDG9HAGIB41%2EDTL%26type%3Dmovies&at%3Asource=San%20Francisco%20Chronicle


text: Full of [Wes Anderson's] many trademark flourishes.
created_at: 2018-11-01 16:28:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecnn%2Ecom%2F2004%2FSHOWBIZ%2FMovies%2F12%2F24%2Freview%2Eaquatic%2Findex%2Ehtml&at%3Asource=CNN%2Ecom


text: If you go with it, you'll love the film.
created_at: 2018-11-01 16:28:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fcontent%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C1013221%2C00%2Ehtml&at%3Asource=TIME%20Magazine


text: Even when caught in a rut, Anderson's obsessive vision still yields many exhilarating surprises.
created_at: 2018-11-01 16:28:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eavclub%2Ecom%2Freview%2Fthe-life-aquatic-with-steve-zissou-4752&at%3Asource=AV%20Club


created_at: 2018-11-01 16:28:57
text:
  There's nothing wrong with Wes Anderson's The Life Aquatic With Steve Zissou that a digital insertion of Gene Hackman wouldn't solve.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Farticles%2FA24424-2004Dec24%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:29:04
text:
  Roberto Benigni's comic fable about one family's struggle to survive in a Nazi concentration camp is in offensively poor taste.

extra_data:
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created_at: 2018-11-01 16:29:04
text:
  Life is Beautiful has come under attack in some circles for mocking the Holocaust. Nothing could be further from the truth.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fmovies%2Fl%2Flife_beautiful%2Ehtml&at%3Asource=ReelViews


created_at: 2018-11-01 16:29:04
text:
  Its sentiment is inescapable, but genuine poignancy and pathos are also present, and an overarching sincerity is visible too.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie981023-8%2C0%2C4892031%2Estory&at%3Asource=Los%20Angeles%20Times


text: The picture doesn't work, at least not to the extent it was intended to.
created_at: 2018-11-01 16:29:04
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F1998%2F10%2F30%2FDD61426%2EDTL&at%3Asource=San%20Francisco%20Chronicle


text: You'll laugh! You'll cry! You'll smile through the evils of genocide!
created_at: 2018-11-01 16:29:04
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C285619%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-11-01 16:29:04
text:
  The lesson that Benigni ultimately imparts is that it's easy to convince a child horror doesn't exist as long as it stays out of the way while the two of you are goofing off.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecnn%2Ecom%2FSHOWBIZ%2FMovies%2F9811%2F10%2Freview%2Elifeisbeautiful%2F&at%3Asource=CNN%2Ecom


created_at: 2018-11-01 16:29:04
text:
  Yes, there are heaps of charm and poignancy in this trifle, but it's a trifle nonetheless -- light-and-bright, for sure, but also slight-and-trite.

extra_data:
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created_at: 2018-11-01 16:29:04
text:
  In the real death camps there would be no role for Guido. But Life Is Beautiful is not about Nazis and Fascists, but about the human spirit.

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text: Still holds up beautifully, as both pointed satire and silly, stakes-free comedy.
created_at: 2018-11-01 16:29:14
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Fcontent%2Farticle%2F2004%2F05%2F28%2FAR2005033113001%2Ehtml&at%3Asource=Washington%20Post


text: A king-size cult comedy hit.
created_at: 2018-11-01 16:29:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eguidelive%2Ecom%2Fprofile%3Ffid%3D12%26id%3D359826&at%3Asource=Dallas%20Morning%20News


text: I've always considered it the group's nadir; it seems toothlessly silly.
created_at: 2018-11-01 16:29:14
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Findex%2Ehtml%2Fmovies%2Fcapsules%2F6328_MONTY_PYTHONS_LIFE_OF_BRIAN&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:29:14
text:
  There is little doubt that The Life of Brian represents some of the most daring and cutting edge comedy of the 1970s.

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created_at: 2018-11-01 16:29:14
text:
  The more things change, the more we have to laugh if we are to have a prayer of remaining sane, and the Pythons are the best possible step in that direction.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-et-turan30apr30%2C2%2C6496242%2Estory&at%3Asource=Los%20Angeles%20Times


text: Brian's life is pure hell. And very funny to watch.
created_at: 2018-11-01 16:29:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Flife-brian-review-1979-movie-1030493&at%3Asource=Hollywood%20Reporter


created_at: 2018-11-01 16:29:14
text:
  Funny, in that peculiar British way where jokes are told sideways, with the obvious point and then the delayed zinger.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Flife-of-brian-1979&at%3Asource=Chicago%20Sun-Times


text: The greatest work of religious skepticism ever put on the screen.
created_at: 2018-11-01 16:29:14
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eboston%2Ecom%2Fae%2Fmovies%2Farticles%2F2004%2F05%2F07%2Fafter_25_years_life_of_brian_silliness_still_stings&at%3Asource=Boston%20Globe


text: Just as wacky and imaginative as their earlier film outings.
created_at: 2018-11-01 16:29:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117792588%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-11-01 16:29:31
text:
  Lincoln is the work of a different director, one truly fascinated by why his subjects do what they do, one who invests each moment with the artistry he has often reserved for setpieces.

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created_at: 2018-11-01 16:29:31
text:
  The true tussle of the movie, however, is between the Spielberg who, like a cinematic Sandburg, is drawn aloft toward legend and the Spielberg who is tugged down by Kushner's intricate screenplay toward documentary grit.

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created_at: 2018-11-01 16:29:31
text:
  If it sounds like so much backroom politicking, it is. But it's exceptionally interesting, entertaining backroom politicking.

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created_at: 2018-11-01 16:29:31
text:
  Lincoln is a stirring reminder that politics can be noble. Might there be a lesson here for today's shrill D.C. discourse? 'Tis a consummation devoutly to be wished.

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created_at: 2018-11-01 16:29:31
text:
  Lincoln is a film about the arts of suasion-one that encompasses oratory and extortion, conciliation and conspiracy, arms twisted and cheeks turned. It is a film, in short, about politics.

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created_at: 2018-11-01 16:29:31
text:
  Day-Lewis' voice is thin and reedy, which jibes with historical accounts but subverts our expectations. His attitude makes listeners lean in, and so do we, magnetized by his kindly reserve.

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created_at: 2018-11-01 16:29:31
text:
  There are long stretches that are as quiet, contemplative, and austere as anything Spielberg has ever done.

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text: 'Lincoln' works as a snapshot of a great man without ever slipping into a portrait of sainthood.
created_at: 2018-11-01 16:29:31
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text: It's very good, but that's not the point. It's necessary.
created_at: 2018-11-01 16:29:31
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Egoogle%2Ecom%2Fsearch%3Fhl%3Den%26q%3DThe%2BNew%2BRepublic%2Bmovie%2Breviews%26btnI%3DI%2527m%2BFeeling%2BLucky&at%3Asource=The%20New%20Republic


created_at: 2018-11-01 16:29:31
text:
  It's the most remarkable movie Steven Spielberg has made in quite a spell, and one of the things that makes it remarkable is how it fulfills those expectations by simultaneously ignoring and transcending them.

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created_at: 2018-11-01 16:29:31
text:
  Lincoln paints a powerful and compelling portrait of the man who has become an icon. We don't need to see more of his life to understand how rare a figure he was - this window is more than sufficient.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D2552&at%3Asource=ReelViews


created_at: 2018-11-01 16:29:31
text:
  Spielberg is legendary for his visual feasts, yet he serves us this turkey with no relish. There's scarcely a memorable image in the entire film.

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created_at: 2018-11-01 16:29:31
text:
  Lincoln offers proof of what magic can happen when an actor falls in love with his character. Because as great as Day-Lewis has been in his many parts, he has never seemed quite so smitten.

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created_at: 2018-11-01 16:29:31
text:
  Lincoln serves history better than it does the multiplex, and that's a brave and worthy thing in a time of slippery truths and splintered attention spans.

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created_at: 2018-11-01 16:29:31
text:
  Day-Lewis's Lincoln is the spiritual center of the film, but he's ringed by a multitudinous cast of characters.

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created_at: 2018-11-01 16:29:31
text:
  "A richly detailed interpretation of all the backroom deals, political horse- trading and compromises Lincoln and his allies had to make to put an end to slavery in America.

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created_at: 2018-11-01 16:29:31
text:
  Its characters, people who lived long ago and who tended to be much more loquacious than a 140-character burst would allow, somehow seem to breathe the same air we do.

extra_data:
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created_at: 2018-11-01 16:29:31
text:
  The film masterfully captures the dual dilemmas facing the president in the final months of his life: how to bring the war between the states to an end, and how to eradicate slavery, once and for all.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20121116_As_Lincoln__Daniel_Day-Lewis_stands_very_tall%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:29:32
text:
  Its themes are universal. Everyone has a home, and everyone feels connected to it, no matter how far they travel.

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created_at: 2018-11-01 16:29:32
text:
  Garth Davis uses close-ups sparingly and hits no false notes; cinematographer Greig Fraser creates a child's perspective by setting the camera at the hero's eye level and conveys the grandeur of India through sweeping panoramic and overhead shots.

extra_data:
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text: If you don't cry at the conclusion you need to retrieve your heart out of cold storage.
created_at: 2018-11-01 16:29:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eazcentral%2Ecom%2Fstory%2Fentertainment%2Fmovies%2Fbillgoodykoontz%2F2016%2F12%2F22%2Flion-movie-review-nicole-kidman-dev-patel%2F95674646%2F&at%3Asource=Arizona%20Republic


created_at: 2018-11-01 16:29:32
text:
  Davis offers sweeping cinematic shots, with a soundtrack that is pleasingly epic, but the second act is a bit skimpy, script-wise.

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created_at: 2018-11-01 16:29:32
text:
  Unless you are an utterly immovable cynic, the Australian melodrama Lion will coax out tears of sadness and of pure joy.

extra_data:
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text: "Lion" is a family film in the best sense.
created_at: 2018-11-01 16:29:32
extra_data:
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created_at: 2018-11-01 16:29:32
text:
  While the film is neither novel nor revolutionary, it's the kind of cinematic warm blanket that feels very comforting and satisfying right now...That it's a true story...makes it all the more affecting.

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text: The beginning is harrowing and the end is heartbreaking.
created_at: 2018-11-01 16:29:32
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created_at: 2018-11-01 16:29:32
text:
  Because of Patel's electrifying and deeply nuanced performance, Lion ultimately delivers the emotional punch it has promised all along.

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created_at: 2018-11-01 16:29:32
text:
  Lion represents a commitment from those involved and, flaws aside, it's an amazing tale of resilience and determination.

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created_at: 2018-11-01 16:29:32
text:
  Patel easily grows to fill the needs of this complex and conflicted character, a man caught between two worlds, two cultures and two families.

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created_at: 2018-11-01 16:29:32
text:
  Lion is really two beautifully shot films -- the tenacious story of young Saroo Brierley, lost far from home, and the less dramatic, slightly forced, story of him all grown up and looking for his past.

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created_at: 2018-11-01 16:29:32
text:
  "Lion" has one of those plot lines that feels like a Hollywood screenplay - except it actually happened.

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created_at: 2018-11-01 16:29:32
text:
  Rarely does a film plotting the Internet amount to much more than a series of glowing screens. Lion, a fact-based story and auspicious feature debut by Garth Davis, makes for a captivating exception.

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created_at: 2018-11-01 16:29:32
text:
  A heart-wrenching true story, with what could be one of the great child-actor performances of all time.

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text: See it and I promise your own heart will skip a beat with happiness and joy.
created_at: 2018-11-01 16:29:32
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text: Lion is a beautifully told, uplifting story of courage and determination.
created_at: 2018-11-01 16:29:32
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created_at: 2018-11-01 16:29:32
text:
  "Lion" is a complex movie, with its profound themes of home and identity, and its tonally disparate halves. A smartly understated approach to Brierley's story holds it all together.

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created_at: 2018-11-01 16:29:32
text:
  Lion celebrates the human will and the human need to find meaning and connection in life. If the final scenes don't have you blubbering, your humanity may need some fine-tuning.

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text: "Lion" is shameless and heartfelt and you'll probably have a good, happy cry at the end.
created_at: 2018-11-01 16:29:32
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created_at: 2018-11-01 16:29:41
text:
  If the film sometimes feels overwrought -- and at once too long and too short -- its subtle motifs and loud silences, as well as the enormity of its subject matter, keep us absorbed until the devastating end.

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created_at: 2018-11-01 16:29:41
text:
  It's a lot to digest, and, after a time, Live and Become feels overextended. But the themes will reach most audiences. And the cast, particularly the actors playing Schlomo, are talented charmers.

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text: A sprawling, truth-based tale held together by a remarkable trio of performances.
created_at: 2018-11-01 16:29:41
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created_at: 2018-11-01 16:29:41
text:
  Both a love story and inspirational tale of an individual finding peace with himself in a hostile environment.

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created_at: 2018-11-01 16:29:41
text:
  With the secret 1985 airlift of thousands of Ethiopian Jewish refugees into Israel as a historical starting point, writer-director Radu Mihaileanu turns one fictional boy's story into a loaded, didactic drama about survival, adaptation, and identity.

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created_at: 2018-11-01 16:29:41
text:
  The bounty of incident is balanced by knowing humor, compelling characters and a dedicated compassion toward those for whom the search for home sends their head, heart and feet flying in all directions.

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created_at: 2018-11-01 16:29:41
text:
  In turning over the question of what makes a person a Jew -- not to mention what makes a person belong to any society -- Live and Become is worthy of attention.

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text: The bad guys' omnipotence at nearly every turn dilutes the film's suspense.
created_at: 2018-11-01 16:29:56
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created_at: 2018-11-01 16:29:56
text:
  It's not remotely plausible, but with Willis' McClane leaping onto the tailfins of passing jet fighters and bringing down helicopters by launching police cars at them, there's enough stuff blowing up that action fans won't mind much.

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created_at: 2018-11-01 16:29:56
text:
  But ultimately it's [Bruce] Willis who makes this loopy action movie so endearing...Nobody dies it better.

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created_at: 2018-11-01 16:29:56
text:
  Live Free or Die Hard may work better for an audience that doesn't know much about the series than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane.

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created_at: 2018-11-01 16:29:56
text:
  Terrific entertainment, and startlingly shrewd in the bargain, a combination of minimalist performances -- interestingly minimalist -- and maximalist stunts that make you laugh, as you gape, at their thunderous extravagance.

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created_at: 2018-11-01 16:29:56
text:
  Movie characters like McClane are the Paul Bunyans and John Henrys and Pecos Bills of our age, the stuff of tall tales spun with the technology of an age whose campfires are found in multiplexes with stadium seating.

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created_at: 2018-11-01 16:29:56
text:
  What's the fourth "Die Hard" called? I keep forgetting. "Die Hard: With a Pension"? "Die Hardened Arteries"? "Die Laughing"?

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created_at: 2018-11-01 16:29:56
text:
  An enjoyable pop projection of post-9/11 anxiety. That said, it also makes you nostalgic for the days when irresponsible action movies didn't have to deal with it.

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text: Easily the best in the series since the first one.
created_at: 2018-11-01 16:29:56
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created_at: 2018-11-01 16:29:56
text:
  The post-9/11 techno-terrorist stuff works, the fights are creative and funny, and Willis is in top form in his career-defining role.

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created_at: 2018-11-01 16:29:56
text:
  It is a movie born to be forgotten-except as something that against your better judgment, you had a pretty good time watching back in the summer of '07.

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created_at: 2018-11-01 16:29:56
text:
  This paradox comes with an attendant fallacy: that the best way to solve the static problem is to make the stunts even larger, the bangs even bigger. Wrong: More action just stops the film longer.

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created_at: 2018-11-01 16:29:56
text:
  Live Free or Die Hard is indeed a worthy successor to the original -- not perhaps quite as good, but close.

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created_at: 2018-11-01 16:30:33
text:
  Standing out amid an excellent cast is Elijah Wood, stymied by tweeness in the earlier films but here convincingly developing the character of Frodo as the embodiment of valor and self-sacrifice.

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created_at: 2018-11-01 16:30:33
text:
  As I watched this film, an eager victim of its boundless will to astound, I found my loyal memories of the book beginning to fade.

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text: This is the best of the three Rings movies -- more than that, it makes the others look even better.
created_at: 2018-11-01 16:30:33
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created_at: 2018-11-01 16:30:33
text:
  Yes, the running time is long, and yes, those many endings in a slow, dreamy coda left me feeling spent -- better spent than I can ever remember.

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created_at: 2018-11-01 16:30:33
text:
  The Return Of The King ultimately proves up to the series' increasingly difficult task: making movies that echo legends, making legends that reflect life, and reconciling it all with the fact that both legends and lives all eventually meet their ends.

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text: A movie for our time, perhaps for all time, mostly a good time and definitely a long time.
created_at: 2018-11-01 16:30:33
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created_at: 2018-11-01 16:30:33
text:
  Completes the picture, magnificently so, and all honour and praise are due the visionaries behind the project.

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created_at: 2018-11-01 16:30:33
text:
  Pops your eyes, excites your senses and brings you in as close as a whisper for scenes of startling emotion.

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text: The film event of the millennium.
created_at: 2018-11-01 16:30:33
extra_data:
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created_at: 2018-11-01 16:30:33
text:
  Return of the King is such a crowning achievement, such a visionary use of all the tools of special effects, such a pure spectacle, that it can be enjoyed even by those who have not seen the first two films.

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created_at: 2018-11-01 16:30:33
text:
  The thrilling conclusion to what has become the film event of our time -- the definitive screen fantasy -- features more spellbinding moments, bigger battles, more emotion and more poetry than the terrific first two films in the trilogy.

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created_at: 2018-11-01 16:30:33
text:
  Both the longest film in the series and the most confidently paced, striking an ideal balance of combat and camaraderie.

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created_at: 2018-11-01 16:30:33
text:
  Some story strands are crudely abbreviated; others fail to develop elements that were already well-established.

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text: The production design is a marvel, and the special effects are dazzling.
created_at: 2018-11-01 16:30:36
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text: The Fellowship of the Ring is an unqualified triumph. More, please.
created_at: 2018-11-01 16:30:36
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text: I left exhausted, happy, intoxicated.
created_at: 2018-11-01 16:30:36
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created_at: 2018-11-01 16:30:36
text:
  Masterfully paced, the movie builds slowly, introducing the mythology, habitats and lifestyles of Tolkien's creatures.

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text: You can get gloriously lost in this.
created_at: 2018-11-01 16:30:36
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created_at: 2018-11-01 16:30:36
text:
  If Fellowship hasn't rescued an otherwise dreadful year, it at least gives us something to look forward to -- same time, next year.

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created_at: 2018-11-01 16:30:36
text:
  Against all odds in an era of machine-made spectaculars, Mr. Jackson and his collaborators have created a film epic that lives and breathes, that's swept by almost palpable weather (much of it stormy).

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created_at: 2018-11-01 16:30:36
text:
  It's full of scenic splendors with a fine sense of scale, but its narrative thrust seems relatively pro forma, and I was bored by the battle scenes.

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created_at: 2018-11-01 16:30:36
text:
  A nerve-jangling, pictorially beautiful, mostly engrossing phantasmagoria of ghouls and warriors, oozing ambitions and towering dark castles, waylaid only by an occasional dip into the bog of exposition.

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created_at: 2018-11-01 16:30:36
text:
  As an allegory of war and world dominance, Ring is weighty stuff, and Jackson gives it appropriate resonance.

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text: If we're not careful, Peter Jackson's The Lord Of The Rings could give hype a good name.
created_at: 2018-11-01 16:30:37
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created_at: 2018-11-01 16:30:37
text:
  The real deal, a movie epic that pops your eyes out, piles on thrills and fun, and yet stays intimately attuned to character.

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text: An excellent film and a ripping yarn of a movie.
created_at: 2018-11-01 16:30:37
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Feurope%2Fta%2Fmagazine%2F0%2C9868%2C188807%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-11-01 16:30:37
text:
  An enthusiastic visionary set loose on one of the biggest playgrounds ever constructed, Jackson brings more personality to the series' first installment, The Fellowship Of The Ring, than typically seeps into a franchise of this magnitude.

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created_at: 2018-11-01 16:30:37
text:
  In unveiling the Holy Grail for action-fantasy aficionados, director and co-writer Peter Jackson has begun a series to rival Star Wars in the pantheon.

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created_at: 2018-11-01 16:30:38
text:
  When Gandalf arrives with reinforcements, descending a near-vertical slope using horses where you or I would use snowboards, the spirit of triumphant rampage is something rarely glimpsed since the days of Olivier and Henry V.

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created_at: 2018-11-01 16:30:38
text:
  It's a thrilling three-hour epic that flies at a gallop, boasts the most impressive computer graphics yet created, and succeeds smashingly as grownup drama and kid-captivating fantasy.

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created_at: 2018-11-01 16:30:38
text:
  What's remarkable is how immediately, after a full year, The Two Towers seizes your attention, and how urgently it holds you through three seamless, action-packed hours.

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created_at: 2018-11-01 16:30:38
text:
  The movie is a monument to a talented fan-boy's passion: You emerge into the light with your heart pounding, ears ringing, head swimming, and gasp, 'That's entertainment!'

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created_at: 2018-11-01 16:30:38
text:
  Part two is more a straight-ahead action flick, substituting brawn and brawling for the pastoral radiance of the first film.

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text: One fabulous Middle-earth show.
created_at: 2018-11-01 16:30:38
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text: More graphic in its violence and more fantastic in its imaginings than the first film.
created_at: 2018-11-01 16:30:38
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F22971_LORD_OF_THE_RINGS_THE_TWO_TOWERS&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:30:38
text:
  The battle for Gollum's mind also provides a fitting teaser conclusion to the second act of a story I'm beginning to wish would never end.

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created_at: 2018-11-01 16:30:38
text:
  To live up to expectations, The Two Towers only had to be as good as its predecessor -- and, astoundingly, it's better.

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created_at: 2018-11-01 16:30:38
text:
  A few sloggy spots aside, The Two Towers is an outstanding effort that maintains the integrity and purpose that distinguished The Fellowship of the Ring.

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text: This is what the fans were really waiting for when they envisioned Tolkien's world on film.
created_at: 2018-11-01 16:30:38
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text: Spectacular in every sense of the word, even if you don' t know an Orc from a Uruk-Hai.
created_at: 2018-11-01 16:30:38
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text: A thrilling work of film craft.
created_at: 2018-11-01 16:30:38
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text: Convincing, gripping, whole and nourishing.
created_at: 2018-11-01 16:30:38
extra_data:
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created_at: 2018-11-01 16:30:38
text:
  In size and scale, Jackson has redefined the word 'epic' -- but his attention to the small things really gives this series its awesome stature.

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text: George Lucas should watch this and hang his head in shame.
created_at: 2018-11-01 16:30:38
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created_at: 2018-11-01 16:30:51
text:
  Anyone who thinks making movies is easy needs to see this hilariously painful cautionary tale. It's a tribute to Gilliam that he never once took off his mike or asked the filmmakers to stop rolling.

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created_at: 2018-11-01 16:30:51
text:
  A fascinating glimpse at the fragile ecosystem of a movie shoot, but I'm bound to say that I don't share its view of Gilliam.

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text: Captures one of the wildest, most heartbreaking episodes in Gilliam's career.
created_at: 2018-11-01 16:30:51
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2003%2F01%2F31%2FDD206370%2EDTL&at%3Asource=San%20Francisco%20Chronicle


text: Should be required viewing for all film-school students, aspiring filmmakers and studio suits.
created_at: 2018-11-01 16:30:51
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created_at: 2018-11-01 16:30:51
text:
  I'd like Lost in La Mancha more if it didn't take the easy but misleading route of dovetailing Gilliam's frustrations into Welles's, and then dovetailing both into Quixote's.

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created_at: 2018-11-01 16:30:51
text:
  The filmmakers, Louis Pepe and Keith Fulton, get perilously close to the glitches and backbiting, the mad logistical frustrations that derailed Gilliam's Quixote.

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created_at: 2018-11-01 16:30:51
text:
  Gilliam himself is a joy to behold. His wit stays sharp even as his fortunes dull, and the conditions that conspire against him only prove the mettle in our man of La Mancha.

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text: Some films end with a whimper; this one banged into a stone wall.
created_at: 2018-11-01 16:30:51
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text: A fascinating chronicle of bad luck, bad faith and bad weather all striking on the same day.
created_at: 2018-11-01 16:30:51
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created_at: 2018-11-01 16:30:51
text:
  [Works best] as an entry in the genre of Hollywood schadenfreude pioneered by the 1991 Apocalypse Now documentary Hearts of Darkness.

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created_at: 2018-11-01 16:31:00
text:
  Of course, Mr. Murray gets all the laughs with his exquisite timing and wry delivery, but Ms. Johansson makes an eloquent and charismatic listener.

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created_at: 2018-11-01 16:31:00
text:
  Lost in Translation is a fortunate encounter between a young talent on the rise and an old pro still hitting his stride.

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text: With this film it becomes clear that Sofia Coppola is a filmmaker with eyes all her own.
created_at: 2018-11-01 16:31:00
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fid%2F60078&at%3Asource=Newsweek


created_at: 2018-11-01 16:31:00
text:
  Very much a mood piece, the film's deft balance of humor and poignancy makes it both a pleasurable and melancholy experience.

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created_at: 2018-11-01 16:31:00
text:
  So far as the central relationship goes, the film is almost European in its subtlety and nuance. Cinematic cherry blossom.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F80732%2Flost_in_translation%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:31:00
text:
  By the end of Lost in Translation, we don't know much about Japan, but we know a lot more about the human condition.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fstories%2F1553%2F4103507%2Ehtml&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-11-01 16:31:00
text:
  How instinctively we react -- and connect -- when a film captures a feeling that is all too common, and all too real.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2FWWW%2ETheStar%2ECOM%2FNASApp%2Fcs%2FContentServer%3F%26amp;pagename%3Dthestar%2FLayout%2FArticle_Type1%26c%3DArticle%26cid%3D1063966664086%26call_pageid%3D1022183557980%26col%3D1022183560753&at%3Asource=Toronto%20Star


created_at: 2018-11-01 16:31:00
text:
  Lost in Translation revels in contradictions. It's a comedy about melancholy, a romance without consummation, a travelogue that rarely hits the road.

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text: Offers a rousing reminder of the power (and eccentricities) of the pissed-off proletariat.
created_at: 2018-11-01 16:31:17
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F88075%2Flouise-michel%2Ehtml&at%3Asource=Time%20Out


text: It shows Altman's stylistic signature in embryonic form.
created_at: 2018-11-01 16:31:29
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F72906%2Fmash%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:31:29
text:
  The finest American comedy since Some Like It Hot, the Mr. Roberts of the Korean War, The Graduate of 1970, and the film that has been expected from director Robert Altman for some short time.

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created_at: 2018-11-01 16:31:29
text:
  This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste.

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text: One of the reasons M*A*S*H is so funny is that it's so desperate.
created_at: 2018-11-01 16:31:29
extra_data:
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created_at: 2018-11-01 16:31:29
text:
  Although it is impudent, bold, and often very funny, it lacks the sense of order (even in the midst of disorder) that seems the special province of successful comedy.

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text: In the end M.A.S.H. succeeds, in spite of its glaring faults.
created_at: 2018-11-01 16:31:29
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117793008%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-11-01 16:31:34
text:
  What little story there is Noé has chopped into small bits and spread out sparingly, like a chef squeezing a feast from a meager pantry.

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created_at: 2018-11-01 16:31:34
text:
  Almost all of the action takes place in the bedroom. There is certainly nothing wrong with that, but a little more character dimension would have made these between-the-sheet sessions a lot more charged.

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created_at: 2018-11-01 16:31:34
text:
  Noé clearly wants to chart his own path, but as his movie chronicles that desire rather than realizing it, Noé mainly succeeds at broadcasting his intentions. That's an achievement in its own right, if not enough to make for a satisfying movie.

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text: Shot for shot it's a gorgeous film with a romantic naturalism that's wonderful to get swept up in.
created_at: 2018-11-01 16:31:34
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewrepublic%2Ecom%2Farticle%2F123317%2Fhow-3d-film-real-sex-stays-intimate&at%3Asource=The%20New%20Republic


created_at: 2018-11-01 16:31:34
text:
  Ironic that a movie that's so explicitly about intimacy should only feel intimate when it gets its characters to leave the house.

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text: A sincere but repetitive drone of a picture... "Love" feels deeply, but not complexly.
created_at: 2018-11-01 16:31:34
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ethewrap%2Ecom%2Flove-review-gaspar-noe%2F&at%3Asource=TheWrap


created_at: 2018-11-01 16:31:34
text:
  The sex scenes are pretty hot, though their power is diminished by the characters' limited intelligence.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Flove%2FMovieTimes%3Foid%3D19869888&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:31:34
text:
  As if all its artistic energy had been gobbled up by the fornication, "Love" has nothing left with which to build its characters or set them in motion.

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created_at: 2018-11-01 16:31:34
text:
  Strictly judged by the yardstick of sex films, it's actually pretty conventional in its configurations of bodies and positions, and nothing one couldn't see with a couple of clicks on the Internet.

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created_at: 2018-11-01 16:31:34
text:
  Glusman's failure to rise to the occasion (except in one sense) makes "Love'' a chore to sit through.

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created_at: 2018-11-01 16:31:34
text:
  Perhaps the lovemaking would have more juice if the characters weren't so shallow, and their dialogue so flat. Equally thin are the performances of the three leads ...

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created_at: 2018-11-01 16:31:34
text:
  Why so explicit? Because, Noe might reply, that's what love looks and feels like for a generation raised on porn, self-affirmation, and hookups.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Flove%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-11-01 16:31:34
text:
  A courageously personal account of an aspiring filmmaker torn between the mother of his child and the one that got away.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2015%2Ffilm%2Ffestivals%2Flove-review-gaspar-noe-cannes-1201502134%2F&at%3Asource=Variety


text: Cinematic satisfaction is denied in Love 3D, an exercise in bedroom boredom by France's Gaspar Noé.
created_at: 2018-11-01 16:31:34
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ethestar%2Ecom%2Fentertainment%2Fmovies%2F2015%2F11%2F12%2Flove-3d-fails-to-satisfy-review%2Ehtml&at%3Asource=Toronto%20Star


created_at: 2018-11-01 16:31:34
text:
  When "Love" works, Noé achieves a lulling, melancholic frenzy about sex and memory, but the foundation isn't strong enough to make his movie ever seem more than a stereoscopic fermata: one envelope-pushing note held way too long.

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text: "Love" may not always be enjoyable, but it leaves an abiding mark.
created_at: 2018-11-01 16:31:34
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Flove-2015&at%3Asource=RogerEbert%2Ecom


created_at: 2018-11-01 16:31:34
text:
  "Love" drags on and on, alternating between arguments and intimacy, breakups and makeups. The movie never passes the authenticity test; if this is what sex feels like, we'll all soon be extinct.

extra_data:
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created_at: 2018-11-01 16:31:34
text:
  Noé seems unwilling to accept that art requires editing - it is, by definition, artifice. It demands the artist make choices, rather than try to cram an entire catalog of experiences down the viewer's throat.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20151106__Love___Actually__sex__sex__and_more_sex%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:31:35
text:
  The whole thing is monumentally gruesome and just as monumentally cynical, a riot of grisly clichés designed to titillate and amuse.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echron%2Ecom%2Fdisp%2Fstory%2Empl%2Fent%2Fmovies%2Fmobile%2F7184084%2Ehtml&at%3Asource=Houston%20Chronicle


text: Rodriguez combines sharp satire and timely political commentary with a decidedly B-movie ethos.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eusatoday%2Ecom%2Flife%2Fmovies%2Freviews%2F2010-09-03-machete03_ST_N%2Ehtm&at%3Asource=USA%20Today


created_at: 2018-11-01 16:31:35
text:
  The movie is ham-handed, repetitive, and rhythm-less -- a mess that's uglier than its hero and nowhere near as likable.

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text: Brimming with infectious energy -- a well-made movie in the style of poorly made movies.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Efilm%2Ecom%2Ffeatures%2Fstory%2Freview-machete-plays-its-strengths%2F40416513&at%3Asource=Film%2Ecom


created_at: 2018-11-01 16:31:35
text:
  Machete works because at no time does it ever ask the audience to take any of this too seriously, yet the nudges and winks are never so forceful that it feels like it's begging for your laughter.

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created_at: 2018-11-01 16:31:35
text:
  I have nothing against films that take political stances, but an exploitation flick? It's off-putting. I'd prefer to sit back and bask in the carnage and R-rated silliness.

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text: Now we have a full-length Machete movie, and it turns out that, as usual, less is more.
created_at: 2018-11-01 16:31:35
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text: Machete makes no apologies for its absurdities or silliness, making it an over-the-top thrill ride.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estltoday%2Ecom%2Fentertainment%2Fmovies%2Freviews%2Farticle_077ca01f-2439-5241-a7aa-cb3dd917a6fc%2Ehtml&at%3Asource=St%2E%20Louis%20Post-Dispatch


text: It's a movie that just wants to have fun. To a large degree, it succeeds.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fmachete%2C1162735%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:31:35
text:
  This gleefully excessive pastiche of an exploitation picture delivers everything promised by its own faux trailer.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F88575%2Fmachete%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:31:35
text:
  There's a fine line between clever and stupid, as the Spinal Tap lads reminded us, and Machete grinds that line on a razor's edge.

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text: A loud, giddy, carnal blast from one of cinema's most relentless schlock auteurs.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edallasnews%2Ecom%2Fsharedcontent%2Fdws%2Fent%2Fmovies%2Freviews%2Fstories%2F090210dngdmachete%2E51aa1e2%2Ehtml&at%3Asource=Dallas%20Morning%20News


created_at: 2018-11-01 16:31:35
text:
  Sorry, mis amigos, wrong decades. The modern B-movie would seem to be devoted to self-conscious fun. More laughs, but fewer real chills.

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text: The pace is swift, the tone playful, the screenplay peppered with one-liners.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2F2010%2F09%2F03%2Fmovies%2F03machete%2Ehtml&at%3Asource=New%20York%20Times


text: It's hard to think of another film this summer that offers such sheer anarchic fun.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20100903_Rodriguez_s__Machete__tears_it_up_as_grindhouse_fare%2Ehtml&at%3Asource=Philadelphia%20Inquirer


text: It's absurd, absolutely insane and a lot of fun.
created_at: 2018-11-01 16:31:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fentertainment%2Fmovies%2F102084693%2Ehtml%3Felr%3DKArksD%3AaDyaEP%3AkD%3AaUnc5PDiUiD3aPc%3A_Yyc%3AaULPQL7PQLanchO7DiUr&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-11-01 16:31:35
text:
  It's basically a one-joke exercise heading toward the inevitable big battle between vigilantes and Mexicans. There's lots of gore, flesh and fun along the way, but it gets repetitious.

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created_at: 2018-11-01 16:31:54
text:
  For pure rhythm and visual panache, Miller has few real competitors; the climactic chase, with its deft variation of tempo and point of view, is a minor masterpiece.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F7806_ROAD_WARRIOR&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:31:54
text:
  Miller's choreography of his innumerable vehicles is so extraordinary that it makes Spielberg's Raiders of the Lost Ark look like a kid fooling with Dinky Toys.

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text: A straightforward action/adventure film, filled to the brim with over-the-top chases and stunts.
created_at: 2018-11-01 16:31:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D748&at%3Asource=ReelViews


text: Exhilarating entertainment -- and a textbook for sophisticated, popular moviemaking.
created_at: 2018-11-01 16:31:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C925397%2C00%2Ehtml%3Fpromoid%3Dgooglep&at%3Asource=TIME%20Magazine


text: A film of pure action, of kinetic energy organized around the barest possible bones of a plot.
created_at: 2018-11-01 16:31:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fmad-max-2--the-road-warrior-1981&at%3Asource=Chicago%20Sun-Times


created_at: 2018-11-01 16:31:54
text:
  Director Miller keeps the pic moving with cyclonic force, photography by Dean Semler is first class, editing is supertight, and Brian May's music is stirring.

extra_data:
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text: An extravagant film fantasy that looks like a sadomasochistic comic book come to life.
created_at: 2018-11-01 16:31:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3DEE05E7DF173BE571BC4051DFB2668389699EDE%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:32:28
text:
  The good news is that once the gears of the plot kick in, Allen's expert comic timing proves as beguiling as ever.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fgoodbye-mr-gibson-192876&at%3Asource=Newsweek


created_at: 2018-11-01 16:32:28
text:
  That Woody Allen found time to be remotely funny -- in the midst of his highly publicized legal troubles -- surely merits some kind of professional award.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fmanhattanmurdermysterypghowe_a0afee%2Ehtm&at%3Asource=Washington%20Post


text: A movie inspired by movie escapism. Minor, but surprisingly, almost defiantly upbeat.
created_at: 2018-11-01 16:32:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F72680%2Fmanhattan_murder_mystery%2Ehtml&at%3Asource=Time%20Out


text: Nobody labors quite like Woody Allen to produce a modest entertainment.
created_at: 2018-11-01 16:32:28
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created_at: 2018-11-01 16:32:28
text:
  Happily, these two stir up stardust memories of his earlier, funnier work, instead of the embarrassing voyeurism of "Husbands and Wives."

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text: "Manhattan Murder Mystery" is an accomplished balancing act.
created_at: 2018-11-01 16:32:28
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created_at: 2018-11-01 16:32:32
text:
  Frot's performance is so towering, so convincing, that it smooths out all the film's rough edges. It's a triumph.

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created_at: 2018-11-01 16:32:32
text:
  Meryl Streep will soon play Jenkins in another movie, but it's hard to imagine anyone improving on the mix of hilarity and heartbreak this transplanted, fictional version achieves.

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created_at: 2018-11-01 16:32:32
text:
  Giannoli wisely doesn't treat the deluded diva like an utter laughingstock, but like a nice woman who enjoys sharing her prosaic Sunday paintings in a lavish museum.

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text: Poses sharp questions about the nature of art and who it's for.
created_at: 2018-11-01 16:32:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Fmarguerite&at%3Asource=Time%20Out


created_at: 2018-11-01 16:32:32
text:
  Frot salvages any of the film's shortcomings with her nuanced performance of Marguerite, a sweet and isolated woman completely oblivious to her lack of talent.

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created_at: 2018-11-01 16:32:32
text:
  It's an often witty, smoothly shot film with a couple of extraneous subplots and some last-act psychology that feels contrived. But Frot shines.

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created_at: 2018-11-01 16:32:32
text:
  Catherine Frot gives a heartrending performance as the title character, an aging baroness in 1920s Paris who feverishly pursues a classical singing career despite her utter lack of talent.

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created_at: 2018-11-01 16:32:32
text:
  "Marguerite," in French with English subtitles, declares itself to have been "inspired by a true story." That usually means the story's truth was buried beneath layers of contrivance, but the key word here is "inspired."

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text: A thoughtful examination of an unusual, deeply eccentric woman.
created_at: 2018-11-01 16:32:32
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created_at: 2018-11-01 16:32:32
text:
  In the end, the movie gives voice not just to Marguerite's deficiencies as a singer but also to emotional frailties that are too human and familiar.

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text: "Marguerite" achieves what the protagonist herself never managed: perfect pitch.
created_at: 2018-11-01 16:32:32
extra_data:
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created_at: 2018-11-01 16:32:32
text:
  We laugh during "Marguerite," but we don't laugh at Marguerite, because somehow director and co-writer Xavier Giannoli persuades us to see in her the universal tragedy.

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created_at: 2018-11-01 16:32:32
text:
  Frot's performance, as a woman so caught up in the joy of music that she doesn't quite understand how bad she is, is particularly delightful, and often quite moving.

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created_at: 2018-11-01 16:32:32
text:
  Pezzini is a terrific comic creation: an arrogant, money-grubbing divo who, by encouraging Marguerite, must fight every fiber of his being. And yet even here, Giannoli doesn't aim strictly for laughs.

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created_at: 2018-11-01 16:32:32
text:
  The film is a little long; a couple of subplots could be shed with no problem. But "Marguerite" is a shining star, a film that will set you laughing and thinking in equal measure.

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created_at: 2018-11-01 16:32:32
text:
  If someone had said to Marguerite early on, "Listen. You can't sing," would it have made a difference? Would she have been happy? But Marguerite is undeniably happy when she sings. It's an ethical quandary, one the film has a lot of fun exploring.

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created_at: 2018-11-01 16:32:32
text:
  What redeems it is Ms. Frot's subtle, deeply compassionate portrayal of a rich, lonely woman clutching at an impossible dream until reality intrudes.

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text: Marguerite is a powerful film.
created_at: 2018-11-01 16:32:32
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created_at: 2018-11-01 16:32:32
text:
  "Marguerite" is a dark delight, a cringe comedy that skirts tragedy throughout, examining delusion, entitlement, denial and the question of whether the truth is essential.

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created_at: 2018-11-01 16:32:32
text:
  It piles too much on its serving plate, and at 129 minutes it's definitely overlong. But it has Frot, an actress with the wise, patient eyes of a cat, and she invests Marguerite with the multiple meanings the rest of the film elegantly fumbles.

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created_at: 2018-11-01 16:32:37
text:
  The story's gradual shift into over-50 romantic-comedy territory is somewhat unexpected but also rather lovely ...

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text: Unfortunately, it's not very good.
created_at: 2018-11-01 16:32:53
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text: Only moderately amusing.
created_at: 2018-11-01 16:32:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Freview96%2Fmarsattackshowe%2Ehtm&at%3Asource=Washington%20Post


text: A stillborn affair that could have been -- and should have been -- a whole lot hipper and funnier.
created_at: 2018-11-01 16:32:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D1668&at%3Asource=ReelViews


text: Not as much fun as it should be.
created_at: 2018-11-01 16:32:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie961213-1%2C0%2C3908983%2Estory&at%3Asource=Los%20Angeles%20Times


text: Hilarity never seemed so tedious.
created_at: 2018-11-01 16:32:53
extra_data:
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created_at: 2018-11-01 16:32:53
text:
  Perhaps they don't create quite enough deeply funny earthlings to go around, but a thoroughly meanspirited big-budget movie is always a treasurable rarity.

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created_at: 2018-11-01 16:32:53
text:
  This may not be a Christmas movie, but it sure captures the elusive spirit of the season, and the simple pleasure is contagious.

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text: Sadly empty exercise.
created_at: 2018-11-01 16:32:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Freview96%2Fmarsattackskemp%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:32:53
text:
  First he made Ed Wood, a tribute to the man fondly recalled as the worst movie director of all time. Now Tim Burton seems to have made a tribute to Wood's work.

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created_at: 2018-11-01 16:32:53
text:
  A throwaway piece of pop ephemera, like a '90s Casino Royale, momentarily arresting and soon forgotten.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Esalon%2Ecom%2Fdec96%2Fmars961216%2Ehtml&at%3Asource=Salon%2Ecom


created_at: 2018-11-01 16:33:01
text:
  The design is bright as a button and the transformation scenes real eye-poppers, but the film's best special effect is putty-faced Carrey with his razzle-dazzle star turn as the affable Stanley and his manic alter ego.

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created_at: 2018-11-01 16:33:01
text:
  Carrey and his aggressive overbite are back, but this time he's better used as an ingredient instead of as the plot.

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created_at: 2018-11-01 16:33:01
text:
  As a comedy, The Mask is genial, but its recycled plot is far too thin for the film to succeed as either an adventure or a spoof.

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created_at: 2018-11-01 16:33:01
text:
  If a movie star was born in Ace Ventura, he is christened in The Mask. Quite simply, this is the best and freest crazy comedy to come along since Beetlejuice.

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created_at: 2018-11-01 16:33:01
text:
  Even without the state-of-the-art, boundary-busting computerized effects from Industrial Light & Magic, Carrey's a human cartoon, and his spontaneous, Avery-esque, anything-for-a-laugh outrageousness makes this otherwise blank Mask a must-see.

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text: The results are easy to watch, though awfully familiar and simpleminded.
created_at: 2018-11-01 16:33:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F11915_MASK&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:33:01
text:
  Not only is he adept at physical humor, the kind of knockabout stuff that recalls the classic silent clowns, but Carrey also has a bright and likable screen presence, a lost puppy quality that is surprisingly endearing.

extra_data:
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created_at: 2018-11-01 16:33:01
text:
  Carrey now has the clout to find a vehicle worthy of his hyperactive gooniness. When he does, we'll see if he's truly a jester for our time or simply the moron of the moment.

extra_data:
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text: Doesn't have any more material than a Tex Avery cartoon.
created_at: 2018-11-01 16:33:01
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fthemaskpg13kempley_a0a47c%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:33:01
text:
  The Mask is a perfect vehicle for the talents of Jim Carrey, who underwhelmed me with Ace Ventura, Pet Detective but here seems to have found a story and character that work together with manic energy.

extra_data:
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created_at: 2018-11-01 16:33:01
text:
  When his face turns green and his limbs get limber, Carrey's pretty much unstoppable. This cartoon-y creation is an amazing fusion of physical comedy and state-of-the- art cinema illusion.

extra_data:
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text: Every social group is reduced to the crudest cliché.
created_at: 2018-11-01 16:33:41
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Fme-myself-and-mum&at%3Asource=Time%20Out


created_at: 2018-11-01 16:33:43
text:
  Poignant without being melodramatic, overflowing with unforced charm, Me and Earl and the Dying Girl holds a unique appeal that's certain to last.

extra_data:
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created_at: 2018-11-01 16:33:43
text:
  It's a fine line between being gratingly self-conscious and really smart; more times than not, "Me and Earl and the Dying Girl" comes out on the winning side of that equation.

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text: At once earnest and flip, capturing teen angst without wallowing in teen drama.
created_at: 2018-11-01 16:33:43
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created_at: 2018-11-01 16:33:43
text:
  A quirky, self-aware dramedy with a vibe that is at turns wiseacre and wise, with tear-jerking moments that are never maudlin and comic moments that are authentic.

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text: "Me and Earl and the Dying Girl" is a must-see - and one of the best films of the year.
created_at: 2018-11-01 16:33:43
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created_at: 2018-11-01 16:33:43
text:
  There's an air of precocious genius around "Me and Earl and the Dying Girl," which despite its glum title is an inspired existential comedy.

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created_at: 2018-11-01 16:33:43
text:
  There's plenty to like here, but the movie focuses on the least interesting person on the screen, a curious choice considering we're talking life and death.

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created_at: 2018-11-01 16:33:43
text:
  Nearly every drop of human experience in it is mediated by movies, not in some Godardian assault on false Hollywood narratives but to flatter an audience too self-consciously hip to swallow this story straight.

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created_at: 2018-11-01 16:33:43
text:
  The Citizen Kane of teen cancer tearjerkers, Alfonso Gomez-Rejon's funny and bruising Sundance sensation is like The Fault in Our Stars remade for Criterion Collection fetishists.

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created_at: 2018-11-01 16:33:43
text:
  The biggest flaw in Me and Earl and the Dying Girl is right there in the title: the first word, specifically.

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created_at: 2018-11-01 16:33:43
text:
  Affecting without being overly sentimental, humorous without being inappropriately comedic, and quirky without being self-indulgent.

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created_at: 2018-11-01 16:33:43
text:
  Mann is simply perfect for the role, and Cooke and Cyler bring a weight to their characters that lends a necessary balance to the movie's tone.

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created_at: 2018-11-01 16:33:43
text:
  Somewhere along the way Earl eases up on the suburban-Wes Anderson whimsy and starts to find its heart, infusing the story's self-conscious cleverness and trick-shot set pieces with something sweeter, sadder, and even a little bit profound.

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created_at: 2018-11-01 16:33:43
text:
  The filmmaking from Alfonso Gomez-Rejon is hyper-stylized and a bit wonky at times, with a few odd security camera angles thrown into the mix. But it's also energetic and mostly fun to watch, especially the glimpses of their "awful" movies.

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created_at: 2018-11-01 16:33:43
text:
  Cooke never allows us to feel sorry for Rachel, even when things are looking grimmest. It takes a real actress to pull that off.

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text: A weepy romance that tries hard to be quirky and cool. More sincerity might have helped.
created_at: 2018-11-01 16:33:43
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created_at: 2018-11-01 16:33:43
text:
  A pandering, self-flattering mess, featuring unearned catharsis, lazy clichés and characters presented in broad, sometimes-offensive stereotypes.

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created_at: 2018-11-01 16:33:43
text:
  There are many reasons to fault "Me and Earl and the Dying Girl," but it's sweet enough, and smart enough, to overcome every one of those reasons.

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created_at: 2018-11-01 16:33:43
text:
  I found myself relishing the skill of the cast and laughing at the sharply turned dialogue while wincing at the self-consciousness of the storytelling and the self-congratulatory pop-culture references.

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text: Teen lit will be back, but "The Death Cure" is lost in a maze of its own design.
created_at: 2018-11-01 16:33:44
extra_data:
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created_at: 2018-11-01 16:33:44
text:
  As silly as they sound, these movies are pretty well made, capable of outsize action and teary intimacy.

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created_at: 2018-11-01 16:33:44
text:
  While the final Maze Runner is a rough go at times, it nevertheless sticks the landing, with a forgivable bit of wobble.

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created_at: 2018-11-01 16:33:44
text:
  The third and final entry in the sci-fi series based on the books by James Dashner will give fans of the first two exactly what they're looking for.

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created_at: 2018-11-01 16:33:44
text:
  For better and for worse, it's an overwhelming experience. And just when you think it's over, there's another coda, and then another.

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text: The Death Cure is a grim, half-hearted farewell to this wave of young-adult dystopias.
created_at: 2018-11-01 16:33:44
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created_at: 2018-11-01 16:33:44
text:
  Interminable dull stretches blunt the impact of undeniably exciting action sequences, making the series finale unlikely to leave even fans wanting more.

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text: "The Death Cure" is the biggest budgeted, most bloated and longest running entry for the franchise.
created_at: 2018-11-01 16:33:44
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text: Rarely can I remember a movie filled with so many miraculous rescues and associated contrivances.
created_at: 2018-11-01 16:33:44
extra_data:
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created_at: 2018-11-01 16:33:44
text:
  The overlong movie lurches from chase to battle to soul-searching quietude - and then back again - in frustratingly generic action-movie style. It's just one darn thing after another.

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text: It's watchable, often surprisingly fun, and largely devoid of personality.
created_at: 2018-11-01 16:33:44
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created_at: 2018-11-01 16:33:44
text:
  While a reliance on obvious feelings doesn't make for great Oscar bait, it certainly drives a taut, wholly enjoyable action flick, such as "The Death Cure."

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text: "Maze Runner" pushes it to the limit and ultimately ends up spent.
created_at: 2018-11-01 16:33:44
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fla-et-mn-maze-runner-death-cure-review-20180125-story%2Ehtml&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:33:44
text:
  As easy as it is to criticize the script's broad strokes and improbable getaway schemes, it's hard to argue with the lessons it imparts: Be loyal, be brave, leave no friend behind.

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text: It's...not great. But it's better than it has any right to be.
created_at: 2018-11-01 16:33:44
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fmaze-runner-the-death-cure%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-11-01 16:33:44
text:
  Cheers to star Dylan O'Brien for returning to complete his starring role after his serious stunt injury in Maze 2, but the third time's a yawn for this YA dystopia series

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text: In the end, "The Death Cure" makes for thrilling, if not deep-reaching, entertainment.
created_at: 2018-11-01 16:33:44
extra_data:
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created_at: 2018-11-01 16:33:44
text:
  The Maze Runner is the rare series that has improved with each installment, expanding beyond the organic pen of the first film into a bigger and more thrillingly realized science fiction sandbox.

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created_at: 2018-11-01 16:33:44
text:
  By this point, the franchise has come to rely less on suspense and more on high-speed chases over rugged terrain, generic zombie scare moments and ho-hum virus fixes.

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text: If only the story line and setting were equal to the more compelling bits of character interplay.
created_at: 2018-11-01 16:33:44
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Ebostonglobe%2Ecom%2Farts%2Fmovies%2F2018%2F01%2F24%2Fsomething-wckd-this-way-comes-third-maze-runner-film%2FqkaVOJ8Z1efHr5EkimwA6J%2Fstory%2Ehtml&at%3Asource=Boston%20Globe


created_at: 2018-11-01 16:33:52
text:
  If The Meaning of Life is undeniably tasteless, it is also imaginative and played with a soft edge that never reads as bitter, only mischievous.

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text: Does the attack work? Only occasionally.
created_at: 2018-11-01 16:33:52
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created_at: 2018-11-01 16:34:12
text:
  If you're looking for cinema verite, look elsewhere. If you're looking for a fun, fizzy sequel in a franchise left for dead 10 years ago, have at it.

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text: "Men in Black 3" has got the MIB mojo back - well, most of it anyway.
created_at: 2018-11-01 16:34:12
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fnews%2Fmovies%2Fla-et-men-in-black-3-20120525%2C0%2C7281374%2Estory%3Ftrack%3Drss&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:34:12
text:
  The movie represents at least a partial return to form--not as inventive as the first, but surely better than the recycled materials that made up the second.

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created_at: 2018-11-01 16:34:12
text:
  This spirited three-quel comes close to the exuberance of the first Men in Black and is a distinct improvement over its limp 2002 follow-up.

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created_at: 2018-11-01 16:34:12
text:
  Sonnenfeld depends on crashing action and hyperventilating camera moves to puff up the slack blimp of a story. Unfortunately, there's one effect that computer-animation technicians can never duplicate: a genuine sense of fun.

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created_at: 2018-11-01 16:34:12
text:
  The script was enough of a mess to stop the shooting for high-priced rewrites, but you know what they say about washing garbage.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fnymag%2Ecom%2Flistings%2Fmovie%2Fmen-in-black-3-an-imax-3%2F&at%3Asource=New%20York%20Magazine%2FVulture


created_at: 2018-11-01 16:34:12
text:
  Brolin is such a perfect match for Jones, and Smith so confidently charismatic, that everything else seems like a distraction.

extra_data:
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created_at: 2018-11-01 16:34:12
text:
  As in most successful fantasy blockbusters, there's a comfortable balance between technological wizardry and human talent.

extra_data:
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created_at: 2018-11-01 16:34:12
text:
  This sequel is so lifeless and pointless that it moves beyond "unnecessary" into the realm of "unwanted" and "insulting."

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text: "Men in Black 3" is all surface but, as with the moon, the surface can steal our attention
created_at: 2018-11-01 16:34:12
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created_at: 2018-11-01 16:34:12
text:
  Its opening sequences are a near marvel of confusion, mayhem and embarrassments for its actors. If it was a person, you'd worry it had dementia.

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created_at: 2018-11-01 16:34:12
text:
  If there ever is a "Men in Black IV" -- and at this point, it's hard to imagine one -- let's hope it finds that delicate balance between the yuks and the yucks.

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text: It turns out to be reasonably entertaining, though not enough to make me crave Men in Black 4.
created_at: 2018-11-01 16:34:12
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text: The unexpected spark between Smith and Brolin makes MiB3 primo summer fun.
created_at: 2018-11-01 16:34:12
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erollingstone%2Ecom%2Fmovies%2Freviews%2Fmen-in-black-3-20120524&at%3Asource=Rolling%20Stone


created_at: 2018-11-01 16:34:12
text:
  The franchise is no longer the zenith of blockbusterism, and the gooey effects from Hollywood veteran Rick Baker look overly familiar, but "Men in Black 3" remains an amiable comedy with some fondly familiar faces.

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text: It's that rare threequel that doesn't suck. Great special effects, surprising amount of heart.
created_at: 2018-11-01 16:34:12
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text: Sonnenfeld ... gets just enough juice out of the time-travel idea to give Men in Black 3 a lift.
created_at: 2018-11-01 16:34:12
extra_data:
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text: "Men in Black III" is an efficient Hollywood summer blockbuster product.
created_at: 2018-11-01 16:34:12
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Edetroitnews%2Ecom%2Farticle%2F20120524%2FENT02%2F205240432%2F1034&at%3Asource=Detroit%20News


text: It isn't without a modicum of felicitous charms.
created_at: 2018-11-01 16:34:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elaweekly%2Ecom%2Fink%2F02%2F33%2Ffilm-stephens%2Ephp&at%3Asource=L%2EA%2E%20Weekly


created_at: 2018-11-01 16:34:14
text:
  There are just enough fresh, funny gags and witty throwaways to keep the 88-minute "MIB2" percolating.

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text: The movie's smart, funny and fairly forgettable.
created_at: 2018-11-01 16:34:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F73065%2Fmen_in_black_ii%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:34:14
text:
  Instead of inhabiting the same world of his original, the delightful 1997 Men in Black, or inventing a new world, this update kitschifies it, rendering it into a silly joke.

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created_at: 2018-11-01 16:34:14
text:
  The down-home satire of how we cope with cultural difference has evaporated, replaced by jazzy effects that wear out their welcome by the halfway mark.

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text: In every way an improvement over the original Men in Black.
created_at: 2018-11-01 16:34:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2002%2F07%2F03%2FDD214018%2EDTL&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-11-01 16:34:14
text:
  The predictable effort makes the movie seem longer than its audience-friendly 88 minutes, and the script deficiencies account for the high number of alien and human supporting players.

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created_at: 2018-11-01 16:34:14
text:
  The first film was laugh-till- you-can't- remember-what- you're-laughing -at funny, while MIIB prefers gags that take a second or two to absorb but stick around the cerebrum a lot longer.

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text: No movie in my memory has depressed me more than Million Dollar Baby.
created_at: 2018-11-01 16:34:28
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text: The result is the kind of movie they don't make anymore -- a real crowd-pleaser.
created_at: 2018-11-01 16:34:28
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Farticles%2FA55030-2005Jan6%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:34:28
text:
  The movie is simultaneously conventional and subversive, broad and nuanced, shamelessly manipulative and genuinely moving, a cheap sucker punch and a work of real moral weight.

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text: As an actor, Eastwood has rarely taken on a character as complex as Frankie Dunn.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fmillion-dollar-baby-clint-delivers-knockout-123101&at%3Asource=Newsweek


text: It's impressive, in the sense that a sucker-punch impresses itself on your skull.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eslate%2Ecom%2Farticles%2Fnews_and_politics%2Freel_time%2F2004%2F12%2Fwings_of_desire%2Ehtml&at%3Asource=Slate


created_at: 2018-11-01 16:34:28
text:
  Barely a year after the release of Mystic River, Clint Eastwood delivers a second consecutive drama that fearlessly probes the shadows of human morality without falling back on easy answers.

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created_at: 2018-11-01 16:34:28
text:
  When you think you know its moves, it throws in fancy footwork. Then it sucker-punches you when you're not looking.

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text: Quietly quite magnificent.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2F82197%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:34:28
text:
  It is thoughtful, unfashionable, measured, mostly honest, sometimes clumsy or remote, often exciting, occasionally moving and eventually surprising. It's correct.

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created_at: 2018-11-01 16:34:28
text:
  Perhaps the director's most touching, most elegiac work yet, Million Dollar Baby is a film that does both the expected and the unexpected, that has the nerve and the will to be as pitiless as it is sentimental.

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text: Like Eastwood, it's a relic that dazzles you with its footwork, daring and class.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C1009912%2C00%2Ehtml&at%3Asource=TIME%20Magazine


text: Clint Eastwood's Million Dollar Baby is a masterpiece, pure and simple, deep and true.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fmillion-dollar-baby-2005&at%3Asource=Chicago%20Sun-Times


text: [A] solid boxing drama.
created_at: 2018-11-01 16:34:28
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farticles%2Eorlandosentinel%2Ecom%2F2005-01-28%2Fentertainment%2F0501270376_1_swank-million-dollar-baby-new-wrinkle&at%3Asource=Orlando%20Sentinel


created_at: 2018-11-01 16:34:28
text:
  Though conventional in many respects, it feels like no other boxing film ever made, due largely to Eastwood's unmistakable presence on both sides of the camera.

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created_at: 2018-11-01 16:34:28
text:
  The only differences between this new film and its many forebears are that the young hopeful is a woman and the finish is unforeseen.

extra_data:
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created_at: 2018-11-01 16:34:28
text:
  It may be that only Spencer Tracy and Paul Newman (and can someone explain to me how Eastwood and Newman have avoided making a movie together?) aged as well and as interestingly onscreen.

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created_at: 2018-11-01 16:34:42
text:
  The Mission manages to be both magnificent and curiously uninvolving, a buddy movie played in soutanes.

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created_at: 2018-11-01 16:34:42
text:
  "The Mission" is everything a movie should be -- magnificently produced, epic in scope, serious in theme -- everything, that is, but good.

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created_at: 2018-11-01 16:34:42
text:
  "The Mission" effectively dramatizes yet another chapter in the ruthless European conquest of the Americas. It'll make you hate the whole of western civilization with every fiber of your being.

extra_data:
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created_at: 2018-11-01 16:34:42
text:
  The two principal actors, Robert De Niro and Jeremy Irons, work hard to animate their parts. But there is little to do. The Mission is probably the first film in which De Niro gives a bland, uninteresting performance.

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text: A singularly lumpy sort of movie.
created_at: 2018-11-01 16:34:42
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created_at: 2018-11-01 16:34:47
text:
  We don't need to like her, but Chastain makes us understand and even sympathize with her, ruthless and cunning though she may be. It's remarkable work.

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created_at: 2018-11-01 16:34:47
text:
  Chastain gets to play pushy, angry, smart, hurt, almost sympathetic and more. This role is a real showcase for her formidable talents.

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text: If you've been wondering how Washington really works, this film is required viewing.
created_at: 2018-11-01 16:34:47
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created_at: 2018-11-01 16:34:47
text:
  It's like a talky, detail-packed Aaron Sorkin saga, with a daunting profusion of smart, rapid dialogue and surface details that are bewildering at the beginning and pay off in the finale.

extra_data:
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created_at: 2018-11-01 16:34:47
text:
  The movie shares with other mainstream political dramas an easy notion of Washington as a hopeless cesspool of sellouts, paybacks, and heinous personal betrayals.

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created_at: 2018-11-01 16:34:47
text:
  As a dramatic thriller, it does what it needs to do to keep the audience involved and interested, even if some of its most theatrical tricks and twists are more the products of a writer's invention than actual Washington D.C. activities.

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created_at: 2018-11-01 16:34:47
text:
  Miss Sloane is a powerfully conceived thriller with something dead at its centre: there is no reason a female protagonist must be good or well-behaved, but she must at least be interesting.

extra_data:
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created_at: 2018-11-01 16:34:47
text:
  Chastain's showstopping performance elevates "Miss Sloane" above typical genre fare, though it lands a one-two punch in managing to be both salacious and smart.

extra_data:
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created_at: 2018-11-01 16:34:47
text:
  The reason to see Miss Sloane is Jessica Chastain, an actor apparently constitutionally incapable of giving a bad performance.

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created_at: 2018-11-01 16:34:47
text:
  Chastain takes this role by the throat, smashes it against the wall about ten times and then devours it while it's still quivering.

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created_at: 2018-11-01 16:34:47
text:
  Chastain, whose brittle Elizabeth never seems to exhale, let alone relax, reveals almost nothing of her character's heart - and yet keeps us fascinated by her.

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created_at: 2018-11-01 16:34:47
text:
  With the help of deft editing and a sometimes frantic electronic score, director John Madden ("Shakespeare in Love") turns this story of backroom machinations into a moderately entertaining thriller.

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text: This is Chastain's movie, as the title implies. She's never less than riveting ...
created_at: 2018-11-01 16:34:47
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created_at: 2018-11-01 16:34:47
text:
  Chastain puts on the persona like it's a superhero costume. It is an awkward fit. Madden's stagy direction doesn't help ... nor does first-time writer Jonathan Perera's pseudo-Sorkinesque, exposition-laden, quippy dialogue.

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created_at: 2018-11-01 16:34:47
text:
  While "Miss Sloane" is by no means even a minor classic of the genre, it's fantastic, wall-to-wall entertainment, brimming with movie-movie lines.

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created_at: 2018-11-01 16:34:47
text:
  Following a pair of sojourns to the adorable Marigold Hotel, John Madden (Shakespeare in Love) takes a giant step forward with this perfectly timed tale of how to draw and quarter a lobbyist.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fmiss-sloane%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-11-01 16:34:47
text:
  Elizabeth Sloane is a character so archetypal, so prescriptive, that you imagine she wasn't born in normal human fashion but rather created in a lab from leftover vials of testosterone and male tears.

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created_at: 2018-11-01 16:34:47
text:
  Madden's film offers up a banal truism - money has a corrupting influence on politics - as if it were some great dramatic discovery and trots out a fairy-tale ending that both repudiates the political process and undermines the movie ...

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created_at: 2018-11-01 16:34:47
text:
  Chastain's performance is brilliant... Had the movie around her lived up to that, she might very well be walking off with a gold statue in a couple of months.

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created_at: 2018-11-01 16:35:20
text:
  The space-age plot is spread dangerously thin, the fights all tend to slapstick, and the wanton destruction has become rather too predictable. But it's held together by likeable performances.

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created_at: 2018-11-01 16:35:20
text:
  Lewis Gilbert directed, but the real auteur of the series is production designer Ken Adam, whose spectacular chrome and plastic sets define Bond's world and technological ethic.

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created_at: 2018-11-01 16:35:20
text:
  Broccoli just keeps piling on the goodies: lush Ken Adam sets, gadgetry and gams galore, super stunts and effects.

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created_at: 2018-11-01 16:35:20
text:
  Moonraker, the newest James Bond spectacle, is a cheerful, splashy entertainment. The curators of the Bond museum do not surpass themselves with this exhibition, the 11th in the series, but they haven't fallen down on the job either.

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created_at: 2018-11-01 16:35:20
text:
  While parts of Moonraker are rather silly, solid special effects, well-executed action sequences, and a strict reliance upon the 'Bond Formula' keep this film among Moore's better entries as the British superspy.

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created_at: 2018-11-01 16:35:20
text:
  Moonraker is a movie by gadgeteers, for gadgeteers, about gadgeteers. Our age may be losing its faith in technology, but James Bond sure hasn't.

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created_at: 2018-11-01 16:35:20
text:
  Christopher Wood's script takes the characters exactly where they always go in a James Bond pic and the only question is whether the stunts and gadgets will live up to expectations. They do.

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text: It's one of the most buoyant Bond films of all.
created_at: 2018-11-01 16:35:20
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text: I've rarely laughed so much at a movie I generally disliked.
created_at: 2018-11-01 16:35:34
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created_at: 2018-11-01 16:35:34
text:
  Sit-com stuff, then, with laboured farcical interludes, and a mushy post-feminist sensibility. Funny notwithstanding.

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created_at: 2018-11-01 16:35:34
text:
  Williams has to break out of a second-rate "Tootsie" imitation, ankles clamped in pathos and face covered in latex. He pulls it off in the end, but it's not pretty.

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created_at: 2018-11-01 16:35:34
text:
  In terms of plot, the film is rather feeble, but sometimes there's more to a movie than story, and this is one of those rare occasions when all the other elements pull together and lift the production.

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created_at: 2018-11-01 16:35:34
text:
  You will laugh till your ribs ache -- not because director Chris Columbus of the "Home Alone" movies has a gift for farce, which he does, but because Williams is to funny what the Energizer Bunny is to batteries. He keeps going and going and going.

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created_at: 2018-11-01 16:35:34
text:
  The film is not as amusing as the premise, and there were long stretches when I'd had quite enough of Mrs. Doubtfire.

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created_at: 2018-11-01 16:35:35
text:
  One of the very few movies in which the pieces not only add up to much more than the whole, but also supersede it with a series of (for the most part) fascinating fragments.

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text: It holds us, spellbound and amused, for all of its loony and luscious, exasperating 146 minutes.
created_at: 2018-11-01 16:35:35
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created_at: 2018-11-01 16:35:35
text:
  The most seductively unsettling thriller about Hollywood corruption since that other street-name masterpiece, Sunset Boulevard.

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created_at: 2018-11-01 16:35:35
text:
  A wonderfully Lynchian dive into the dream and the reality of Hollywood, moviemaking, acting and love.

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created_at: 2018-11-01 16:35:35
text:
  Maintains a consistent, relatively humanistic Lynchian vibe from beginning to end, and it sports a few entertainingly loopy scenes.

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text: A movie to savour.
created_at: 2018-11-01 16:35:35
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text: A load of moronic and incoherent garbage.
created_at: 2018-11-01 16:35:35
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text: If it's Lynch's intention to stun us into silence with the mysteries of life, he does so.
created_at: 2018-11-01 16:35:35
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created_at: 2018-11-01 16:35:35
text:
  It's a stunning starring debut, one that should decisively put Watts on the Hollywood and international map.

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text: Peppered with moments of pure, neck-prickling sensation, but the emotional centre remains elusive.
created_at: 2018-11-01 16:35:35
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created_at: 2018-11-01 16:35:35
text:
  You may walk out of this movie with a headache, you may walk out angry or or you may feel like you've just come back from Oz, but you will not walk out unaffected.

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created_at: 2018-11-01 16:35:49
text:
  Ergüven and cowriter Alice Winocour have a keen understanding of teenage impetuosity and adult cruelty.

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created_at: 2018-11-01 16:35:49
text:
  Among Erguven's finest achievements with "Mustang" is casting such mesmerizing actresses to play characters who would be just as at home in a Chekhov production or an Instagram-worthy fashion shoot.

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created_at: 2018-11-01 16:35:49
text:
  "Mustang" is the début feature of Deniz Gamze Ergüven, and it's quite something: a coming-of-age fable mapped onto a prison break, at once dream-hazed and sharp-edged with suspense.

extra_data:
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created_at: 2018-11-01 16:35:49
text:
  "Mustang" puts its cultural stamp on a story gripping in its ageless universality and gutting in its modern urgency.

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text: [A] beautiful, harrowing film.
created_at: 2018-11-01 16:35:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evulture%2Ecom%2F2015%2F11%2Fmovie-review-mustang%2Ehtml%23&at%3Asource=New%20York%20Magazine%2FVulture


text: Raw, funny and incredibly moving.
created_at: 2018-11-01 16:35:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Fmustang&at%3Asource=Time%20Out


created_at: 2018-11-01 16:35:49
text:
  "Mustang" grabs you with its own sense of haunting melancholy, as well as an increasing feeling of urgency and outrage.

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text: It speaks a touching international language of frustrated youth that anyone can understand.
created_at: 2018-11-01 16:35:49
extra_data:
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created_at: 2018-11-01 16:35:49
text:
  The impressive film not only underscores the clash between traditional and modern values, but also provides inspiration for deciding your own fate, even when the world seemingly doesn't give you a choice.

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created_at: 2018-11-01 16:35:49
text:
  The story isn't particularly original, but Mustang's achievement is to criticize a society that sexualizes everything women do while still celebrating the girls' sexuality.

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created_at: 2018-11-01 16:35:49
text:
  It's a moving portrait of sisterhood, a celebration of a fierce femininity and a damning indictment of patriarchal systems that seek to destroy and control this spirit.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fla-et-mn-mustang-20151120-story%2Ehtml&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:35:49
text:
  Ergüven isn't peddling blind optimism so much as a realism animated by the belief that freedom-far from being inevitable-must be fought for. That it will be fought for.

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created_at: 2018-11-01 16:35:49
text:
  The issues at play in "Mustang" are gravely serious but the tone and rhythm is brisk, headlong and intelligently lively, like the women at the center.

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created_at: 2018-11-01 16:35:49
text:
  That there are five sisters allows Erguven to explore the scenario's several possible outcomes, be it happy ending or tragedy or the bittersweet fates in between.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etheglobeandmail%2Ecom%2Farts%2Ffilm%2Ffilm-reviews%2Fmustang-a-powerful-film-revealing-the-binds-of-domestic-prison%2Farticle28193187%2F&at%3Asource=Globe%20and%20Mail


created_at: 2018-11-01 16:35:49
text:
  Full of life even as it depicts lives in lockdown, "Mustang" is a stunning debut feature by Deniz Gamze Ergüven about five sisters in rural Turkey.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2F2015%2F11%2F20%2Fmovies%2Freview-in-mustang-turkish-sisters-and-traditions-clash%2Ehtml%3Fpartner%3Drss%26emc%3Drss&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:35:49
text:
  Ergüven's film, beautifully shot and beautifully performed, cuts its storybook tone with starker, more brutal truths.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20160115__quot_Mustang_quot__lovely_sisters__brutal_truths%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:35:49
text:
  It is surprisingly nuanced and even something of an adventure tale about a fight for freedom and identity.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eseattletimes%2Ecom%2Fentertainment%2Fmovies%2Fmustang-oppressed-sisters-fight-for-their-freedom%2F%3Futm_source%3DRSS%26utm_medium%3DReferral%26utm_campaign%3DRSS_movies&at%3Asource=Seattle%20Times


text: You root for these characters all the way.
created_at: 2018-11-01 16:35:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ethewrap%2Ecom%2Fmustang-review-france-oscar-turkey-academy-awards%2F&at%3Asource=TheWrap


created_at: 2018-11-01 16:35:49
text:
  Part of a welcome international wave of films made by women directors that focus on girls growing up in worlds of men - and on what they look like when no one's looking.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ebostonglobe%2Ecom%2Farts%2Fmovies%2F2016%2F01%2F13%2Fturkey-five-sisters-with-unbridled-dreams%2FrL8FMnzRYhySNDOnlWOuLP%2Fstory%2Ehtml&at%3Asource=Boston%20Globe


created_at: 2018-11-01 16:35:57
text:
  An adaptation that, although departing dramatically from such key elements as the book's ending, will please fans.

extra_data:
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text: Where restraint might have raised up My Sister's Keeper, a heavy hand has brought it down.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-et-sisters26-2009jun26%2C0%2C6288124%2Estory&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:35:57
text:
  With solid performances and an intelligent script, My Sister's Keeper offers a moving and powerfully realistic portrait of a family stalked by tragedy that somehow manages to emerge from crisis battered but intact.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ethestar%2Ecom%2Fentertainment%2Farticle%2F656914&at%3Asource=Toronto%20Star


created_at: 2018-11-01 16:35:57
text:
  My Sister's Keeper takes a compelling ethical dilemma and turns it into formulaic pap by trying relentlessly to ensure an emotional reaction with sentimental exploitation and plot contrivances.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eusatoday%2Ecom%2Flife%2Fmovies%2Freviews%2F2009-06-25-my-sisters-keeper_N%2Ehtm&at%3Asource=USA%20Today


text: Uneven but deeply moving.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fentertainment%2Fmovies%2F49096736%2Ehtml%3Felr%3DKArksD%3AaDyaEP%3AkD%3AaUnc5PDiUiD3aPc%3A_Yyc%3AaULPQL7PQLanchO7DiUr&at%3Asource=Minneapolis%20Star%20Tribune


text: For all its awkward structure, the film is heartfelt and deeply affecting.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonline%2Ewsj%2Ecom%2Farticle%2Ffilm_review%2Ehtml&at%3Asource=Wall%20Street%20Journal


created_at: 2018-11-01 16:35:57
text:
  Their message in My Sister's Keeper? Cancer sucks, but there's always the balm of beach scenes and an emo soundtrack.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C20287748%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


text: My Sister's Keeper targets tear ducts so ruthlessly, it might as well be sponsored by Kleenex.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fp%2Fentertainment%2Fmovies%2Fthis_isn_keeper_OUEBPsvx30aeLIuVgXR16I&at%3Asource=New%20York%20Post


text: My Sister's Keeper has a gutsy premise, but no guts.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echron%2Ecom%2Fdisp%2Fstory%2Empl%2Fent%2Fmovies%2Freviews%2F6497909%2Ehtml&at%3Asource=Houston%20Chronicle


text: A moving story, but the film's overly romantic tone rings hollow.
created_at: 2018-11-01 16:35:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enewsday%2Ecom%2Fentertainment%2Fmovies%2Fny-etsist2612910021jun23%2C0%2C3870155%2Estory&at%3Asource=Newsday


created_at: 2018-11-01 16:35:57
text:
  Don't avoid My Sister's Keeper because it's a film about a serious issue. Avoid it because it approaches that issue like a very special episode of Grey's Anatomy -- complete with whining pop songs and all the comforts of cliche.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enj%2Ecom%2Fentertainment%2Ftv%2Findex%2Essf%2F2009%2F06%2Fmy_sisters_keeper_movie_review%2Ehtml&at%3Asource=Newark%20Star-Ledger


created_at: 2018-11-01 16:35:57
text:
  My Sister's Keeper offers a couple of twists, one of them crucial and the other cruelly unnecessary and melodramatic.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Finquirer%2Fcolumnists%2Fsteven_rea%2F20090626_Dying_daughter__donor_daughter_who_s_had_it%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:35:57
text:
  A surprisingly lovely movie about an absolutely awful subject, My Sister's Keeper features what also may be the year's first performance worthy of Oscar mention.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edetnews%2Ecom%2Farticle%2F20090626%2FOPINION03%2F906260337%2F1034%2Fent02%2FWell-made--My-Sister-s-Keeper--looks-at-how-one-child-s-illness-can-strain-many-lives&at%3Asource=Detroit%20News


created_at: 2018-11-01 16:35:57
text:
  Diaz is a whiny irrelevance, but sharp supporting work from Alec Baldwin and Joan Cusack makes the proceedings tolerable for boyfriends.

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created_at: 2018-11-01 16:36:18
text:
  The action's good, the photography excellent, the sets decent; but the real clincher is the fact that Bond is once more played by a man with the right stuff.

extra_data:
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text: Without absolute conviction, no action film can survive: if there's no belief, there's no danger.
created_at: 2018-11-01 16:36:18
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F10328_NEVER_SAY_NEVER_AGAIN&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:36:18
text:
  Never Say Never Again is the best acted Bond picture ever made, because it clearly surpasses any predecessors in the area of inventive and clever character delineation.

extra_data:
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created_at: 2018-11-01 16:36:18
text:
  It's a major disappointment that, having lured back the original 007, the film makers couldn't offer him something better than this drawn-out, hackneyed story.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D233&at%3Asource=ReelViews


created_at: 2018-11-01 16:36:18
text:
  In Never Say Never Again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the bill.

extra_data:
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created_at: 2018-11-01 16:36:18
text:
  It is good to see Connery's grave stylishness in this role again. It makes Bond's cynicism and opportunism seem the product of genuine worldliness (and world weariness) as opposed to Roger Moore's mere twirpishness.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C952223%2C00%2Ehtml&at%3Asource=TIME%20Magazine


text: Ah, yes, James, it is good to have you back again.
created_at: 2018-11-01 16:36:18
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fnever-say-never-again-1983&at%3Asource=Chicago%20Sun-Times


created_at: 2018-11-01 16:36:18
text:
  After a 12-year hiatus, Sean Connery is back in action as James Bond. The new entry marks something of a retreat from the far-fetched technology of many of the later Bonds in favor of intrigue and romance.

extra_data:
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created_at: 2018-11-01 16:36:49
text:
  The ending is happy and ironic in equal measure, but most of the fun is just getting there with the right chemistry and compatibility.

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created_at: 2018-11-01 16:36:49
text:
  t's an agreeably slick affair, with decent support performances, elegant camerawork, and several impressive set pieces.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F63583%2Fnotting_hill%2Ehtml&at%3Asource=Time%20Out


text: The romance is tepid.
created_at: 2018-11-01 16:36:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fmovies%2Fn%2Fnotting%2Ehtml&at%3Asource=ReelViews


text: The film's romantic core is impervious to problems.
created_at: 2018-11-01 16:36:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie990527-6%2C0%2C7251334%2Estory&at%3Asource=Los%20Angeles%20Times


text: Blithe and exhilarating!
created_at: 2018-11-01 16:36:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C64051%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-11-01 16:36:49
text:
  All the other supporting players are British television stars and all rise to the occasion of this big-budget feature film.

extra_data:
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created_at: 2018-11-01 16:36:49
text:
  Lately, romance comedies have expanded in running time, doubtless to compensate for their shrinkage in charm, and this is no exception -- it's way too long for something far too slight.

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created_at: 2018-11-01 16:36:49
text:
  The movie is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fnotting-hill-1999&at%3Asource=Chicago%20Sun-Times


text: Joyously unhinged and outrageously inventive.
created_at: 2018-11-01 16:37:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2000%2F12%2F29%2FDD139617%2EDTL&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-11-01 16:37:14
text:
  Great dialogue, superb 'Scope camerawork from Roger Deakins, and a genuinely wondrous deus ex machina are among the delights.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F65890%2Fo_brother_where_art_thou%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:37:14
text:
  After making what are still probably their two best features, the Coen brothers came up with their worst, a piece of pop nihilism.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F19917_O_BROTHER_WHERE_ART_THOU&at%3Asource=Chicago%20Reader


text: A Coen brothers' also-ran is better than some filmmakers' best.
created_at: 2018-11-01 16:37:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fseattlep-i%2Enwsource%2Ecom%2Fmovies%2Fcoen29%2Eshtml&at%3Asource=Associated%20Press


text: An especially elaborate variation on Hee Haw.
created_at: 2018-11-01 16:37:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecnn%2Ecom%2F2001%2FSHOWBIZ%2FMovies%2F01%2F12%2Freview%2Eo%2Ebrother%2Findex%2Ehtml&at%3Asource=CNN%2Ecom


created_at: 2018-11-01 16:37:14
text:
  I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fo-brother-where-art-thou-2000&at%3Asource=Chicago%20Sun-Times


text: You have to admire how deep and irreverently O Brother goes into our culture to find its material.
created_at: 2018-11-01 16:37:14
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edenverpost%2Ecom%2Fscene%2Fbrother0112%2Ehtm&at%3Asource=Denver%20Post


text: "Octopussy" is the 13th of the James Bond movies, and it is one of the best.
created_at: 2018-11-01 16:37:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fcdnc%2Eucr%2Eedu%2Fcgi-bin%2Fcdnc%3Fa%3Dd%26d%3DDS19830616%2E2%2E113%26e%3D-------en--20--1--txt-txIN--------1&at%3Asource=Associated%20Press


created_at: 2018-11-01 16:37:22
text:
  Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.

extra_data:
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text: It's a pleasure to report that the James Bond company is confidently back on the beam.
created_at: 2018-11-01 16:37:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Farchive%2Flifestyle%2F1983%2F06%2F10%2Foctopussy%2F70699171-17ed-4a81-83f7-7180f555d46d%2F&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:37:22
text:
  There's a fine line between wit and absurdity, and this particular movie too often falls on the wrong side.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D646&at%3Asource=ReelViews


created_at: 2018-11-01 16:37:22
text:
  The action sequences are tighter, the visual gags more inventive, and if the plot is no great shakes, the whole thing is served up with a decent approximation to the old panache.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F65906%2Foctopussy%2Ehtml&at%3Asource=Time%20Out


text: Bond had degenerated into a male model, and something of a genial anachronism.
created_at: 2018-11-01 16:37:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C953973%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-11-01 16:37:22
text:
  Film's high points are the spectaccular aerial stuntwork marking both the pre-credits teaser and extremely dangerous-looking climax.

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created_at: 2018-11-01 16:37:22
text:
  Makes no pretense of being based on anything except the Ian Fleming character and the high good humor and wit of the film makers.

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created_at: 2018-11-01 16:38:53
text:
  The film is explosively wild, raw, primitive, sometimes inarticulate. It is also totally theatrical and compelling. It's film as primal scream; seething with anger, alienation and despair.

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created_at: 2018-11-01 16:38:53
text:
  "Do you think they'll drop the Bomb?" asks a loaded musical question at one irresistibly funny point. Obviously, they've already dropped it, and it's called "The Wall."

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created_at: 2018-11-01 16:38:53
text:
  It's a pretty grim portrait, but even worse it is often repetitive and boring. There are probably enough powerful segments for half a dozen or so outstanding rock videos but not a full-length feature.

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created_at: 2018-11-01 16:39:35
text:
  Advice to Johnny Depp fans: enjoy a seafood dinner, skip the beginning, and roll up after half an hour. You won't have missed a thing.

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created_at: 2018-11-01 16:39:35
text:
  [Erupts] into a grand and glorious adventure at the final hour. After lying dead in the water during much of its three-part odyssey, Pirates of the Caribbean has saved the best for last. The third time is the charmer.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Emercurynews%2Ecom%2Fentertainment%2Fci_5968405%3Fnclick_check%3D1&at%3Asource=San%20Jose%20Mercury%20News


created_at: 2018-11-01 16:39:35
text:
  Adrift in the windless seas of its 168-minute running time, the viewer passes through confusion and boredom into a state of Buddhist passivity.

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created_at: 2018-11-01 16:39:35
text:
  The plot is not only hard to follow, there seems to be nothing real at stake. Half the characters are already dead, and half the movie seems to involve swordfights with dead people who can't be killed with swords.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fid%2F34384&at%3Asource=Newsweek


created_at: 2018-11-01 16:39:35
text:
  A ponderous pirate saga, 168 minutes long, with more doldrums than 'The Rime of the Ancient Mariner.'

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created_at: 2018-11-01 16:39:35
text:
  In terms of pure adventure, there's less of it here than in Pirates 2 -- the action doesn't really start until about two hours in, and even then it's hard to understand the shifting allegiances or make sense of why the different sides are fighting.

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created_at: 2018-11-01 16:39:35
text:
  This film is less comedic and more sweeping than the first two, and Depp often seems to be strolling the borders of the film, commenting on it.

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created_at: 2018-11-01 16:39:35
text:
  In order to tie up all the loose plot lines from the first two films, Verbinski and screenwriters Ted Elliott and Terry Rossio throw so much story at us that the nonstop action becomes deadening.

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created_at: 2018-11-01 16:39:35
text:
  Not so much thought out as strung together -- colorful incident upon colorful incident, but without logic, gathering suspense or any attempt to establish emotional connections between audience and actors.

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created_at: 2018-11-01 16:39:35
text:
  Depp descends into the shallows of self-parody, and the plot, keen to tie up every narrative loose end, manages to be simultaneously expansive and incomprehensible.

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created_at: 2018-11-01 16:39:35
text:
  Relentlessly dense and unfathomable; Depp, the heart and soul of the series, doesn't even show up till several reels in.

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created_at: 2018-11-01 16:39:35
text:
  Funner, biggerer, brighterer, bolderer, Pirates of the Caribbean: At World's End is not only okay, it may even be close to good.

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created_at: 2018-11-01 16:39:35
text:
  The entire franchise seems on the verge of collapse, propelled to construct ever more grandiose flights of fancy. Without those sequences, there would be nothing there -- but a movie cannot exist on rollick alone.

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created_at: 2018-11-01 16:39:39
text:
  Pirates reminds me of a vintage MGM musical, a movie that is more choreographed than directed, and one that serves up good clean fun of the PG-13 variety.

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created_at: 2018-11-01 16:39:39
text:
  Pirates will enthrall kids and amuse adults. Its only failing is that at 2 hours and 15 minutes, it's about 20 minutes too long.

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created_at: 2018-11-01 16:39:39
text:
  Here -- in a Jerry Bruckheimer-produced high-seas adventure that incorporates roaring cannons, oddball comedy, a love story and more than a touch of the supernatural -- Depp unleashes his theatrical bravado. He's hilarious.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fid%2F57852&at%3Asource=Newsweek


created_at: 2018-11-01 16:39:39
text:
  At, say, 85 minutes, this would have been a jolly little swashbuckler, but at 143 it turns into an unholy trial.

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created_at: 2018-11-01 16:39:39
text:
  There is much by way of noise, computer-generated action, big sets and breezy laughs, and practically nothing to intrude on your thought processes afterwards.

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created_at: 2018-11-01 16:39:39
text:
  Pirates steams ahead on a mirthless course of script beats and busy action sequences, coldly steered by director Gore Verbinski to the boom-blast-blare coordinates of producing commodore Jerry Bruckheimer.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C463614%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-11-01 16:39:39
text:
  A monotonous, repetitive spectacle of endless shipboard sword fights and pirate ghosts in the moonlight.

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text: The booty here is 100 percent fool's gold.
created_at: 2018-11-01 16:39:39
extra_data:
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text: Rarely does one see a movie so knowing in some respects and so clueless in others.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fpolisse%2FFilm%3Foid%3D6183773&at%3Asource=Chicago%20Reader


text: The mosaic of cases and caseworkers is like a season of The Wire distilled into two hours.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20120525__Polisse___Cops_coping_with_abused_kids_and_their_abusers%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-11-01 16:40:06
text:
  Bluntly edited, with no hand-holding transitional scenes, the film is an intimate portrait of an idealistic, understaffed, sometimes wrongheaded team battling youth prostitution, thievery rings and adult predators from every class of society.

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created_at: 2018-11-01 16:40:06
text:
  Has an infectious energy and aims for a bottom-up, slice-of-life air characterised by naturalistic performances and a fly-on-the-wall shooting style.

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text: The details will gut you, and then haunt your dreams.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Fmovies%2Fmovie-review-morgan-spurlock-sees-rates-first-class-male-mansome-article-1%2E1079925%3FlocalLinksEnabled%3Dfalse&at%3Asource=New%20York%20Daily%20News


created_at: 2018-11-01 16:40:06
text:
  What makes it such a singular experience is the convergence of fine acting, moral urgency and a willingness to linger on moments of great intensity.

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text: "Polisse" draws us uncomfortably close to a taboo subject then rewards us with real nourishment.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estltoday%2Ecom%2Fentertainment%2Fmovies%2Freviews%2Fpolisse-puts-a-face-on-child-abuse%2Farticle_f69cb490-b4df-11e1-9297-0019bb30f31a%2Ehtml&at%3Asource=St%2E%20Louis%20Post-Dispatch


created_at: 2018-11-01 16:40:06
text:
  As humane as it is disturbing, Polisse rifles the files of Paris' Child Protection Unit in search of successes, failures and all the shades of ambiguity in between.

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text: It's messy, boring, funny, suspenseful, touching, jubilant and tragic.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fpolisse-poliss%2C1225844%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


text: A fascinating multicharacter drama about the police who work in Paris' child protection unit.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2012%2F05%2F24%2FDD2S1OLQVF%2EDTL&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-11-01 16:40:06
text:
  Over the film's more-than-two-hour running time we are immersed in the lives of these cops as they attempt both to see justice done and to preserve their sanity.

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created_at: 2018-11-01 16:40:06
text:
  [It] reveals, in a time of political turbulence, some of the subtle peculiarities of French society.

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created_at: 2018-11-01 16:40:06
text:
  The film's director and co-writer is Maiwenn, an actress and now third-time filmmaker, who is accomplished at following several story lines and weaving them together.

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created_at: 2018-11-01 16:40:06
text:
  Polisse has trouble sometimes hiding the seams between the two, but when it works, it doesn't look like it's being staged at all.

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text: [O]ne of the best based-on-facts police pictures.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etnr%2Ecom%2Farticle%2Ffilm%2Fmagazine%2Fpatience-grant-gee-polisse-bonsai-christian-jimenez&at%3Asource=The%20New%20Republic


text: While never exploitative, "Polisse" can be extremely disturbing.
created_at: 2018-11-01 16:40:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fp%2Fentertainment%2Fmovies%2Fpolisse_5P3KMrX47YaeR1saeGmOoJ&at%3Asource=New%20York%20Post


text: All the tears I shed were hard-earned. So were all the laughing and clapping and eye-covering.
created_at: 2018-11-01 16:40:06
extra_data:
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text: Hitchcock is the most-daring avant-garde film-maker in America today.
created_at: 2018-11-01 16:40:40
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fblogs%2Evillagevoice%2Ecom%2Frunninscared%2F2010%2F06%2Fpsycho%2Ephp&at%3Asource=Village%20Voice


text: [Hitchcock's] denouement falls quite flat for us. But the acting is fair.
created_at: 2018-11-01 16:40:40
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2Flibrary%2Ffilm%2F061760hitch-psycho-review%2Ehtml&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:40:40
text:
  Alfred Hitchcock's 1960 masterpiece blends a brutal manipulation of audience identification and an incredibly dense, allusive visual style to create the most morally unsettling film ever made.

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created_at: 2018-11-01 16:40:40
text:
  It blazed a bloody trail for the much-loved slasher cycle, but it also assured us that a B-movie could be A-grade in quality and innovation.

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created_at: 2018-11-01 16:40:40
text:
  Paramount won't let anyone enter theatres where Psycho is playing after the picture starts. No one will want to leave before it is over.

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created_at: 2018-11-01 16:40:40
text:
  With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps.

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created_at: 2018-11-01 16:40:40
text:
  The best that can be said is there are bats in the belfry and a well-preserved corpse in the basement. What else can one do but scream?

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created_at: 2018-11-01 16:40:40
text:
  All those who still get a chill every time they step into a hotel shower, say aye. That, you see, is the power of Psycho.

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created_at: 2018-11-01 16:40:40
text:
  [Hitchcock] has very shrewdly interwoven crime, sex and suspense, blended the real and the unreal in fascinating proportions and punctuated his film with several quick, grisly and unnerving surprises.

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created_at: 2018-11-01 16:40:40
text:
  What makes Psycho immortal, when so many films are already half-forgotten as we leave the theater, is that it connects directly with our fears.

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text: An unusual, good entertainment, indelibly Hitchcock, and on the right kind of boxoffice beam.
created_at: 2018-11-01 16:40:40
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created_at: 2018-11-01 16:40:40
text:
  The obvious thing to say is that Hitch has done it again; that the suspense of his picture builds up slowly but surely to an almost unbearable pitch of excitement.

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text: The talk is dirty and funny, the violence always waiting just around the corner.
created_at: 2018-11-01 16:40:53
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Farts%2Freviews%2Ffilm%2Fpulp_fiction_tarantino&at%3Asource=New%20Yorker


created_at: 2018-11-01 16:40:53
text:
  Whether you call it razzmatazz, pizazz or sizzle, Pulp Fiction's got it, enough style for a dozen movies and, truth be told, enough story for five.

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created_at: 2018-11-01 16:40:53
text:
  Just when you thought the last thing the world needed was another violent, self-conscious, hipster homage to film noir, along comes Tarantino to blow away your deja vu.

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created_at: 2018-11-01 16:40:53
text:
  Tarantino's lined up a fine cast to play his assorted snotwads, grimeballs, sleazoids, small-timers, druggies and bulletheads in this 1990s version of a down-and-dirty 1940s pulp fictioner, the kind Dash Hammett and the boys used to crank out.

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text: If you smile at David Mamet's dialogue, you'll laugh out loud at the words of Quentin Tarantino.
created_at: 2018-11-01 16:40:53
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created_at: 2018-11-01 16:40:53
text:
  It's the way Tarantino embellishes and, finally, interlinks these old chestnuts that makes the film alternately exhilarating and frustrating.

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created_at: 2018-11-01 16:40:53
text:
  It resurrects John Travolta from "Look Who's Talking" hell, it makes Bruce Willis into a serious actor and it honors the power and fancy of intelligent dialogue (written by the director himself).

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text: In terms of mood and style, it could be the most influential film to come along since Blue Velvet.
created_at: 2018-11-01 16:40:53
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created_at: 2018-11-01 16:40:53
text:
  It's hot, it's cool and -- for a movie that sometimes comes at you like a blindsiding fist -- it's unfailingly playful.

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created_at: 2018-11-01 16:40:53
text:
  At 153 minutes, the movie does occasionally flirt with tedium, but the risk is worth it: The whole is finally greater than the sum of its pulpy parts. What could have been an anything-goes pastiche has surprising rigor and narrative clarity.

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created_at: 2018-11-01 16:40:53
text:
  The overall project is evident: to evict real life and real people from the art film and replace them with generic teases and assorted hommages. Don't expect any of the life experiences of the old movie sources to leak through.

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created_at: 2018-11-01 16:40:53
text:
  The result, especially in the scenes involving Bruce Willis as a nervy boxer, can be long patches of dialogue that must have tickled Tarantino but will not necessarily resonate for anyone else.

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created_at: 2018-11-01 16:40:53
text:
  This movie gets its charge not from action pyrotechnics but from its electric barrage of language, wisecracks and dialogue, from the mordant '70s classicism of its long-take camera style and its smart, offbeat, strangely sexy cast.

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created_at: 2018-11-01 16:40:53
text:
  Tarantino's dialogue, with its densely propulsive, almost lawyerly fervor, its peppery comic blend of literacy and funk, has more snap and fight than most directors' action scenes.

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text: There's a special kick that comes from watching something this thrillingly alive.
created_at: 2018-11-01 16:40:53
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created_at: 2018-11-01 16:40:53
text:
  Tarantino's guilty secret, which the international critics should have noticed, is that his films are cultural hybrids.

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text: Scintillating.
created_at: 2018-11-01 16:40:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eglobeandmail%2Ecom%2Fservlet%2FArticleNews%2Fmovie%2FTVCONNECT%2F00010101%2F100006&at%3Asource=Globe%20and%20Mail


created_at: 2018-11-01 16:40:53
text:
  The way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming.

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created_at: 2018-11-01 16:41:00
text:
  If you held up your thumb over Daniel Craig's face and took in the mayhem around him, you'd think you were watching The Bourne Simulation rather than the 22nd (and shortest-ever) ode to Ian Fleming's suave government killer.

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created_at: 2018-11-01 16:41:00
text:
  The Quantum of Solace filmmakers have produced a super-serious, often visually incoherent travelogue of revenge and trumped-up angst.

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created_at: 2018-11-01 16:41:00
text:
  Much has been made of the absence of Bond's signature quips, but there's something else that's absent: interest.

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created_at: 2018-11-01 16:41:00
text:
  Mr. White ultimately leads Bond to one Mr. Slate, who in turn leads him to a Mr. Greene. That's right: The global conspiracy this time around isn't SPECTRE, but some rogue wing of the United Colors of Benetton.

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created_at: 2018-11-01 16:41:00
text:
  Forster, a director of upscale tearjerkers, has no feel for action sequences. The big chases, of which there are several, could all be replaced with a title card reading, 'Insert action here'.

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text: Go see Quantum of Solace. Not that you weren't going to anyway.
created_at: 2018-11-01 16:41:00
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text: This is the least satisfying production since The Living Daylights.
created_at: 2018-11-01 16:41:00
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D1392&at%3Asource=ReelViews


created_at: 2018-11-01 16:41:00
text:
  Quantum of Solace is a model of mediocrity, even though Daniel Craig gives his all to a production that doesn't deserve him.

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created_at: 2018-11-01 16:41:00
text:
  Quantum is content merely to be the second episode in what's shaping up to be a viable series, good enough but disappointing for those expecting greatness.

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created_at: 2018-11-01 16:41:00
text:
  Revenge is a dish best served with bullets, high explosives and giant rolling flameballs. In Quantum of Solace, James Bond orders the revenge buffet, deluxe.

extra_data:
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created_at: 2018-11-01 16:41:00
text:
  It's ironic: After all these years of surviving everything that has been thrown at him, James Bond is finally being undone by his own team.

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created_at: 2018-11-01 16:41:00
text:
  Somehow Marc Forster's direction sucks all the vitality out of the film. There's no thrill in the chase. With the exception of an absolutely first-rate fight sequence on scaffolding in a church under renovation, Bond is having no fun at all.

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created_at: 2018-11-01 16:41:00
text:
  Quantum of Solace is best when director Marc Forster allows his star the latitude to explore emotions that, until Craig stepped into the shoes of the character, we didn't know Bond had.

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created_at: 2018-11-01 16:41:00
text:
  In the end it's all too fast and too furious -- and far too obsessed with exercising its license to thrill.

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created_at: 2018-11-01 16:41:00
text:
  Quantum -- the 22d 'official' Bond picture, 24th including the rogue Bonds -- is never less than engaging.

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created_at: 2018-11-01 16:41:00
text:
  The problems can be traced to a screenplay that is stuffed with internecine plot points and shades-of-gray complexities, but little else: no character-sharpening details and none of the wit and charm that buoyed Casino Royale.

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text: Frankly, Quantum of Solace is just one exasperated dressing down away from being Lethal Weapon 9.
created_at: 2018-11-01 16:41:00
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created_at: 2018-11-01 16:41:22
text:
  Starting from a point of delirious excess, the film leaps into dark and virtually uncharted territory to soar like a comet.

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created_at: 2018-11-01 16:41:22
text:
  The cartoon vision of southwestern tackiness doesn't cut very deep, but the mise-en-scene is packed with clever clutter.

extra_data:
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text: Raising Arizona is no big deal, but it has a rambunctious charm.
created_at: 2018-11-01 16:41:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Farchive%2F1987%2F04%2F20%2F1987_04_20_080_TNY_LIBRY_000037395%3FcurrentPage%3Dall&at%3Asource=New%20Yorker


created_at: 2018-11-01 16:41:22
text:
  To their old fascination with Sunbelt pathology, to their side-winding Steadicam and pristine command of screen space, the Coens have added a robust humor, a plot that keeps outwitting expectations and a...dollop of sympathy for their forlorn kidnapers.

extra_data:
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text: A wacky, happy, daring, darkly comic tale of parenting outside the law.
created_at: 2018-11-01 16:41:22
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fraisingarizonapg13kempley_a0cab6%2Ehtm&at%3Asource=Washington%20Post


text: What we have here is a film shot down by its own forced and mannered style.
created_at: 2018-11-01 16:41:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fraising-arizona-1987&at%3Asource=Chicago%20Sun-Times


created_at: 2018-11-01 16:41:22
text:
  While film is filled with many splendid touches and plenty of yocks, it often doesn't hold together as a coherent story.

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text: Like Blood Simple, it's full of technical expertise but has no life of its own.
created_at: 2018-11-01 16:41:22
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text: The beats are the same, but the eerie vibe has been lost in translation.
created_at: 2018-11-01 16:41:46
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eslate%2Ecom%2Fid%2F2071909&at%3Asource=Slate


created_at: 2018-11-01 16:41:46
text:
  The actors have a good workout and Hopkins earns his enormous paycheck, but at day's end it all feels like a revved-up, market-driven rehash of a once-thrilling film.

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created_at: 2018-11-01 16:41:46
text:
  Where Mann and Demme steered the hokum away from dull genre generalities, Ratner's point-and-film literalness churns out a thriller by rote, shorn of the psychological dogfighting that distinguished the first two films.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F76504%2Fred_dragon%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:41:46
text:
  Frank Whaley and Philip Seymour Hoffman play minor characters so annoying they might as well wear T-shirts reading 'Eat My Brain.'

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created_at: 2018-11-01 16:41:46
text:
  It's highly entertaining, fast-paced and ultimately without deeper meaning, just like most other Hollywood blockbusters these days.

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text: Manages to be both repulsively sadistic and mundane.
created_at: 2018-11-01 16:41:46
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Edenverpost%2Ecom%2FStories%2F0%2C1413%2C36%25257E82%25257E899262%25257E%2C00%2Ehtml&at%3Asource=Denver%20Post


created_at: 2018-11-01 16:41:46
text:
  If you grew up with the original, it will remain your favorite for sentimental reasons, but if you come to the new version unbiased, it seems every bit as good.

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created_at: 2018-11-01 16:41:46
text:
  Red Dragon has been directed by Brett Ratner, he of the Rush Hour movies. If that's a step down from Jonathan Demme and Ridley Scott, it turns out not to be a very big one.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fae%2Eboston%2Ecom%2Fmovies%2Fdisplay%3Fdisplay%3Dmovie%26id%3D1645&at%3Asource=Boston%20Globe


text: It's quite possible that Helen Mirren has never had to speak such terrible dialogue in her life.
created_at: 2018-11-01 16:41:51
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etheglobeandmail%2Ecom%2Farts%2Fsummer-entertainment%2Fred-2-lauded-actors-floating-on-a-sea-of-action-flick-cliches%2Farticle13310163%2F&at%3Asource=Globe%20and%20Mail


created_at: 2018-11-01 16:41:51
text:
  Ultimately, it's popcorn nihilism without the big laughs that helped distract from the casual approach to life and death in 'Red'.

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created_at: 2018-11-01 16:41:51
text:
  If everyone delivered their lines with the rat-a-tat-tat precision of Malkovich, Mirren and Hopkins, the studio might have had a better movie on its hands.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fmoviesnow%2Fla-et-mn-red-2-20130719%2C0%2C3735589%2Estory&at%3Asource=Los%20Angeles%20Times


text: No movie with this much ass-kicking should feel so lifeless.
created_at: 2018-11-01 16:41:51
extra_data:
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created_at: 2018-11-01 16:41:51
text:
  Willis is self-evidently capable of kicking the asses of men considerably younger than himself. But at some point shouldn't he consider an alternative pastime?

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created_at: 2018-11-01 16:41:51
text:
  Enemies and allies have changed sides so many times so randomly, that you're not sure who's fighting whom or why. You just know they all look a little old to be engaged in this sort of reckless behavior.

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created_at: 2018-11-01 16:41:51
text:
  What's interesting about 'RED 2' is that, not only is it better than its predecessor, it is miles better ...

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text: As in the first film, the seasoned-pro cast provides the few fleeting pleasures to be found.
created_at: 2018-11-01 16:41:51
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Fus%2Ffilm%2Fred-2-movie-review&at%3Asource=Time%20Out


created_at: 2018-11-01 16:41:51
text:
  How bad could the boneyard be compared to sitting through this execrable piece of non-entertainment? Better dead than "RED 2."

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fp%2Fentertainment%2Fmovies%2Fbruce_willis_inept_action_comedy_1EhL6RgZV4WUMVtlZX55gI%3Futm_medium%3Drss%26utm_content%3DMovies&at%3Asource=New%20York%20Post


created_at: 2018-11-01 16:41:51
text:
  Ridiculously action-packed and just as endearing, Red 2 is why we go to sequels despite our well-earned cynicism about studios churning them out.

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created_at: 2018-11-01 16:41:51
text:
  This sequel to the action comedy about veteran espionage agents charging back into action lacks elegance and wit and is devoid of thrills, except for those brought by Byung-hun Lee as a Korean contract killer.

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created_at: 2018-11-01 16:41:51
text:
  This is a likable, almost gentle comedy and also a violent action film about the possibility of a nuclear bomb going off in a major city.

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created_at: 2018-11-01 16:41:51
text:
  Cars careen, lazily written infiltration plans are executed, and the violence is plentiful and toothless.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2F2013%2F07%2F19%2Fmovies%2Fin-red-2-retired-special-ops-agents-cant-relax%2Ehtml%3Fpartner%3Drss%26emc%3Drss&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:41:51
text:
  People are pumped with more bullets than those at the beginning of "Saving Private Ryan"; since they don't bleed, the MPAA considers this "family-friendly," hilariously calling it "frenetic gunplay."

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created_at: 2018-11-01 16:41:51
text:
  The best thing about RED 2, like its predecessor, is its lightness of tone. Too many movies with comic-book roots come on too seriously, even when the comics themselves have a loose, fast, jocular wit about them.

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text: It's nice to see oldsters cavorting in kaboom movies, but a little of this stuff goes a long way.
created_at: 2018-11-01 16:41:51
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2FThe-Culture%2FMovies%2F2013%2F0719%2FRed-2-A-little-of-oldsters-in-action-movies-goes-a-long-way&at%3Asource=Christian%20Science%20Monitor


text: Passable summer entertainment - an Expendables with people who can act.
created_at: 2018-11-01 16:41:51
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Frssfeeds%2Eusatoday%2Ecom%2F~r%2FUsatodaycomMovies-TopStories%2F~3%2FkSYA7Kli4Qw%2F&at%3Asource=USA%20Today


created_at: 2018-11-01 16:41:51
text:
  Sequels are, for the most part, inherently stale, so it's no shock the luster has faded in "Red 2." The bigger surprise is just how clunky and unsatisfying this follow-up feels.

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text: Recycled, Expensive, Dull.
created_at: 2018-11-01 16:41:51
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enj%2Ecom%2Fentertainment%2Findex%2Essf%2F2013%2F07%2Fred_2_review_bruce_willis_spies_harder%2Ehtml&at%3Asource=Newark%20Star-Ledger


text: What was once engagingly silly is now much closer to insultingly dumb.
created_at: 2018-11-01 16:41:51
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Efilm%2Ecom%2Fmovies%2Fred-2-review&at%3Asource=Film%2Ecom


created_at: 2018-11-01 16:41:58
text:
  Le Redoutable is a jokey Wikipedia cartoon of a biopic, skin deep in its character study and aggressively amused by its own barrage of Trivial Pursuit winks.

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text: It's a brilliant idea. It just happens to be a terrible movie.
created_at: 2018-11-01 16:41:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Enytimes%2Ecom%2F2018%2F04%2F18%2Fmovies%2Fgodard-mon-amour-review%2Ehtml&at%3Asource=New%20York%20Times


text: The glib, self-conscious brio never leads anywhere.
created_at: 2018-11-01 16:41:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgoingoutguide%2Fmovies%2Fgodard-mon-amour-from-the-oscar-winning-director-of-the-artist-is-visually-bold-but-shallow%2F2018%2F05%2F09%2Fecc82ed8-4e4c-11e8-af46-b1d6dc0d9bfe_story%2Ehtml%3Fnoredirect%3Don%26utm_term%3D%2E05be1ee5a101&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:41:58
text:
  As Hazanavicius tries to peel back the layers of Godard, he only proves how little of the man's work he understands.

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created_at: 2018-11-01 16:41:58
text:
  Both Garrel and Martin are good. And it's important to note that Hazanavicius is quite adept at the comedic bits, as well as at the occasional more-serious scenes, which deal with the disintegration of the marriage.

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created_at: 2018-11-01 16:41:58
text:
  Garrel is wonderfully dead-on as the director, Martin manages to convey some of the heartache in watching the man you love turn sour, and the undeniably talented Hazanavicius has fun aping the signature flourishes of Godard's cinematic style.

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text: The main triumph of Hazanavicius' film is that it makes [Godard] human.
created_at: 2018-11-01 16:41:58
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text: A film that, despite scattered amusements and insights, is fundamentally unsatisfying.
created_at: 2018-11-01 16:41:58
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created_at: 2018-11-01 16:41:58
text:
  The real problem is that the movie is never laugh-out-loud funny (its best gag involves the filmmaker repeatedly breaking his famous glasses) and is too simplistic to work as drama or elaborate homage.

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text: The result is an entertainment of surprising liveliness.
created_at: 2018-11-01 16:41:58
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created_at: 2018-11-01 16:41:58
text:
  Perhaps Hazanavicius thought he'd follow his subject's example and simply jump-cut from happy to sad. Godard had the verve to get away with it, but Godard Mon Amour doesn't.

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created_at: 2018-11-01 16:41:58
text:
  Hazanavicius' irreverence toward a living icon is unexpected, but appropriate. Yet the movie also pays tribute to Godard by imitating the loose playfulness of his early work.

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text: A lightly audacious and fascinating movie (if not exactly one to warm your heart) ...
created_at: 2018-11-01 16:41:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2017%2Ffilm%2Freviews%2Fredoubtable-review-cannes-jean-luc-godard-1202438582%2F&at%3Asource=Variety


created_at: 2018-11-01 16:41:58
text:
  "Godard Mon Amour" is very much like a Woody Allen film, with Godard embodying Allen's negative traits of pretentiousness, neurosis, and misogyny without the redeeming virtue of humor.

extra_data:
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created_at: 2018-11-01 16:41:58
text:
  Michel Hazanavicius, the director who won an Oscar for The Artist, will nab only contempt for this frivolous throwaway about the life of a cinema revolutionary,

extra_data:
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created_at: 2018-11-01 16:41:58
text:
  Hazanavicius skips over the detailed observations and nuanced insights of Wiazemsky's book in favor of parodies of Godard's earlier work, replacing its vast substance, fierce originality, and unsparing intimacy with empty stylistic winks.

extra_data:
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created_at: 2018-11-01 16:41:58
text:
  The kind of curiously inconsequential homage that neither stokes your interest in cinema/Godard nor illuminates a turbulent love story between artists.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fla-et-mn-godard-mon-amour-review-20180419-story%2Ehtml&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:41:58
text:
  Although writer/director Hazanavicius based the biopic on Wiazemsky's memoir Un An Après (One Year Later), Wiazemsky gets portrayed as a passive observer, a minor character in her own story.

extra_data:
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created_at: 2018-11-01 16:41:58
text:
  Serious cinephiles will likely reject it as glib and disrespectful, while more mainstream viewers could be amused but not that interested.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Fredoubtable-review-1005863&at%3Asource=Hollywood%20Reporter


text: [An] unsteady, overlong but rewardingly compassionate character study ...
created_at: 2018-11-01 16:42:03
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2017%2Ffilm%2Freviews%2Freinventing-marvin-review-1202545874%2F&at%3Asource=Variety


created_at: 2018-11-01 16:42:03
text:
  It's all a bit overlong and over-the-top, although the lead turn from rising star Finnegan Oldfield (Nocturama) is almost enough to make it work.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Freinventing-marvin-review-1033782&at%3Asource=Hollywood%20Reporter


created_at: 2018-11-01 16:42:12
text:
  Burnished camerawork and ex-Pop Will Eat Itself head Mansell's part-punchy, part-elegiac score reinforce and counterpoint the increasingly nightmarish visuals.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F76607%2Frequiem_for_a_dream%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:42:12
text:
  Unfortunately, once Requiem for a Dream accumulates all this elaborate and suggestive paraphernalia, it plummets in an inexorable, almost mechanical spiral.

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created_at: 2018-11-01 16:42:12
text:
  A staccato narrative parallels the experiences and hallucinations of a woman on drugs with those of her son and his friends.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Frequiem-for-a-dream%2FFilm%3Foid%3D1059809&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:42:12
text:
  Requiem for a Dream may be the first movie to fully capture the way that drugs dislocate us from ourselves.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C277979%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-11-01 16:42:12
text:
  Aronofsky brings a new urgency to the drug movie by trying to reproduce, through his subjective camera, how his characters feel, or want to feel, or fear to feel.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Frequiem-for-a-dream-2000&at%3Asource=Chicago%20Sun-Times


created_at: 2018-11-01 16:42:21
text:
  Reservoir Dogs is a bad boy's movie, show-offy and more than a little decadent. Its saving grace, and its limitation, is in its cool cartoonishness. It never invites any real emotional identification with these crooks.

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text: A much-acclaimed revisionist gangster film that I found to have more style than substance.
created_at: 2018-11-01 16:42:21
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text: It's brutal, it's funny and you won't forget it.
created_at: 2018-11-01 16:42:21
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Freservoirdogsrhinson_a0a7c1%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:42:21
text:
  The writing is crisp and clean, providing line after line of snappy dialogue designed to leave the viewer alternately pondering and laughing aloud.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D261&at%3Asource=ReelViews


created_at: 2018-11-01 16:42:21
text:
  A brash, brutal crime-caper film, Reservoir Dogs has enough raw energy for 10 motion pictures and more than enough rough stuff to traumatize the sensitive. But not only does Dogs have teeth, it has brains.

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created_at: 2018-11-01 16:42:21
text:
  And while Tarantino never quite succeeds in putting around each character the sense of isolation that marks the best noirs, he carries off this exercise in lively fashion. It's more purple than noir, but it's got juice.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eboston%2Ecom%2Fae%2Fmovies%2Fcurrent_releases%2F&at%3Asource=Boston%20Globe


created_at: 2018-11-01 16:42:21
text:
  It's unclear whether this macho thriller does anything to improve the state of the world or our understanding of it, but it certainly sets off enough rockets to hold and shake us for every one of its 99 minutes.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F11929_RESERVOIR_DOGS&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:42:21
text:
  The exaggerated raw violence of "Reservoir Dogs" leaves one feeling cheated in the end. For this movie isn't really about anything. It's just a flashy, stylistically daring exercise in cinematic mayhem.

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created_at: 2018-11-01 16:42:21
text:
  Tarantino's palpable enthusiasm, his unapologetic passion for what he's created, reinvigorates this venerable plot and, mayhem aside, makes it involving for longer than you might suspect.

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created_at: 2018-11-01 16:42:21
text:
  Tarantino, in Reservoir Dogs, has made a nihilist comedy about how human nature will always undercut the best-laid plans.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C312190%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


text: It's dynamite on a short fuse.
created_at: 2018-11-01 16:42:21
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etheglobeandmail%2Ecom%2Fservlet%2FArticleNews%2Fmovie%2FTVCONNECT%2F00010101%2F100060&at%3Asource=Globe%20and%20Mail


created_at: 2018-11-01 16:42:21
text:
  The movie feels like it's going to be terrific, but Tarantino's script doesn't have much curiosity about these guys.

extra_data:
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created_at: 2018-11-01 16:42:21
text:
  The film, for all its mayhem and fury, is too distant to be truly disturbing; it treats everything with an impatient, born-too-late shrug.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Farts%2Freviews%2Ffilm%2Freservoir_dogs_tarantino&at%3Asource=New%20Yorker


created_at: 2018-11-01 16:42:21
text:
  A small, modestly budgeted crime movie of sometimes dazzling cinematic pyrotechnics and over-the- top dramatic energy.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D9E0CE6DD113EF930A15753C1A964958260%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


text: A tour de force.
created_at: 2018-11-01 16:42:21
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F76614%2Freservoir_dogs%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:42:57
text:
  Canet deserves credit for going to such extremes - even if his conceit runs a bit long - and for taking the satire to the point of no return, rather than offering up the kind of easy reconciliation seen in most movies about the movie business.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Frockn-roll-review-976668&at%3Asource=Hollywood%20Reporter


created_at: 2018-11-01 16:43:08
text:
  When the law-enforcing RoboCop cleans up corrupt Motown, his victory is satisfying because he's got machinery and morals on his side. RoboCop is where high-tech meets High Noon.

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created_at: 2018-11-01 16:43:08
text:
  RoboCop relies for most of its impact -- and, more disturbingly, for much of its comedy -- on an absurd exaggeration of physical force.

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text: ...RoboCop is one weird and entertaining hybrid of camp and sci-fi shoot-'em-up.
created_at: 2018-11-01 16:43:08
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Frobocoprhowe_a0b0d5%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:43:08
text:
  A sci-fi action film with a silly title that turned out to be a biting satire of big business practices.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D1716&at%3Asource=ReelViews


created_at: 2018-11-01 16:43:08
text:
  Like the tormented figure at its center, this movie combines the mechanical with the human. And though much of the film is made up of spare parts from cop shows, exploitation flicks and comic books, it nevertheless comes to life.

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created_at: 2018-11-01 16:43:08
text:
  Vile, violent, and very funny. The pace is breakneck, and when the wit does run out, way-out weaponry and whole-scale destruction keep the appalled excitement burning.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F76851%2Frobocop%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-11-01 16:43:08
text:
  Verhoeven's strong suits have always been visual energy and a Rabelaisan realism: a gutsy, jovial way of ripping through social systems.

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created_at: 2018-11-01 16:43:08
text:
  There's a brooding, agonized quality to the violence that almost seems subversive, as if Verhoeven were both appalled and fascinated by his complicity in the toxic action rot.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Frobocop%2FFilm%3Foid%3D8966983&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:43:08
text:
  ...Verhoeven strives for bloodcurdling, darkly comic eloquence. He gives us heart with the hardware. Savagery with smarts.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Frobocoprkempley_a0ca71%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-11-01 16:43:08
text:
  Most thriller and special-effects movies come right off the assembly line...RoboCop is a thriller with a difference.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Frobocop-1987&at%3Asource=Chicago%20Sun-Times


text: RoboCop is as tightly worked as a film can be, not a moment or line wasted.
created_at: 2018-11-01 16:43:08
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117794520%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-11-01 16:43:08
text:
  Whatever may have been in the minds of the writers, Edward Neumeier and Michael Miner, has more trouble emerging from Mr. Verhoeven's sizzling battles than poor Murphy does from his robosuit.

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created_at: 2018-11-01 16:43:10
text:
  You'd think a movie with this much screwing would at least feel less like a statue itself, immobile and damnably honorary.

extra_data:
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created_at: 2018-11-01 16:43:10
text:
  The real Rodin imbued his clay with reverent, lusty life, while Doillon merely offers a buffet of nude day players.

extra_data:
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created_at: 2018-11-01 16:43:10
text:
  Auguste Rodin made sculptures of extraordinary expressiveness. "Rodin" offers two hours of actors struggling to appear lifelike.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Enytimes%2Ecom%2F2018%2F05%2F31%2Fmovies%2Frodin-review%2Ehtml&at%3Asource=New%20York%20Times


created_at: 2018-11-01 16:43:10
text:
  Not since Jacques Rivette's magnificent La Belle Noiseuse (1991) has a film zeroed in on creative process with the same obsessive care it devotes to the artist's volatile love life.

extra_data:
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text: A pedestrian and pedantic trawl through Rodin's middle period.
created_at: 2018-11-01 16:43:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Frodin&at%3Asource=Time%20Out


created_at: 2018-11-01 16:43:10
text:
  Even culture vultures will have their senses dulled by this ploddingly didactic two-hour lesson in the life and loves of master sculptor Rodin.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2017%2Ffilm%2Freviews%2Frodin-review-1202442276%2F&at%3Asource=Variety


text: Hit the Rodin, Jacques.
created_at: 2018-11-01 16:43:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Frodin-review-1006989&at%3Asource=Hollywood%20Reporter


created_at: 2018-11-01 16:43:10
text:
  Doillon's filmmaking perfectly matches the passion of Rodin, like a musician biopic that feels like one of their songs.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Frodin-2018&at%3Asource=RogerEbert%2Ecom


text: A cooped-up slog.
created_at: 2018-11-01 16:43:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2FThe-Culture%2FMovies%2F2018%2F0601%2FRodin-struggles-with-depicting-the-life-of-an-artist&at%3Asource=Christian%20Science%20Monitor


created_at: 2018-11-01 16:43:10
text:
  It's a movie that already seems like a dust-gathered statue, rather than something vividly, imaginatively crafted to reflect the burning intensity of so passionate and forward-minded an artist.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fla-et-mn-rodin-review-20180531-story%2Ehtml&at%3Asource=Los%20Angeles%20Times


created_at: 2018-11-01 16:43:10
text:
  As much as the familiar territory makes Rodin hard to embrace, so does the way Doillon tells the story.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ethewrap%2Ecom%2Frodin-cannes-review-old-fashioned-biopic-drains-the-passion-out-of-art-and-love%2F&at%3Asource=TheWrap


text: Rounders is not breakthrough material, but it makes for an entertaining evening out.
created_at: 2018-11-01 16:43:36
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fmovies%2Fr%2Frounders%2Ehtml&at%3Asource=ReelViews


created_at: 2018-11-01 16:43:36
text:
  Gretchen Mol, Edward Norton, John Turturro, Martin Landau, and Famke Janssen costar; they're all pretty good, but not good enough to make this 1998 feature worth seeing.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F16832_ROUNDERS&at%3Asource=Chicago%20Reader


created_at: 2018-11-01 16:43:36
text:
  Though Damon is an actor who's flatly impossible not to root for, the longer this film lasts the less patience we have to stay with him.

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