# taggings

created_at: 2018-10-31 14:16:47
text:
  Mr. Allen is becoming an immensely sophisticated director, but this screenplay is in need of a merciless literary editor.

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text: Of course, von Trier wants us to react, to be repulsed, shocked, offended. Mission accomplished.
created_at: 2018-10-31 14:17:04
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created_at: 2018-10-31 14:17:04
text:
  No doubt some people will find Antichrist repellent. The question is whether you're open to films that are as flawed as they are ambitious.

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created_at: 2018-10-31 14:17:04
text:
  To watch the Danish provocateur's new film is to experience unrelenting pain, shading into revulsion, while being inspired by his virtuoso command of the medium and sharp intelligence.

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created_at: 2018-10-31 14:17:04
text:
  Though it's hard to deny the fierce purity of Gainsbourg's performance, Antichrist plays like an incoherent mix of Gothic horror claptrap and Bergmanesque power struggle. I was more bored and puzzled than shattered and provoked.

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created_at: 2018-10-31 14:17:04
text:
  Von Trier has said he wanted to make a genre horror picture, but he couldn't even come up with a decent metaphor: The climax is out of a Grade C hack-'em-up with people chasing each other through the woods with axes and knives.

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text: I can't deny this is filled with powerfully primal images.
created_at: 2018-10-31 14:17:04
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text: Artfully horrific but artificial and soulless.
created_at: 2018-10-31 14:17:04
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created_at: 2018-10-31 14:17:04
text:
  The movie's story and meaning are not mysterious but deliberately impenetrable, faint gestures in all directions, absent of artistic integrity, intellectual rigor or emotional significance.

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created_at: 2018-10-31 14:17:04
text:
  Antichrist is a boldly personal film, tossing all von Trier's ideas about faith, fear, and human nature into an unfettered phantasmagoria, full of repulsive visions and fierce scorn.

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created_at: 2018-10-31 14:17:04
text:
  Antichrist ends up being more unnerving than it is terrifying, and a lot funnier than it's supposed to be.

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text: Allegorical in the worst ways, Antichrist is about as profound as a slasher movie.
created_at: 2018-10-31 14:17:04
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text: What is Von Trier trying to say?
created_at: 2018-10-31 14:17:04
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created_at: 2018-10-31 14:17:04
text:
  Self-loathing, mean, ugly and perfectly made, Antichrist is probably the best film ever that you'd recommend to absolutely no one.

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created_at: 2018-10-31 14:17:04
text:
  Please don't take anything I've said to indicate that Antichrist isn't difficult to watch. It most certainly is, but as somebody (the Marquis de Sade, perhaps) once said: No pain, no gain.

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created_at: 2018-10-31 14:17:24
text:
  "The Artist" is such an engaging, delightful film that, if you like movies, you will walk out of the theater with a smile. You just will; it's that inspired.

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text: The Artist is charming as all get-out, a delightful little movie about the movies.
created_at: 2018-10-31 14:17:24
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text: It's a rocket to the moon fueled by unadulterated joy and pure imagination.
created_at: 2018-10-31 14:17:24
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created_at: 2018-10-31 14:17:24
text:
  Through it all, Dujardin has great dignity, is hugely likeable, and pulls off touches of comic poignancy not far from Chaplin's.

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text: The whole thing is so damn clever and charming, it might just sneak off with Best Picture.
created_at: 2018-10-31 14:17:24
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created_at: 2018-10-31 14:17:24
text:
  This effort often manages to duplicate the magical pantomime of the era; a lovely scene in which Bejo drapes herself in the arms of a hung jacket as if it were a human lover could have come straight out of a Marion Davies picture.

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text: For a movie that is so much about technique, it's surprising how affecting the story is.
created_at: 2018-10-31 14:17:24
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text: "The Artist" may be too cute to qualify as high art, but it's highly entertaining.
created_at: 2018-10-31 14:17:24
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created_at: 2018-10-31 14:17:24
text:
  The movie ever fully shakes off its air of skillfully executed experiment, but it's spirited and charming nonetheless.

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created_at: 2018-10-31 14:17:24
text:
  There is literally nothing wrong with it. I don't have a single nit to pick, minor flaw to point out or little bit that annoyed me. It is pure magic from the first frame to the last.

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created_at: 2018-10-31 14:17:24
text:
  It isn't arty or intellectual, though it is artful and ingenious, and it's the rare crowd-pleaser that never feels obvious or pandering.

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created_at: 2018-10-31 14:17:24
text:
  It is a love letter to cinema, to style and to the art of making movies; and anyone who loves movies needs to see it - now.

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created_at: 2018-10-31 14:17:24
text:
  Strangely, wonderfully, The Artist feels as bold and innovative a moviegoing experience as James Cameron's bells-and-whistles Avatar did a couple of years ago.

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created_at: 2018-10-31 14:17:24
text:
  A beguiling tale about Hollywood's silent movie days that is itself silent, this made-in-L.A. French feature will charm cinephiles with its affection for one of the movies' golden ages.

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text: The Artist is the most surprising and delightful film of 2011.
created_at: 2018-10-31 14:17:24
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created_at: 2018-10-31 14:17:24
text:
  "The Artist'' is a small, exquisitely-cut jewel in a style everyone assumes is 80 years out of date.

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created_at: 2018-10-31 14:17:49
text:
  Mixes high craft, surrealist humor and extremely dark themes - of trauma, death, corruption and manipulation - in ways that hold together rather well.

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created_at: 2018-10-31 14:17:49
text:
  Dupontel's film version of the ambitious Victor Hugo-like tome accomplishes precisely what modern cinema seems to be lacking when old-timers complain that "they don't make 'em like they used to."

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created_at: 2018-10-31 14:17:54
text:
  The Austin Powers films have never, ever been anything approaching high-brow, but the uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes.

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text: It's an ode to indecent joy.
created_at: 2018-10-31 14:17:54
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text: One-ups the Austin Powers sequel that came before it.
created_at: 2018-10-31 14:17:54
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text: This is a movie that's trying in too many senses of the word.
created_at: 2018-10-31 14:17:54
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created_at: 2018-10-31 14:17:54
text:
  The third installment in the series of super-spy spoofs, it's handcuffed by the ever-increasing load of baggage it carries.

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text: Goldmember delivers.
created_at: 2018-10-31 14:17:54
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created_at: 2018-10-31 14:17:54
text:
  The Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.

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text: The movie is a little tired; maybe the original inspiration has run its course.
created_at: 2018-10-31 14:17:54
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text: The level of inventiveness remains high.
created_at: 2018-10-31 14:17:54
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created_at: 2018-10-31 14:17:54
text:
  With so many impersonations to keep track off, director Jay Roach winds up moving between Myers and Myers so often that the editing feels like a crude cut-and-paste job.

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created_at: 2018-10-31 14:17:54
text:
  The '60s satire that made the first movie such a hip trip is now just so much polka-dotted wallpaper; the jokes are now almost exclusively confined to orifices and excretions.

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text: The most consistently funny of the Austin Powers films.
created_at: 2018-10-31 14:17:54
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text: Austin Powers is worth a look and will definitely boost Myers' career.
created_at: 2018-10-31 14:18:06
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created_at: 2018-10-31 14:18:06
text:
  We may not need as many Austin Powers movies as there are James Bond pictures, but one or two more might be nice.

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text: Jay Roach directed with just the right amount of period tackiness.
created_at: 2018-10-31 14:18:06
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text: The movie fails to live up to its promise.
created_at: 2018-10-31 14:18:06
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text: Spy movie parodies are common, but Myers is observant enough to notice things that others haven't.
created_at: 2018-10-31 14:18:06
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created_at: 2018-10-31 14:18:06
text:
  Mike Myers may be a connoisseur of the old spy-and-sex genre, but the result is less a screenplay than a manic quote machine.

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created_at: 2018-10-31 14:18:06
text:
  The originals were spoofs in their own way, too, unless you really believe that secret agents look more like Sean Connery than Aldrich Ames.

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text: A funny movie that only gets funnier.
created_at: 2018-10-31 14:18:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Faustin-powers-international-man-of-mystery-1997&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:18:06
text:
  It would take a stone face not to crumple at Austin's dodgy catchphrases and irrepressible sexual desperation.

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created_at: 2018-10-31 14:18:10
text:
  If you don't care for one gag, there'll be another one in a minute, just like a London double decker.

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text: Absent are the freshness and spontaneity that characterized the original.
created_at: 2018-10-31 14:18:10
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text: There is just enough joy in The Spy Who Shagged Me to make you wish there had been more of it.
created_at: 2018-10-31 14:18:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C273782%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


text: Too many scenes end on a flat note!
created_at: 2018-10-31 14:18:10
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Faustin-powers-the-spy-who-shagged-me-1999&at%3Asource=Chicago%20Sun-Times


text: There is a striking lack of craft in The Spy Who Shagged Me.
created_at: 2018-10-31 14:18:10
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text: The movie has all the benign good nature of a Frank Capra.
created_at: 2018-10-31 14:18:45
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F67267%2Fback_to_the_future%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:18:45
text:
  Director Robert Zemeckis confronts the oedipal heart of the time-travel genre with this zestfully tasteless 1985 tale about a teenager (Michael J. Fox) who is projected back to 1955 and then must arrange the romance of his parents.

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created_at: 2018-10-31 14:18:45
text:
  Zemeckis and Gale... give us two priceless scenes in which the young time-traveler simply regards his parents-to-be with wonderment, delight and empathy. And we cannot help but share that emotion and relate it to our own lives.

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created_at: 2018-10-31 14:18:45
text:
  One of the mid-'80s most enduring and enjoyable confections: an infectious mix of comedy, fantasy, satire, excitement, and nostalgia.

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created_at: 2018-10-31 14:18:45
text:
  It isn't often that extremely clever moviemakers use their brains in the service of pure fun. But that's just what the people who made Back to the Future have done. This brilliant contraption of a film could become the hit of the summer.

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text: Kids and parents alike are gonna dig this wonderful fantasy.
created_at: 2018-10-31 14:18:45
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created_at: 2018-10-31 14:18:45
text:
  Zemeckis and Gale have cannily chosen the time periods, which are funny as much for their similarities (political and materalistic) as their contrasts (music, fashions, language).

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created_at: 2018-10-31 14:18:45
text:
  Zemeckis and Gale have given the movie a core of feeling that makes real claims on us. For all its comedy, Back to the Future is about a kid coming to terms with his parents' inadequacies, a moment familiar to everyone, and the fulcrum in growing up.

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text: The picture packs a wonderful wallop.
created_at: 2018-10-31 14:18:45
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text: Shows not only a fine comic touch but also some of the lighthearted humanism of a Frank Capra.
created_at: 2018-10-31 14:18:45
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created_at: 2018-10-31 14:18:45
text:
  It's big, cartoonish and empty, with an interesting premise that is underdeveloped and overproduced.

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text: Every bit as classy, clever and cockle-warming as it was 30 years ago.
created_at: 2018-10-31 14:18:45
extra_data:
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created_at: 2018-10-31 14:18:45
text:
  Performances by the earnest Fox, the lunatic Lloyd, the deceptively passionate Lea Thompson, and, particularly, the bumbling-to-confident Glover, who runs away with the picture, merrily keep the ship sailing.

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text: Divinely frivolous, nearly perfect fun.
created_at: 2018-10-31 14:18:47
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created_at: 2018-10-31 14:18:47
text:
  This is a good deal more likable than part two because the product plugs have been held back, and Zemeckis is clearly having fun alluding to his favorite westerns; there's also a certain sweetness and charm in the Lloyd-Steenburgen romance.

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created_at: 2018-10-31 14:18:47
text:
  It satisfyingly ties up the various plot strands that were flapping in the breeze from the last installment.

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created_at: 2018-10-31 14:18:47
text:
  Makes a few bows in the direction of time-travel complexities, and then settles down to be a routine Western comedy.

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created_at: 2018-10-31 14:18:47
text:
  The simplicity of plot, and the wide expansiveness of its use of space, are a refreshing change from the convoluted, visually cramped and cluttered second part.

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created_at: 2018-10-31 14:18:47
text:
  Except for Mr. Lloyd, the film is so sweet-natured and bland that it is almost instantly forgettable.

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created_at: 2018-10-31 14:18:53
text:
  It is a funny picture - not too consistently, and certainly not too coherently, but when it hits, it hits.

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text: Wonderfully incoherent.
created_at: 2018-10-31 14:18:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F67340%2Fbananas%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:18:53
text:
  Bananas is chockfull of sight gags, one-liners and swiftly executed unnecessary excursions into vulgarity whose humor for the most part can't make up for content.

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created_at: 2018-10-31 14:18:53
text:
  Allen's view of the world is fraught with everything except pathos, and it's a view I happen to find very funny.

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created_at: 2018-10-31 14:19:24
text:
  Mr. Amalric plays Yves as a still-besotted fan of Barbara, and as a director he's a still-besotted fan of Ms. Balibar's. He is wise in his enthusiasms.

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created_at: 2018-10-31 14:19:24
text:
  Apart from occasional highs linked to songs, such as a beautiful scene of Brigitte in silhouette at the piano singing "Je ne sais pas dire," there's not much development here.

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created_at: 2018-10-31 14:19:40
text:
  Maybe the only abstract maxim that one can derive from Kubrick's new film is: 'Openness is everything.'

extra_data:
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created_at: 2018-10-31 14:19:40
text:
  All of Stanley Kubrick's features look better now than when they were first released, but Barry Lyndon, which fared poorly at the box office in 1975, remains his most underrated. It may also be his greatest.

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created_at: 2018-10-31 14:19:40
text:
  Barry Lyndon isn't a great success, and it's not a great entertainment, but it's a great example of directorial vision: Kubrick saying he's going to make this material function as an illustration of the way he sees the world.

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created_at: 2018-10-31 14:19:40
text:
  The great director's least satisfying, most disconcerting film - and that's what makes it extraordinary.

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text: Another fascinating challenge from one of our most remarkable, independent-minded directors.
created_at: 2018-10-31 14:19:40
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created_at: 2018-10-31 14:19:40
text:
  One of cinema's most heartfelt and sustained (it runs over three hours), if cynical, visions of an individual's powerlessness.

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created_at: 2018-10-31 14:20:07
text:
  It's an unforgivably flat ending for a movie of such astonishing contours. But its first two-thirds -- which should be called The Joker's Big Misadventure -- is probably the best film of the year.

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created_at: 2018-10-31 14:20:07
text:
  The idea of doing a dark, neurotic, highly stylized and highly claustrophobic superproduction is an audacious and appealing one, but director Tim Burton has only made it halfway there.

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created_at: 2018-10-31 14:20:07
text:
  An exhilarating mix of cartoon lore (though not nearly enough for rabid Batpurists), screen presence (this is pretty much the Jack and Mike Show), psychological murkiness (though it could have used even more) and demented Gothic goofiness.

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text: Dark, haunting and poetic
created_at: 2018-10-31 14:20:07
extra_data:
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created_at: 2018-10-31 14:20:07
text:
  There are a lot of things wrong with Batman, but it still makes for decent entertainment in the fine tradition of the typical low-intelligence summer movie.

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text: The storytelling has weaknesses, but the characters are fascinating.
created_at: 2018-10-31 14:20:07
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created_at: 2018-10-31 14:20:07
text:
  The conceptual side of the movie--two rather sick two-sided antagonists having it out in a black and sordid context -- lingers.

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created_at: 2018-10-31 14:20:07
text:
  A triumph of design over story, style over substance - a great-looking movie with a plot you can't care much about.

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created_at: 2018-10-31 14:20:07
text:
  Batman is a stunning achievement, especially through the incredible and unique visualization of director Tim Burton.

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text: Is it interesting? Fitfully. Is it fun? Not much, Gotham City fans, not much.
created_at: 2018-10-31 14:20:07
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created_at: 2018-10-31 14:20:07
text:
  Director Tim Burton effectively echoes the visual style of the original Bob Kane comics while conjuring up a nightmarish world of his own.

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created_at: 2018-10-31 14:20:07
text:
  The wit is all pictorial. The film meanders mindlessly from one image to the next, as does a comic book. It doesn't help that the title character remains such a wimp even when played by Michael Keaton.

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text: The muscular grit of the action sequences is leavened with nicely judged sarky banter.
created_at: 2018-10-31 14:20:13
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created_at: 2018-10-31 14:20:13
text:
  Nolan takes an admirable stab at developing a character-driven drama, only to give in to generic action-movie conventions with a blinding, deafening, explosion-laden finale that could have capped off any number of interchangeable Jerry Bruckheimer flicks.

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created_at: 2018-10-31 14:20:13
text:
  If comic books must be a staple of our movie diet, please let them be as thought-provoking and thrilling as this.

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created_at: 2018-10-31 14:20:13
text:
  The psychological realism and the science-fiction villainy don't always mesh seamlessly. But unlike so many superheroic summer spectacles, this one actually has a soul behind the special effects.

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created_at: 2018-10-31 14:20:13
text:
  Here's how any great franchise should start: with care, precision and delicately wrought atmosphere.

extra_data:
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created_at: 2018-10-31 14:20:13
text:
  Apart from the lumbering pacing and embalmed tone, the movie is densely forested with oaken dialogue, wasteful in its casting...and incoherently over-edited in its action sequences.

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created_at: 2018-10-31 14:20:13
text:
  For all the hype about exploring Batman's damaged psyche, Nolan and Goyer haven't added much beyond a corny opening in which he falls down a well and is attacked by bats.

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created_at: 2018-10-31 14:20:13
text:
  Batman Begins summons up moments of great eloquence and power. If only its cast of characters was as fully inhabited as its turbulent city.

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created_at: 2018-10-31 14:20:13
text:
  A confidently original, engrossing interpretation, with a seriously thought-through (but never self-serious) aesthetic point of view that announces, from the get-go, someone who knows what he's doing is running the show.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C1072735%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-10-31 14:20:13
text:
  It's not just the birth of Batman we're seeing in this triumphant interpretation, it's also the dawning of Gotham City's age of greed.

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created_at: 2018-10-31 14:20:13
text:
  Director Nolan remains true to his own vision, which is largely that of the original Batman comics. As a result, Batman Begins has a unity not often found in these extravaganzas.

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created_at: 2018-10-31 14:20:13
text:
  If you love Batman, then Batman Begins will the best Batman movie ever made. On the other hand, if you love Batman movies, Batman Begins may leave you wondering where the Joker went.

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created_at: 2018-10-31 14:20:16
text:
  Batman Forever is a visual tour de force, a knock-your-eyes-out effort. But it overdoes, overkills. And what starts out exhilarating ends up...exhausting.

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text: Carrey lights up an otherwise over-scripted, over-frenetic potboiler.
created_at: 2018-10-31 14:20:16
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fbatmanforever%2Ehtm&at%3Asource=Washington%20Post


text: It's lighter, brighter, funnier, faster-paced, and a whole lot more colorful than before.
created_at: 2018-10-31 14:20:16
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D287&at%3Asource=ReelViews


created_at: 2018-10-31 14:20:16
text:
  Joel Schumacher submits to the Wagnerian bombast with an overly busy surface, and the script by Lee and Janet Scott Batchler and Akiva Goldsman basically runs through the formula as if it's a checklist.

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text: This loud and boisterous comic book confidential is serviceable enough to satisfy.
created_at: 2018-10-31 14:20:16
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie960406-185%2C0%2C1161071%2Estory&at%3Asource=Los%20Angeles%20Times


text: A grand- scale effort that's more awe-inspiring than completely successful as entertainment.
created_at: 2018-10-31 14:20:16
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F1995%2F06%2F16%2FDD8003%2EDTL&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-10-31 14:20:16
text:
  By now, Jim Carrey is doing sarcastic takes on his own sarcasm, and there's something funny and a little scary in that.

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created_at: 2018-10-31 14:20:16
text:
  I liked the look of the movie and Schumacher's general irreverence toward the material. But the great Batman movie still remains to be made.

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created_at: 2018-10-31 14:20:35
text:
  There are flashes of commercially oriented action and humor, but the overall feeling is one of a languid depression sprung straight from the heart of its author.

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created_at: 2018-10-31 14:20:35
text:
  Something about the filmmaker's eccentric, surreal, childlike images seems to strike a deep chord in the mass psyche: he makes nightmares that taste like candy.

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created_at: 2018-10-31 14:20:35
text:
  As Beetlejuice and Edward Scissorhands reminded us, Burton always has been more absorbed by what his audience sees than by what his movies say.

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text: Comes closer than ever to Bob Kane's dark, original strip, which began in 1939.
created_at: 2018-10-31 14:20:35
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created_at: 2018-10-31 14:20:35
text:
  This time the richness of the Batman movie is not in its production design but rather in Burton's and screenwriter Daniel Waters' Freudian view of adult human behavior.

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created_at: 2018-10-31 14:20:35
text:
  Bigger, louder, more relentlessly action-packed than its predecessor, Batman Returns batters its audience into submission.

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created_at: 2018-10-31 14:20:35
text:
  Because the film's predominant motif is that of wounded individuals re-inventing themselves as wily villains, its most memorable episodes are early ones explaining each main character's transformation.

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created_at: 2018-10-31 14:20:35
text:
  Burton and company return to the prickly humor that gave such a jolt to the earlier film -- frequently finding it in unexpected places.

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created_at: 2018-10-31 14:20:35
text:
  More of the same, but nowhere near as good (funny, disturbing, obsessive) as the uneven original, revealing arrested development on every level.

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created_at: 2018-10-31 14:20:35
text:
  [Burton's] dark, melancholy vision is undeniably something to see, but it is a claustrophobic conception, not an expansive one, oppressive rather than exhilarating, and it strangles almost all the enjoyment out of this movie without half trying.

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text: Exhaustingly inventive.
created_at: 2018-10-31 14:20:35
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created_at: 2018-10-31 14:20:35
text:
  Burton, once an animator at Disney, understands that to go deeper, you must fly higher, to liberation from plot into poetry. Here he's done it. This Batman soars.

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created_at: 2018-10-31 14:20:35
text:
  Like a hyperactive 11-year-old, the director seems both uncomfortable with adult emotions and unable to focus on the overall portrait.

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text: Odd and sad, but not exhilarating.
created_at: 2018-10-31 14:20:35
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created_at: 2018-10-31 14:20:35
text:
  As in the first movie, Burton gives the material a luxurious masked-ball quality and a sly contemporary wit without violating the myth's low, cheesy comic-book origins.

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created_at: 2018-10-31 14:22:46
text:
  Watching others get stupid and crazy can have amusement value, but "Belgica," which is set mostly inside a bar of that name, is neither comic nor tragic. It's not a party of a movie, just a hangover.

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created_at: 2018-10-31 14:23:38
text:
  Drawing from the relatively invisible literary talents of Daphne DuMaurier and Evan Hunter, Alfred Hitchcock has fashioned a major work of cinematic art, and "cinematic" is the operative term here, not "literary" or "sociological."

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created_at: 2018-10-31 14:23:38
text:
  Mr. Hitchcock and his associates have constructed a horror film that should raise the hackles of the most courageous and put goose-pimples on the toughest hide.

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created_at: 2018-10-31 14:23:38
text:
  Alfred Hitchcock's most abstract film (1963), and perhaps his subtlest, still yielding new meanings and inflections after a dozen or more viewings.

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created_at: 2018-10-31 14:23:38
text:
  Hitch's much misappreciated follow-up to Psycho is arguably the greatest of all disaster films -- a triumph of special effects, as well as the fountainhead of what has become known as gross-out horror.

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created_at: 2018-10-31 14:23:38
text:
  Hitchcock prolongs his prelude to horror for more than half the film, playing with audience suspense with comedy and romance while he sets his stage. The horror when it comes is a hair-raiser ...

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created_at: 2018-10-31 14:23:38
text:
  Few films depict so eerily yet so meticulously the metaphysical and historical sense of a world out of joint.

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created_at: 2018-10-31 14:23:38
text:
  Beneath all of this elaborate feather bedlam lies a Hitch cock-and-bull story that's essentially a fowl ball.

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created_at: 2018-10-31 14:23:53
text:
  This is very much a debut feature, a passion project from an enthusiastic director still learning the craft.

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created_at: 2018-10-31 14:23:53
text:
  "The Birth of a Nation" aims for the gut and hits its target. Had it aimed a little higher, it might also have hit the mind, as well.

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created_at: 2018-10-31 14:23:53
text:
  If you forgive him enough to see it, The Birth of a Nation offers a troubling tangle of the personal and historical. But above all else it's commercial, an entertainment of purpose and some power.

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created_at: 2018-10-31 14:23:53
text:
  What if the way to honor Nat Turner is to pay attention to artists who aren't shackled by the Academy's limited definition of what a black Best Picture winner is allowed to discuss?

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created_at: 2018-10-31 14:23:53
text:
  The Birth of a Nation is a flawed but fairly compelling chapter of the American story that powerfully resonates with how that story is playing out today.

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created_at: 2018-10-31 14:23:53
text:
  While The Birth of a Nation certainly has a powerful and important story to tell, it is, ultimately, a story told with little depth or artistry or skill.

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text: Parker's film is at its best when he presents his harrowing story straightforwardly.
created_at: 2018-10-31 14:23:53
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text: Instead of a deep, reflective parable, Parker gives us a midrange History Channel special.
created_at: 2018-10-31 14:23:53
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created_at: 2018-10-31 14:23:53
text:
  There's a deliberate mythmaking quality to Parker's reconstruction of the real-life Nat Turner, who was a much more morally complex figure than the righteous avenger Parker writes, directs, and plays him as.

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created_at: 2018-10-31 14:23:53
text:
  The real problem is the central character: wearing so many hats at once, Parker fails to communicate the madness and God fever that enabled Turner to mobilize his people in a suicide attack against their captors.

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created_at: 2018-10-31 14:23:53
text:
  The film stands tall on its own merits and deserves to be seen irrespective of the perceived failings of its author.

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created_at: 2018-10-31 14:23:53
text:
  No, the movie can't escape its maelstrom of bad PR, and reviews aren't written in a vacuum either. But lest the point get lost, what Mr. Parker has committed to the screen is a righteously indignant, kinetic and well-acted film.

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text: It's one of the few important movies to hit cinemas this year.
created_at: 2018-10-31 14:23:53
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text: A flawed but powerfully affecting film by a flawed but undeniably gifted filmmaker.
created_at: 2018-10-31 14:23:53
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created_at: 2018-10-31 14:23:53
text:
  Despite some over-obvious symbols and heavy-handed soundtrack choices, The Birth of a Nation is a powerful bit of moviemaking about history and the ongoing issue of racial inequality.

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created_at: 2018-10-31 14:23:53
text:
  The Birth of a Nation is a film for alert minds, even those that can't - and shouldn't - forget the past and present behaviour of its maker.

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created_at: 2018-10-31 14:23:53
text:
  The highly charged arena into which this film about America's bloodiest slave revolt arrives gives it a cachet that, in artistic if not sociological terms, it does not really merit.

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created_at: 2018-10-31 14:23:53
text:
  A seriously damaged and inadequate movie ... its defects reveal traits of character-arrogance, vanity, and self-importance-that exert an unfortunately strong influence on Parker's directorial choices.

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created_at: 2018-10-31 14:23:53
text:
  Parker reaches with both hands for greatness and falls short - but this is nevertheless a solid and strong and valuable piece of work.

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text: A fast-moving, deeply absorbing, and thoroughly exciting directorial debut.
created_at: 2018-10-31 14:23:53
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created_at: 2018-10-31 14:23:57
text:
  It is modern, sharp and cool, honoring the past as well as the present, and pushing the boundaries of the genre past what audiences are used to from superhero movies.

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created_at: 2018-10-31 14:23:57
text:
  Jordan has swagger to spare, with those rolling shoulders, but there's a breath of charm, too, all the more seductive in the overblown atmosphere of Marvel. He's twice as pantherish as the Panther.

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created_at: 2018-10-31 14:23:57
text:
  To the infinite credit of Coogler and his team, Black Panther fights constantly and bitterly against the familiar constraints of Disney's superhero industrial complex.

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created_at: 2018-10-31 14:23:57
text:
  It is a terrifically entertaining film, alive from the start, following its Marvel mission (for good and bad) while rising above it.

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created_at: 2018-10-31 14:23:57
text:
  Believe the hype: "Black Panther" transcends its comic-book origins, achieving a mythic grandeur that's nothing short of exhilarating.

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created_at: 2018-10-31 14:23:57
text:
  Whether or not this is the best film Marvel Studios has made to date-and it is clearly in the discussion-it is by far the most thought-provoking.

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created_at: 2018-10-31 14:23:57
text:
  A big and bold change of focus in the Marvel Cinematic Universe, "Black Panther" pushes past many of the clichéd plot devices, archetypes and formulas of standard comic book blockbusters.

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created_at: 2018-10-31 14:23:57
text:
  This is an origin story, globe-trotting spy thriller and fantasy, all in one. The movie manages to be part of, but something completely different than, the Marvel superhero movies that came before.

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text: The identity politics provide a fresh spin to the genre's increasingly tedious narrative formula.
created_at: 2018-10-31 14:23:57
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created_at: 2018-10-31 14:23:57
text:
  Black Panther could have been just another Marvel romp-a fun but ultimately disposable entry in the studio's catalogue. But Ryan Coogler and company had the power, and perhaps the responsibility, to do much more. And they did.

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created_at: 2018-10-31 14:23:57
text:
  This is 2018's first great motion picture - a title that will surely be remembered when "end of the year" bests are discussed.

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created_at: 2018-10-31 14:23:57
text:
  It's uniquely satisfying popcorn entertainment, a triumphant trifecta of subject matter, talent and timing.

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text: The richness of the visual palette here is dazzling.
created_at: 2018-10-31 14:23:57
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text: Ultimately, it's more interesting to think about than it is to watch.
created_at: 2018-10-31 14:23:57
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created_at: 2018-10-31 14:23:57
text:
  When it comes to creative visuals, engaging action and likable characters, "Black Panther" stands confidently next to the best fare offered up by the Marvel Cinematic Universe.

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created_at: 2018-10-31 14:23:57
text:
  Marvel's Black Panther film means so much to so many people. The film is a lightning rod of representation, in a time where black people feel so belittled and not paid attention to.

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created_at: 2018-10-31 14:23:57
text:
  One of the year's best films, and one that transcends the superhero genre to emerge as an epic of operatic proportions.

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created_at: 2018-10-31 14:23:57
text:
  Coogler is trying for a lot of things in Black Panther, probably too many, but there is also a winning modesty to his ambition.

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text: Black Panther is one of the best superhero movies of the century.
created_at: 2018-10-31 14:23:57
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text: It's very, very good -- in its best scenes, exhilarating.
created_at: 2018-10-31 14:23:57
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created_at: 2018-10-31 14:24:30
text:
  Paradoxically, Scott's crowded, misty, neon streetscape seems even murkier; fuzz I chalked up to VHS tapes is production designer Lawrence G. Paull dumping ashtrays in the air.

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text: The film still represents the cutting edge of dark science fiction.
created_at: 2018-10-31 14:24:30
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created_at: 2018-10-31 14:24:30
text:
  The android villains are neither menacing nor sympathetic, when ideally they should have been both. This leaves Scott's picturesque violence looking dull and exploitative.

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text: The contradictions that plague the movie are apparent from the outset.
created_at: 2018-10-31 14:24:30
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created_at: 2018-10-31 14:24:30
text:
  The opportunity to see one of the milestone visual achievements in a big hall with a giant screen is not to be missed. And even if you saw Blade Runner in a theater in 1982, this will be an entirely new experience.

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created_at: 2018-10-31 14:24:30
text:
  These days, it's almost impossible to find a gritty science fiction motion picture that doesn't owe at least a small debt to Blade Runner's visual style.

extra_data:
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text: As intricately detailed as anything a science-fiction film has yet envisioned.
created_at: 2018-10-31 14:24:30
extra_data:
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created_at: 2018-10-31 14:24:30
text:
  Much of the film's erotic charge and moral and ideological ambiguity stem from the fact that these characters are very nearly the only ones we care about.

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text: Ridley Scott created a triumph of retro-futuristic design over narrative or character richness.
created_at: 2018-10-31 14:24:30
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text: Film noir cubed, science fiction a step beyond 2001.
created_at: 2018-10-31 14:24:30
extra_data:
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text: This is perhaps the only science-fiction film that can be called transcendental.
created_at: 2018-10-31 14:24:30
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created_at: 2018-10-31 14:24:30
text:
  This definitive print should be the last little push that "Blade Runner" needs to complete its 25-year journey from box office failure to cult favorite to full-blown classic.

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created_at: 2018-10-31 14:24:30
text:
  There are no plot-altering additions or subtractions. But the digitally spruced print is gorgeous to look at and listen to.

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created_at: 2018-10-31 14:24:30
text:
  Too bad the filmmakers didn't try to recapture the modest virtues of the Dick novel, which (despite many flaws of its own) has a humor and humanity that are nowhere felt in 'Blade Runner.

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created_at: 2018-10-31 14:24:30
text:
  As a display terminal for the wizardry of Designers Lawrence G. Paull, Douglas Trumbull and Syd Mead, the movie delivers.

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created_at: 2018-10-31 14:24:30
text:
  This is a seminal film, building on older classics like Metropolis or Things to Come, but establishing a pervasive view of the future that has influenced science fiction films ever since.

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created_at: 2018-10-31 14:24:30
text:
  Mainly, the re-release is a good excuse to indulge once more in Scott's iconic and highly influential vision of a future Los Angeles choked by rain, neon and cheap pleasure palaces.

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created_at: 2018-10-31 14:24:30
text:
  Open the champagne: Blade Runner is finally just the way Ridley Scott wanted it. And it only took 25 years.

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created_at: 2018-10-31 14:24:30
text:
  A stylistically dazzling film noir set in November 2019 in a brilliantly imagined Los Angeles marked by both technological wonders and horrendous squalor.

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created_at: 2018-10-31 14:24:32
text:
  It takes on the themes and universe set forth in the original and builds on them, and manages to live up to the massive expectations that greet it. This is no replicant, it's the real deal.

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text: Blade Runner 2049, on the other hand, manages to be prettier but far more prosaic.
created_at: 2018-10-31 14:24:32
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created_at: 2018-10-31 14:24:32
text:
  Watching Ford and Gosling onscreen together suggests an evolution of masculinity within the films, one that exists along a continuum of noir leading men, from those failing to hide their tenderhearted nature to the solemn figures who make stoicism an art.

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created_at: 2018-10-31 14:24:32
text:
  Despite all the overlaps, this is not a simulacrum of a Ridley Scott film. It is unmistakably a Denis Villeneuve film, inviting us to tumble, tense with anticipation, into his doomy clutches.

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created_at: 2018-10-31 14:24:32
text:
  Villeneuve and cinematographer Roger Deakins give us staggering new visions of the future, ones that confound and trance and mystify in Blade Runner 2049 even while making rich cinematic senses.

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created_at: 2018-10-31 14:24:32
text:
  Yet despite Ryan Gosling, a striking visual template and Harrison Ford reprising the role he played in the 1982 sci-fi classic, glitches mar this undeniably ambitious but drawn-out exercise.

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created_at: 2018-10-31 14:24:32
text:
  While Blade Runner 2049 may not end up being the classic the original is, in some ways it's as good of a sequel as you could ask for.

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created_at: 2018-10-31 14:24:32
text:
  "Blade Runner 2049" is not just a movie but an event. Don't be the only human on your block not to see it.

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created_at: 2018-10-31 14:24:32
text:
  From the grayed-out countrysides over which the sky has closed like a lid; to the drizzly neon decadence of Los Angeles; to the Ozymandian wreckage of Las Vegas-the film is a visual splendor of the first order.

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text: A powerful, unflinching, despairing, brutal and emotionally devastating film.
created_at: 2018-10-31 14:24:32
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Fblade-runner-spinoff-is-more-than-just-a-replicant%2F449608463%2F&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-10-31 14:24:32
text:
  Director Denis Villeneuve, who earned his sci-fi bona fides with Arrival, successfully replicates the cold austerity Ridley Scott brought to Blade Runner.

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text: Harrison Ford, for his part, is nothing less than a revelation.
created_at: 2018-10-31 14:24:32
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created_at: 2018-10-31 14:24:32
text:
  The rare sequel that truly merits its existence, updating and expanding the themes of the 1982 original to bring them from the 20th century into the 21st.

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created_at: 2018-10-31 14:24:32
text:
  Villeneuve and company have cast a powerful and disturbing visual spell, thrusting us into a world compelling enough to get lost in.

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text: There's a frisson in seeing fecundity exalted in a world bent on selling pleasure-sex.
created_at: 2018-10-31 14:24:32
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fblade-runner-2049%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-10-31 14:24:32
text:
  Blade Runner 2049 is one of the brainiest films to come out of Hollywood in a long while, asking more questions about the meaning of life than it answers.

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text: Blade Runner 2049 is heavy with portentous and pretentious hoo-ha.
created_at: 2018-10-31 14:24:32
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text: A visually dazzling follow-up to one of science fiction's most iconic films.
created_at: 2018-10-31 14:24:32
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created_at: 2018-10-31 14:24:32
text:
  The failure of "Blade Runner 2049" is how it discriminates between men and women, and how that discrimination surpasses the distinction between human and machine. That failure leaves you with no hope for the future.

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created_at: 2018-10-31 14:24:55
text:
  The political argument that ensues is pretty dull, but the battle scenes are the loudest and most convincing in years: Gibson has learned from Kurosawa in lending a clarifying thrust to what is, essentially, chaos.

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text: Braveheart has a gut-wrenching, bone-breaking, sword-thwacking verve.
created_at: 2018-10-31 14:24:55
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created_at: 2018-10-31 14:24:55
text:
  A huge, bloody and sprawling epic, Braveheart is the sort of massive vanity piece that would be easy to disparage if it didn't essentially deliver.

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created_at: 2018-10-31 14:24:55
text:
  As the star of the new, epic-scaled Braveheart, Gibson celebrates yet another man of selfless valor. And as its director, he displays some daring of his own.

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created_at: 2018-10-31 14:24:55
text:
  In addition to staging battle scenes well, Gibson also manages to recreate the filth and mood of 700 years ago.

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text: Pure hokum.
created_at: 2018-10-31 14:24:55
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F68392%2Fbraveheart%2Ehtml&at%3Asource=Time%20Out


text: Braveheart looks like a true epic -- even if it is both bloody and bloody long.
created_at: 2018-10-31 14:24:55
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created_at: 2018-10-31 14:24:55
text:
  With its clashing armies, heartstopping action, and grand sense of romance, this is the sort of film it's a pleasure to see and review.

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created_at: 2018-10-31 14:24:55
text:
  A lavish, entertaining spectacle full of manly men, dastardly villains, rousing battles and women who easily see Mel's hero potential through all that messy hair.

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created_at: 2018-10-31 14:24:55
text:
  Mel Gibson throws his whole heart into a role. No one acts with more conviction, and his errors are honest ones.

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created_at: 2018-10-31 14:24:55
text:
  Braveheart is a big, strapping medieval sword-and-arrow movie with more fighting than romance, a surprising abundance of lush and sensuous imagery considering its brutal strife, and Gibson fiercely inciting it to stand up and march.

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text: Many movies deal with battlefield heroics. Few seriously attempt to define heroism.
created_at: 2018-10-31 14:24:55
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created_at: 2018-10-31 14:24:55
text:
  In this mix of historical tragedy and hip adventure, Gibson may be as galvanic a movie swashbuckler as Errol Flynn and Burt Lancaster were in their day.

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created_at: 2018-10-31 14:24:55
text:
  As a filmmaker, [Gibson] lacks the epic gift, but the movie, scripted by Randall (no relation) Wallace, works on a fairly basic level as a hiss-the-English medieval Western.

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text: At times the film seems an obsessive ode to Mel Gibson machismo.
created_at: 2018-10-31 14:24:55
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created_at: 2018-10-31 14:24:55
text:
  An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior.

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created_at: 2018-10-31 14:25:00
text:
  Say this, in sum, for Breathless: it is certainly no cliché, in any area or sense of the word. It is more a chunk of raw drama, graphically and artfully torn with appropriately ragged edges out of the tough underbelly of modern metropolitan life.

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created_at: 2018-10-31 14:25:00
text:
  If you've never seen Breathless, see it now -- but don't expect an easy ride. If you haven't seen it for ages, see it again and be surprised at the fresh reactions it provokes.

extra_data:
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created_at: 2018-10-31 14:25:00
text:
  Breathless makes alienation look like it was a lot more fun in 1960 than in the ponderous gravitas or ante-upping brutality of indie film today.

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created_at: 2018-10-31 14:25:00
text:
  On its fiftieth birthday Breathless remains fresh and exciting, although its revolutionary approach has long since been absorbed into the mainstream, and the years do show on it a bit.

extra_data:
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created_at: 2018-10-31 14:25:00
text:
  Shot on a shoestring and none the worse for it, Jean-Luc Godard's gritty and engaging first feature had an almost revolutionary impact when first released in 1960.

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text: If you miss out on this print, you are truly missing out on another life.
created_at: 2018-10-31 14:25:00
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fnewyork%2Etimeout%2Ecom%2Fnewyork%2Farticles%2Ffilm%2F86025%2Fbreathless&at%3Asource=Time%20Out


text: One of the most famous and influential movies ever made.
created_at: 2018-10-31 14:25:00
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2FThe-Culture%2FMovies%2F2010%2F0604%2FBreathless-movie-review&at%3Asource=Christian%20Science%20Monitor


created_at: 2018-10-31 14:25:00
text:
  Modern movies begin here, with Jean-Luc Godard's Breathless in 1960. No debut film since Citizen Kane in 1942 has been as influential.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fgreat-movie-breathless-1960&at%3Asource=Chicago%20Sun-Times


text: Breathless has the proportions wrong. Too much rambling, too little point.
created_at: 2018-10-31 14:25:00
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fbreathless-a-bout-de-souffle-50th-anniversary%2C1163476%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


text: With the appearance of Breathless, we have a film that is new, aesthetically and morally.
created_at: 2018-10-31 14:25:00
extra_data:
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created_at: 2018-10-31 14:25:00
text:
  This movie liberated the cinema -- the stories you could tell and the ways you could tell them -- as clearly and cleanly as Picasso freed painting and the Sex Pistols rebooted rock.

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text: Woody Allen attends to his neglected lovability factor in this tiny, anecdotal comedy.
created_at: 2018-10-31 14:25:10
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created_at: 2018-10-31 14:25:10
text:
  The jokes are firmly embedded in plot and characterisation, and the film, shot by Gordon Willis in harsh black-and-white, looks terrific; but what makes it work so well is the unsentimental warmth pervading every frame.

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text: All of this is accomplished with wonderfully off-the-wall characterizations.
created_at: 2018-10-31 14:25:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fbroadway-danny-rose&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:25:10
text:
  Allen's perfect as a small-time, good-hearted Broadway talent agent, giving his all for a roster of hopeless clients.

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created_at: 2018-10-31 14:25:22
text:
  It kept me absorbed all the way through, especially the collaboration between acting auteur Bill Murray and Mr. Jarmusch in virtually every frame of the film.

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created_at: 2018-10-31 14:25:22
text:
  It takes someone with Murray's reservoir of audience goodwill to make such a maddeningly passive character even worth watching.

extra_data:
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created_at: 2018-10-31 14:25:22
text:
  Funny, bittersweet, its understatement yielding surprising depth charges, Broken Flowers is a triumph of close observation and telling details.

extra_data:
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created_at: 2018-10-31 14:25:22
text:
  Broken Flowers is Jarmusch's most conventionally entertaining film, but it's still visually rigorous, swimming in pregnant silences, and un-filled-in in a way that's tantalizing.

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created_at: 2018-10-31 14:25:22
text:
  It's many things: a terrific performance piece for a handful of good actors, an engaging metaphor and a so-so piece of storytelling.

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text: The ending is sublime, a set piece that almost makes up for the overwhelming slightness of it all.
created_at: 2018-10-31 14:25:22
extra_data:
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created_at: 2018-10-31 14:25:22
text:
  The movie doesn't come to a definitive point or make an explicit, but the movie does illustrate, in a penetrating way, the sadness of going through life emotionally disconnected.

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text: Flowers is smartly observational -- but a little screen heat would be worth a bouquet.
created_at: 2018-10-31 14:25:22
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eusatoday%2Ecom%2Flife%2Fmovies%2Freviews%2F2005-08-04-broken-flowers_x%2Ehtm&at%3Asource=USA%20Today


text: Jarmusch shows us, as he has in the past, that the journey, not the arrival, matters.
created_at: 2018-10-31 14:25:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fcommunity%2Eseattletimes%2Enwsource%2Ecom%2Farchive%2F%3Fslug%3Dbroken05%26date%3D20050805&at%3Asource=Seattle%20Times


created_at: 2018-10-31 14:25:22
text:
  There's a real poignancy in watching Murray's emotional chill thaw from the heat generated by even the idea of romance, or at least its more libidinous evil twin, lust.

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created_at: 2018-10-31 14:25:22
text:
  Those hound-dog eyes, and that weary sneer, reveal a man who understands the value of understatement.

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text: A very gentle and wry outing for Jarmusch and his star.
created_at: 2018-10-31 14:25:22
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eorlandosentinel%2Ecom%2Fentertainment%2Fmovies%2Forl-broken05sep16%2C0%2C4288948%2Estory%3Fcoll%3Dorl-calmoviestop&at%3Asource=Orlando%20Sentinel


text: A minimalist miracle that transcends comedy and drama to wind up in a bigger and wiser place.
created_at: 2018-10-31 14:25:22
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eboston%2Ecom%2Fmovies%2Fdisplay%3Fdisplay%3Dmovie%26id%3D7920&at%3Asource=Boston%20Globe


created_at: 2018-10-31 14:26:03
text:
  Wholly unsuitable for children, yet propelled by a nagging puerility that will appeal only to those in the vortex of puberty, or to adults who have failed to progress beyond it.

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created_at: 2018-10-31 14:26:03
text:
  Baron Cohen's instincts for outrage are spot on. It's not insight we need at all right now, but a very sharp bonk on the head.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fnews%2Fla-et-bruno9-2009jul09%2C0%2C4423296%2Estory&at%3Asource=Los%20Angeles%20Times


created_at: 2018-10-31 14:26:03
text:
  When moments seem like setups with actors, they turn tame. But when things feel real -- as when Bruno conronts an Arkansas wrestling-match crowd -- they can get scary-real.

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text: A crude, cringe-worthy, and intermittently funny affair that triggers the gag reflex.
created_at: 2018-10-31 14:26:03
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created_at: 2018-10-31 14:26:03
text:
  It's an odd cop-out for so fiercely gifted a comedian.... This is not a man who is doomed to be Allen Funt, or for that matter, Ashton Kutcher. He doesn't need to rely on the easy titillations and voyeuristic pull of reality TV.

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created_at: 2018-10-31 14:26:03
text:
  I don't know how many more times Baron Cohen can go undercover, but it looks as if he'll never run out of bigotry, idiocy and hypocrisy to spoof.

extra_data:
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created_at: 2018-10-31 14:26:03
text:
  Even if this is the end, we must applaud his audacity, even if we can't always bear to watch it in action. Is this comedic genius? As Brüno would say: Ich think so.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Emiamiherald%2Ecom%2Fentertainment%2Fmovies%2Ftop-story%2Fstory%2F1133712%2Ehtml&at%3Asource=Miami%20Herald


created_at: 2018-10-31 14:26:03
text:
  Baron Cohen is, without doubt, the ballsiest comic of his generation-and one of the brightest. But it's hard to imagine him taking the guerrilla shock tactics of Borat and Brüno any further.

extra_data:
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created_at: 2018-10-31 14:26:03
text:
  It's a thing , not a movie -- if, that is, you believe a movie should be more than an accumulation of prankish set-pieces flimsily strung over 80 skimpy minutes.

extra_data:
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text: More gut-bustingly funny than anything else out there right now.
created_at: 2018-10-31 14:26:03
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fseven%2F07072009%2Fentertainment%2Fmovies%2Fnumero_bruno__177946%2Ehtm&at%3Asource=New%20York%20Post


text: There's good bad taste and then there's just plain bad bad, which is what describes most of Brüno.
created_at: 2018-10-31 14:26:03
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2F2009%2F0710%2Fp17s02-almo%2Ehtml&at%3Asource=Christian%20Science%20Monitor


text: Undeniably funny, but the targets are far too obvious.
created_at: 2018-10-31 14:26:03
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erichardroeper%2Ecom%2Freviews%2Fid%2F107%2F&at%3Asource=Richard%20Roeper%2Ecom


created_at: 2018-10-31 14:26:03
text:
  Outrageous, unnerving, brave, topical, revealing, appalling and consistently hilarious, Brüno manages to be both cutting-edge cultural commentary and post-modern comic genius.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edetnews%2Ecom%2Farticle%2F20090709%2FOPINION03%2F907090316%2F1034%2Fent02%2FSacha-Baron-Cohen-s--Br%25C3%25BCno--is-familiar-genius-comedy&at%3Asource=Detroit%20News


created_at: 2018-10-31 14:26:08
text:
  The joy of this bouncy, brainy Allen outing is how effortlessly he meshes his serious, clearly personal conundrums with the giddy formulas of backstage farce.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fdying-broadway-hit-189534&at%3Asource=Newsweek


created_at: 2018-10-31 14:26:08
text:
  Buzzes with classic one-liners, bright performances and off-the-cuff contemplations about love, art and death.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fbulletsoverbroadwayrhowe_a019cc%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:26:08
text:
  Woody Allen at his best -- a gem of a Broadway fable with a crafty premise, a raft of brilliant actors at the top of their form and a bouncy, just-for-pleasure attitude.

extra_data:
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created_at: 2018-10-31 14:26:08
text:
  The most substantive, accessible -- not to mention the funniest -- film that the prolific writer-director has made in years.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fbulletsoverbroadwayrhinson_a019ce%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:26:08
text:
  The most insightful and deliciously droll look at show business since Robert Altman skewered Hollywood in 1992's The Player.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D351&at%3Asource=ReelViews


created_at: 2018-10-31 14:26:08
text:
  The performances, however, are very enjoyable, with first honors going to Chazz Palminteri and Dianne Wiest.

extra_data:
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text: If not bowled over, we're at least won over.
created_at: 2018-10-31 14:26:08
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eglobeandmail%2Ecom%2Fservlet%2FArticleNews%2Fmovie%2FTVCONNECT%2F00010101%2F100677&at%3Asource=Globe%20and%20Mail


text: The movie is very funny and, in the way it follows its logic wherever it leads, surprisingly tough.
created_at: 2018-10-31 14:26:08
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fbullets-over-broadway-1994&at%3Asource=Chicago%20Sun-Times


text: This is an expertly assembled, tartly played and hugely enjoyable romp ...
created_at: 2018-10-31 14:26:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Freview%2Fcest-la-vie-le-sens-de-la-fete-1038031&at%3Asource=Hollywood%20Reporter


created_at: 2018-10-31 14:26:19
text:
  It's clear that the French writing-directing team of Olivier Nakache and Éric Toledano is capable of taking the genre to new heights.

extra_data:
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created_at: 2018-10-31 14:26:48
text:
  A spellbinding, almost ecstatically beautiful movie that gains even more heft and meaning in its final transcendent moments.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgoingoutguide%2Fmovies%2Fcall-me-by-your-name-a-summer-love-recognizable-in-any-country-in-any-era%2F2017%2F12%2F14%2F56ddad76-d47b-11e7-a986-d0a9770d9a3e_story%2Ehtml%3Futm_term%3D%2E91f49cc070f3&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:26:48
text:
  Luca Guadagnino's romantic drama Call Me By Your Name sneaks up on you -- by the end, it stings with the lingering ache of a late-summer sunburn.

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text: The film is beautifully shot and the performances are outstanding.
created_at: 2018-10-31 14:26:48
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created_at: 2018-10-31 14:26:48
text:
  "Call Me By Your Name" is a visually stunning coming-of-age story that boasts a star-making performance by Chalamet.

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created_at: 2018-10-31 14:26:48
text:
  It's a piercing glimpse of a young man's bright, confounding first love, the kind of love that brings disorientation and rhapsody.

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created_at: 2018-10-31 14:26:48
text:
  The bubbling strain between the leading men is the kind of intimate, authentic work that feels several steps above movie acting.

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created_at: 2018-10-31 14:26:48
text:
  Luca Guadagnino's tale of budding gay romance in 1980s Italy is one of the most mesmerizing films of the year.

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text: It's a story of first love: impossible, impermanent, and passionate.
created_at: 2018-10-31 14:26:48
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created_at: 2018-10-31 14:26:48
text:
  It's a story less about the characters involved than it is about the dynamics between them, a late addition to the Symposium's accounts of the great god Love.

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created_at: 2018-10-31 14:26:48
text:
  "Call Me by Your Name" is enough to make you move to the town of Crema, even if your rational self realizes the director Luca Guadagnino trades in a heightened, miragelike state of mythic yearning.

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created_at: 2018-10-31 14:26:48
text:
  "Call Me By Your Name" is transcendent in its first hour, communicating much through the camera's evocation of nature and the screenplay's clear yet subtle dialogue.

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created_at: 2018-10-31 14:26:48
text:
  Slowly, as if in a delicate tango, the two move toward each other, and "Call Me By Your Name" becomes the story of a connection, both sexual and emotional.

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text: One of the year's most romantic movies, and also one of the best.
created_at: 2018-10-31 14:26:48
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created_at: 2018-10-31 14:26:48
text:
  Although it ends on a powerful, bittersweet chord, the movie is a bit too determinedly soothing for comfort.

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created_at: 2018-10-31 14:26:48
text:
  A complicated movie, erotic yet never graphic, heartfelt yet highly stylized. Chalamet delivers one of the year's best performances.

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created_at: 2018-10-31 14:26:48
text:
  The direction by Luca Guadagnino is reminiscent of Bertolucci's sensitivity at its best, the fabulous cinematography by Sayombhu Mukdeeprom rapturously captures the rich work of art that is Italy in summer, and the actors are to die for.

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created_at: 2018-10-31 14:26:48
text:
  Call Me by Your Name is a perfect, lazy, worry-free day, practically devoid of any real-world concerns and absolutely dripping with intellectual and artistic stimulation, and all manner of sexual enticement.

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created_at: 2018-10-31 14:26:48
text:
  Oliver being a whole person instead of a dreamboat would have elevated this movie to the first rank. But go see this movie, bask in the sunshine and feel your heart growing three sizes larger.

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created_at: 2018-10-31 14:26:48
text:
  This coming-of-age love story is all texture, tone and nuance...Luca Guadagnino has made a lovely cinematic feather. And it floats down beautifully, riding a soft breeze of melancholy and grace.

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text: You may not realize how strong the acting is until you replay the movie in your head later.
created_at: 2018-10-31 14:26:48
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created_at: 2018-10-31 14:27:54
text:
  What, no jet packs? No world-conquering supervillains orbiting the planet? No preference for shaken martinis?

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created_at: 2018-10-31 14:27:54
text:
  I consider Daniel Craig to be the most effective and appealing of the six actors who have played 007, and that includes even Sean Connery.

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text: Bond as a human being? Who'd'a'thunk?
created_at: 2018-10-31 14:27:54
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created_at: 2018-10-31 14:27:54
text:
  Unlike recent Bonds, whose kills had no more weight than the one-liners that generally accompanied them, Craig's tend to be intimate, bloody, and devoid of glamour.

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created_at: 2018-10-31 14:27:54
text:
  [Craig's] portrayal feels grittier and more complex than previous 007s. This is also partly the result of a better script, by Neal Purvis, Robert Wade and Oscar winner Paul Haggis, as well as top-notch directing by Martin Campbell.

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created_at: 2018-10-31 14:27:54
text:
  I hope Craig finds more moments like that in Bond. And I hope he gets to wear that tuxedo again and again and again.

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text: Welcome to the new world of MI6's most storied agent.
created_at: 2018-10-31 14:27:54
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text: It's The Spy Who Came In From the Warmth.
created_at: 2018-10-31 14:27:54
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text: Craig is also the best Bond in the franchise's history.
created_at: 2018-10-31 14:27:54
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text: Now this is more like it.
created_at: 2018-10-31 14:27:54
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created_at: 2018-10-31 14:27:54
text:
  Casino Royale is a step in the right direction for the Bond franchise. But it's a small, tentative step.

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created_at: 2018-10-31 14:27:54
text:
  Gone or reshaped are most of the conceits that have made Bond movies seem like an exercise in parody and nostalgia.

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created_at: 2018-10-31 14:27:54
text:
  Casino Royale has the answers to all my complaints about the 45-year-old James Bond series, and some I hadn't even thought of.

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text: It's not as bad as Die Another Day, and not up to the jolly mayhem of the best films in the series.
created_at: 2018-10-31 14:27:54
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text: This, at last, is Bond stripped bare.
created_at: 2018-10-31 14:27:54
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text: There's clearly life in the old dog yet.
created_at: 2018-10-31 14:27:54
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created_at: 2018-10-31 14:27:57
text:
  Things pick up a little bit when Orson Welles, Peter Sellers, and Woody Allen stumble into the scene, but the total experience remains boringly incoherent.

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text: It's the sort of reckless, disconnected nonsense that could be telescoped or stopped at any point.
created_at: 2018-10-31 14:27:57
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text: Out of five directors -- only McGrath manages to connect with this brontosaurian James Bond parody.
created_at: 2018-10-31 14:27:57
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text: Even less amusing than the more 'serious' Bond films.
created_at: 2018-10-31 14:27:57
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text: The few good aspects of this farce are vastly outweighed by the bad.
created_at: 2018-10-31 14:27:57
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created_at: 2018-10-31 14:27:57
text:
  ...a definitive example of what can happen when everybody working on a film goes simultaneously berserk.

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created_at: 2018-10-31 14:27:57
text:
  Peter Sellers has some amusing gags as the gambler, the chance of dressing up in various guises and a neat near-seduction scene with Ursula Andress.

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created_at: 2018-10-31 14:28:01
text:
  Catch Me if You Can is one of those deceptively slight offerings that manages to reveal more about its maker than the intended masterpieces often do.

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text: After a series of dud roles, DiCaprio is back in star form.
created_at: 2018-10-31 14:28:01
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created_at: 2018-10-31 14:28:01
text:
  This is the director's most likeable film in ages, even if it's insubstantial, overlong and, frankly, a touch redundant.

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text: [Spielberg's] frothiest and most fun movie in years.
created_at: 2018-10-31 14:28:01
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created_at: 2018-10-31 14:28:01
text:
  The colorful cinematography, smart performances and brisk tempo suggest a filmmaker subordinating every other impulse to the task of manufacturing pleasure.

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created_at: 2018-10-31 14:28:01
text:
  A gently funny, sweetly adventurous film that makes you feel genuinely good, that is to say, entirely unconned by false sentiment or sharp, overmanipulative Hollywood practices.

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text: One of the most enjoyable films of the year.
created_at: 2018-10-31 14:28:01
extra_data:
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text: Spielberg's breeziest work in years.
created_at: 2018-10-31 14:28:01
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created_at: 2018-10-31 14:28:38
text:
  Charlie's Angels is like a Hong Kong flick but without the bogus spirituality and excruciating schlock-pop ballads.

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created_at: 2018-10-31 14:28:38
text:
  Though all this is fun and engaging in short bursts ... it wears thin and strains our patience when stretched to cover even this film's brief 92-minute length.

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created_at: 2018-10-31 14:28:38
text:
  This is nothing but trailer moments. Ex-pop video director McG couldn't organise a pillow fight in a bedding factory.

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text: Charlie's Angels is ... Cameron Diaz's movie.
created_at: 2018-10-31 14:28:38
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created_at: 2018-10-31 14:28:38
text:
  Despite the fact that the film loses its razor sharp pacing and muddles its storyline, the movie still features plenty of big explosions, loud music and bare flesh.

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created_at: 2018-10-31 14:28:38
text:
  Charlie's Angels is like the trailer for a video game movie, lacking only the video game, and the movie.

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created_at: 2018-10-31 14:29:22
text:
  Cox's Churchill wields his cigar with the might of a baseball bat, huffing and puffing like a dragon. But in the end, "Churchill" is just blowing smoke.

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created_at: 2018-10-31 14:29:22
text:
  Biography, at its most useful, disabuses us from myth, but "Churchill" has no such ambitions. As both history and entertainment, it's a drag.

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created_at: 2018-10-31 14:29:22
text:
  "Churchill" should have been fascinating; instead, it's merely OK, with Cox doing his best to overcome the shortcomings.

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created_at: 2018-10-31 14:29:22
text:
  So full of movie clichés and high melodrama that it's sometimes hard not to giggle - and one should never laugh at the prime minister.

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created_at: 2018-10-31 14:29:22
text:
  Anglophiles and history-loving filmgoers will adore "Churchill," an extremely well made film that is the best example of British heroic portraiture since "The King's Speech."

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created_at: 2018-10-31 14:29:22
text:
  A superb look at iconic statesman Winston Churchill's torturous days leading up to the pivotal D-Day landings of June 6, 1944.

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created_at: 2018-10-31 14:29:22
text:
  The movie's ambition is the good news. The bad news is that it is a hash, choosing to jumble the historical record and frame a Churchill bout with depression against the D-Day invasion of France by Allied forces.

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text: A load of utter rubbish from first frame to last.
created_at: 2018-10-31 14:29:22
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fchurchill-2017&at%3Asource=RogerEbert%2Ecom


created_at: 2018-10-31 14:29:22
text:
  If only the sole purpose of Churchill weren't to take ol' Winnie off the plinth and make him seem like a little more of a flesh-and-blood man-a goal the movie fails on account of being inert, decorous, and almost absurdly repetitive.

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created_at: 2018-10-31 14:29:22
text:
  As biopics of heroic figures go, " Churchill " is nothing if not audacious... Yet audacity can't carry a drama that's unequal to its subject in almost every respect.

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created_at: 2018-10-31 14:29:22
text:
  The script, written by neophyte Alex von Tunzelmann, is appalling, its plot simplistic and its dialogue alternating between misplaced bits of contemporary psycho-babble and improbable grandiloquence.

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created_at: 2018-10-31 14:29:22
text:
  Maybe one of the top five best-looking bad films ever made, thanks at least in part to cinematographer David Higgs' mastery of the long shot and the team assigned to scouting and securing locations.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fchurchill%2F&at%3Asource=San%20Diego%20Reader


text: As a portrait of the man, it's not only incomplete, but misleading.
created_at: 2018-10-31 14:29:22
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text: A small, watchable, rather prosaic backroom docudrama ...
created_at: 2018-10-31 14:29:22
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2017%2Ffilm%2Freviews%2Fchurchill-review-brian-cox-1202447010%2F&at%3Asource=Variety


created_at: 2018-10-31 14:29:22
text:
  Cox makes an impressive Churchill, an imposing man of physique and intellect who, closing in on 70, has been laid low by age and circumstance.

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created_at: 2018-10-31 14:29:22
text:
  Too often Churchill feels more like an exposé than a deep-dish psychological exploration. Still, there are moments in Cox's performance when we can locate the living, breathing man inside the commemorative statue, and that's not nothing.

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created_at: 2018-10-31 14:29:22
text:
  The problem is, the man we see onscreen only rarely comports himself like one of the greats. Far too often, he actually seems like the smallest man in the room.

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created_at: 2018-10-31 14:29:22
text:
  Cox aside, this pedestrian drama is hobbled by too many monodimensional characters and too much overly explanatory dialogue that feels like a dry high school history lesson ...

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created_at: 2018-10-31 14:29:22
text:
  Likely to do well with its intended audience of WWII buffs and those old enough to remember the man first time round.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Fchurchill&at%3Asource=Time%20Out


created_at: 2018-10-31 14:29:22
text:
  Winston Churchill may not have been a paragon in life, but in this film and this performance, he's more sinned against than sinning.

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created_at: 2018-10-31 14:29:53
text:
  With each frame filled to bursting point with visual detail and multiplaned design, plus razor-sharp cutting that often eliminates transitions, it's not a movie you can afford to take your eyes off for a second.

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text: Extraordinary.
created_at: 2018-10-31 14:29:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F69295%2Fla_cite_des_enfants_perdus%2Ehtml&at%3Asource=Time%20Out


text: The City of Lost Children is as visually striking and daringly offbeat as its predecessor.
created_at: 2018-10-31 14:29:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D355&at%3Asource=ReelViews


text: An empty triumph of overkill set design and weirdo casting.
created_at: 2018-10-31 14:29:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Farchives%2Fnydn-features%2Flost-children-lost-literally-underground-french-film-inventive-failure-article-1%2E710776&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:29:53
text:
  The City of Lost Children gets so caught up in its own weirdness that it all but shuts out the viewer.

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created_at: 2018-10-31 14:29:53
text:
  On visual terms alone, The City of Lost Children is something of a masterpiece, using state-of-the-art physical, optical and digital special effects to stretch cinematic boundaries.

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text: The emotions seem almost as manufactured as the sets.
created_at: 2018-10-31 14:29:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fthe-city-of-lost-children%2FFilm%3Foid%3D1051554&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:29:53
text:
  The City of Lost Children is a stunningly surreal fantasy, a fable of longing and danger, of heroic deeds and bravery, set in a brilliantly realized world of its own. It is one of the most audacious, original films of the year.

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created_at: 2018-10-31 14:29:53
text:
  Set in a wondrously seedy waterfront world populated with runaway children and grotesque, sinister adults, it glistens with dense fantasies, technological feats that make the catch-phrase "state of the art" seem antique.

extra_data:
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created_at: 2018-10-31 14:29:53
text:
  The French fantasy adventure The City of Lost Children is a dark phantasmagoria so visually amazing and provocative -- yet dense and confusing -- that viewers may need to see it more than once to take it all in.

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created_at: 2018-10-31 14:29:53
text:
  Many people will probably not find themselves sympathetic to this movie's overachieving technological pretensions, while others will find it the best film in months or years.

extra_data:
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created_at: 2018-10-31 14:29:53
text:
  Essentially, The City of Lost Children is a macabre fairy tale, and while its tentacled comic-book plot and freak-show cast narrow its appeal -- this isn't a work of any allegorical depth -- Caro and Jeunet have pulled off a cinematic delight.

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text: Floats with the buoyancy of a delicious French soufflé.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eobserver%2Ecom%2Fnode%2F44663&at%3Asource=Observer


text: The Closet worthy of coming out for.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2001%2F06%2F29%2FDD227226%2EDTL&at%3Asource=San%20Francisco%20Chronicle


text: Wins you over with its devastating simplicity.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fentertainment%2Fmovies%2Freviews%2Ftheclosethowe%2Ehtm&at%3Asource=Washington%20Post


text: The level of acting elevates The Closet.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fmovies%2Fc%2Fcloset%2Ehtml&at%3Asource=ReelViews


text: There's just not a lot of freshness in this Closet.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enewsday%2Ecom%2Fcontent%2Fmovies%2Fnd6546%2Ehtm&at%3Asource=Newsday


text: Perfectly built French tickler.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C396832%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


text: A refreshing satire.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fseattletimes%2Enwsource%2Ecom%2Fhtml%2Fartsentertainment%2F134314494_closet06%2Ehtml&at%3Asource=Seattle%20Times


created_at: 2018-10-31 14:30:10
text:
  [Auteuil] deftly achieves what amounts to an actor's paradox: He brings to the forefront a character who exists in the background.

extra_data:
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text: A tour de farce from France's funniest filmmaker, Francis Veber.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fentertainment%2Fmovies%2Freviews%2Ftheclosetkempley%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:30:10
text:
  The screenplay relies too much on the first level of its premise and doesn't push into unexpected places.

extra_data:
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text: Auteuil continues to amaze, remaking himself with every new film.
created_at: 2018-10-31 14:30:10
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fae%2Efreep%2Ecom%2Fentertainment%2Fui%2Fmichigan%2Fmovie%2Ehtml%3Fid%3D29421%26reviewId%3D2653&at%3Asource=Detroit%20Free%20Press


created_at: 2018-10-31 14:30:23
text:
  Stanley Kubrick's latest film takes the heavy realities of the 'do-your-thing' and 'law-and-order' syndromes, runs them through a cinematic centrifuge, and spews forth the commingled comic horrors of a regulated society.

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text: A painless, bloodless, and ultimately pointless futuristic fantasy.
created_at: 2018-10-31 14:30:23
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fblogs%2Evillagevoice%2Ecom%2Frunninscared%2F2011%2F01%2Fstanley_kubrick%2Ephp&at%3Asource=Village%20Voice


created_at: 2018-10-31 14:30:23
text:
  A very bad film -- snide, barely competent, and overdrawn -- that enjoys a perennial popularity, perhaps because its confused moral position appeals to the secret Nietzscheans within us.

extra_data:
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created_at: 2018-10-31 14:30:23
text:
  Kubrick's contributions are his wit and his eye. The wit, too much at times, is as biting as in Dr. Strangelove, and the production, while of another order, is as spectacular as in 2001.

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text: It demands thought, compels the attention, and refuses to be dismissed.
created_at: 2018-10-31 14:30:23
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D1480&at%3Asource=ReelViews


created_at: 2018-10-31 14:30:23
text:
  A Clockwork Orange is an ideological mess, a paranoid right-wing fantasy masquerading as an Orwellian warning.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fa-clockwork-orange-1972&at%3Asource=Chicago%20Sun-Times


text: A most unusual -- and disorienting -- movie experience.
created_at: 2018-10-31 14:30:23
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2Flibrary%2Ffilm%2F010972kubrick-orange%2Ehtml&at%3Asource=New%20York%20Times


created_at: 2018-10-31 14:30:54
text:
  J. Lee Thompson's direction furiously propels the action in a compact chromium-and-glass setting -- and wait till you see that last battle royal.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D9B04E6DA1F3EE63BBC4850DFB0668389669EDE%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


text: The ghost of Stepin Fetchit is hovering in the tropical ether.
created_at: 2018-10-31 14:30:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fcoolrunningspghowe_a0affa%2Ehtm&at%3Asource=Washington%20Post


text: Entirely mediocre and forgettable
created_at: 2018-10-31 14:30:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fmovies%2Fc%2Fcool_runnings%2Ehtml&at%3Asource=ReelViews


text: A wholesome, engaging, frequently hilarious, ultimately inspirational film.
created_at: 2018-10-31 14:30:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fcoolrunningspgharrington_a0ab8f%2Ehtm&at%3Asource=Washington%20Post


text: If you like underdog movies, you might like this one. Especially if you haven't seen very many.
created_at: 2018-10-31 14:30:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fcool-runnings-1993&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:30:56
text:
  Dramatically, the film seldom fulfils its promise, and its pessimistic 'moral' -- that good and evil do not always meet with their just deserts -- looks contrived and hollow. Intriguing and patchily effective, nevertheless.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F69834%2Fcrimes_and_misdemeanors%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:30:56
text:
  The overall 'philosophical' thrust -- that good guys finish last and that crime does pay -- is designed to make the audience feel very wise, but none of the characters or ideas is allowed to develop beyond its cardboard profile.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F2261_CRIMES_AND_MISDEMEANORS&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:30:56
text:
  A relative of Hannah and Her Sisters in its duplex structure and of The Purple Rose of Cairo in its bitter theme, Crimes is two movies in one, a blend of Allen's satiric and pretentious dramatic styles.

extra_data:
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created_at: 2018-10-31 14:30:56
text:
  The movie generates the best kind of suspense, because it's not about what will happen to people -- it's about what decisions they will reach.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fcrimes-and-misdemeanors-1989&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:30:56
text:
  The structural and stylistic conceit is that when Landau is onscreen, the film is dead serious, even solemn, while Allen's own appearance onscreen signals hilarious satire and priceless one-liners.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117790130%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:30:56
text:
  The movie's secret strength -- its structure, really -- comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D950DE6DA1F31F930A25753C1A96F948260%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


created_at: 2018-10-31 14:32:05
text:
  Dancer is like no other movie around. Shot in bleached-out video colors in rough, hand-held style, the film is at once aggressively modern and deliberately, melodramatically, old-fashioned.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Flight-dark-159385&at%3Asource=Newsweek


created_at: 2018-10-31 14:32:05
text:
  So exasperating in its contradictions, so frustrating in its fakery, so deeply irritating in its pretensions, it's frankly hard to know where to begin to dissect it.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie001005-6%2C0%2C4241253%2Estory&at%3Asource=Los%20Angeles%20Times


text: Graced with a particular genius for absorbing the past to suggest an exciting cinematic future.
created_at: 2018-10-31 14:32:05
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C64925%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-10-31 14:32:05
text:
  This movie, for all its flaws, is a unique journey, and needs to be experienced rather than explained.

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created_at: 2018-10-31 14:32:05
text:
  It smashes down the walls of habit that surround so many movies. It returns to the wellsprings. It is a bold, reckless gesture.

extra_data:
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text: It's an affected film about disaffected people, and no cast in the world could save it.
created_at: 2018-10-31 14:32:08
extra_data:
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text: A Wes Anderson film is like a snow globe: it's hermetically sealed, precious, and pointless.
created_at: 2018-10-31 14:32:08
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eieweekly%2Ecom%2Fcms%2Fstory%2Fdetail%2Fspiritual_poverty%2F43%2F&at%3Asource=I%2EE%2E%20Weekly


text: The Darjeeling Limited works best when the level of artifice is at its highest and most overt.
created_at: 2018-10-31 14:32:08
extra_data:
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created_at: 2018-10-31 14:32:08
text:
  Apart from having thus created the first road-picture homework assignment, Anderson isn't breaking new ground here. But he and his actors appear to be having a larkish good time.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  Brothers and other strangers ride The Darjeeling Limited, Wes Anderson's captivating road movie that views life as a Great Train of Being.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  The Darjeeling Limited is a step toward maturity for Anderson, too. His visual ideas are still overcalculated and the tone is often precious, but emotionally he seems to have expanded.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  For all Anderson's pleasing, refreshing auteur tendencies, the overwhelming feeling delivered by 'The Darjeeling Limited' is of frustration, déjà vu and little progression.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  Wes Anderson transports his arch, pristine, melancholic sensibility to India, where three estranged brothers meet after their father's death and hop a train in a quixotic attempt to heal their spiritual wounds.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  What this movie has going for itself in spite of its cloying pleas for indulgence is a playful and interesting narrative structure that precludes much development and comes to the fore only toward the end.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  [This] oddball odyssey stuck with me well after the final long, hypnotic shot of the magic train rolling through the Indian landscape.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farchives%2Eseattletimes%2Enwsource%2Ecom%2Fcgi-bin%2Ftexis%2Fweb%2Fvortex%2Fdisplay%3Fslug%3Ddarjeeling12%26date%3D20071012%26source%3Dst&at%3Asource=Seattle%20Times


created_at: 2018-10-31 14:32:08
text:
  The movie runs deepest when the brothers finally deal with their baggage, both real and metaphysical.

extra_data:
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created_at: 2018-10-31 14:32:08
text:
  The whimsy of it all does a passable job of covering the dull stretches, and the actors, to a one (Bill Murray has a cameo, Anjelica Huston shows up) make it watchable.

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text: This film is indeed Limited -- in appeal, sincerity and substance.
created_at: 2018-10-31 14:32:08
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text: "Darkest Hour" is a one man show for Oldman. And what a show it is.
created_at: 2018-10-31 14:32:36
extra_data:
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created_at: 2018-10-31 14:32:36
text:
  As a portrait of leadership at its most brilliant, thoughtful and morally courageous, "Darkest Hour" is the movie we need right now.

extra_data:
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created_at: 2018-10-31 14:32:36
text:
  How badly we need another Winston Churchill film is open to question. Nonetheless, Joe Wright's contribution to the genre is welcome, largely because of Gary Oldman in the leading role.

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created_at: 2018-10-31 14:32:36
text:
  Buried under pounds of makeup, puffing cigars as if his life depended on it and railing against the Nazis (Nazzis in his pronunciation) at every turn, Oldman is terrific.

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created_at: 2018-10-31 14:32:36
text:
  Far from being a dry biopic, "Darkest Hour" reminds us that some things - such as honor and freedom - are worth fighting for.

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text: Oldman's performance, like the film, reveres Churchill but doesn't glorify him.
created_at: 2018-10-31 14:32:36
extra_data:
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created_at: 2018-10-31 14:32:36
text:
  Were Darkest Hour just a symphony of World War II nostalgia, it'd probably still be a good watch. But because the film makes the effort to go deeper, it becomes something much more memorable.

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created_at: 2018-10-31 14:32:36
text:
  Churchill, by way of Darkest Hour, hands the actor some of the best speeches of his career, and Oldman brings them vividly to life.

extra_data:
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created_at: 2018-10-31 14:32:36
text:
  Darkest Hour invites viewers inside the heart and mind of a great leader but never really captures his deep rapport with the British people, which turned out to be one of his greatest political assets. Dunkirk takes a more populist approach.

extra_data:
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text: Mr. Oldman's interpretations of the great man's speeches elevate this film...
created_at: 2018-10-31 14:32:36
extra_data:
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created_at: 2018-10-31 14:32:36
text:
  While "Darkest Hour" is a showcase for Oldman's incredible performance, Wright's aesthetic visually transports the viewer, the images heavy with subtext and meaning.

extra_data:
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created_at: 2018-10-31 14:32:36
text:
  And yet for all that telling about how it was, the film feels much more like happy fantasy than detailed history, a fond look back on the lead-up to a moment of moral righteousness.

extra_data:
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created_at: 2018-10-31 14:32:36
text:
  "Darkest Hour" pulls from both extremes of Oldman's prodigious but often unexploited skill set, the subtlety as well as the flamboyance.

extra_data:
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created_at: 2018-10-31 14:32:36
text:
  "Darkest Hour" is a persuasive window into history, and so arresting in its portrait of one of the 20th century's most important leaders that every minute of it is absorbing.

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created_at: 2018-10-31 14:32:36
text:
  "Darkest Hour" is a straightforward, day-by-day depiction of world-changing events, told with meticulous simplicity.

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created_at: 2018-10-31 14:32:36
text:
  Oldman brings a wicked wit and compassionate heart to the role, one for which he seems almost superhumanly suited for - and that's really saying something, consider how many great actors have played Churchill.

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created_at: 2018-10-31 14:32:36
text:
  The main attraction here is Gary Oldman as Churchill. As an act of physical transformation and emotional expression, it's something close to supernatural.

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text: It is always Gary Oldman's phenomenal performance that keeps the film airborne.
created_at: 2018-10-31 14:32:36
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text: As played by [Gary] Oldman, Churchill has perhaps never seemed greater. Or more human
created_at: 2018-10-31 14:32:36
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text: "Darkest Hour" is good, glib entertainment.
created_at: 2018-10-31 14:32:36
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created_at: 2018-10-31 14:32:37
text:
  I'm betraying my childhood to concede this, but Nolan has finally topped Tim Burton's two twisted spectaculars.

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created_at: 2018-10-31 14:32:37
text:
  An explosively provocative [film]. ... Exhilaratingly straightforward action sequences matched by moral complexity of a sort not usually associated with comic-book movie franchises.

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text: The Dark Knight is easily the most entertaining bummer of the summer.
created_at: 2018-10-31 14:32:37
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created_at: 2018-10-31 14:32:37
text:
  Despite the tensions between its form and its function, The Dark Knight succeeds far more than it fails, and lingers provocatively in the mind.

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created_at: 2018-10-31 14:32:37
text:
  For all The Dark Knight's occasionally bombastic excess, it sort of does top them all, and not only in star power and sheer number of things blown up.

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created_at: 2018-10-31 14:32:37
text:
  The Dark Knight is a film that's fantastic on the action front, seeds its acrobatics in its own reality, and always feels relevant even when its ideas are drowned out by clatter.

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created_at: 2018-10-31 14:32:37
text:
  Christopher Nolan's latest exploration of the Batman mythology steeps its muddled plot in so much murk that the Joker's maniacal nihilism comes to seem like a recurrent grace note.

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created_at: 2018-10-31 14:32:37
text:
  The symbiosis of good and evil is the film's philosophical core, and images of duality and cloaked identity are strewn through it like shards from a fun house mirror.

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created_at: 2018-10-31 14:32:37
text:
  Where Batman Begins was largely about the considerable personal toll exacted by its hero's decision to fight back against the forces of evil while adhering to a code of honor, The Dark Knight expands those weighty themes to city scale.

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text: Christopher Nolan is much, much smarter than your average filmmaker.
created_at: 2018-10-31 14:32:37
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created_at: 2018-10-31 14:32:37
text:
  This film is not only one of the year's best; it may well end up as the finest of 2008. At the very least, it deserves consideration for Best Picture and Best Director, along with the expected Oscar kudos for Ledger.

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created_at: 2018-10-31 14:32:37
text:
  The film is so relentlessly bleak that, paradoxically, its blackness is not given its full due. But this comic-book movie is more disturbing, and has more freakish power, than anything else I've seen all year.

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created_at: 2018-10-31 14:32:37
text:
  [Ledger's] performance is also the most interesting thing in the film, and when the Joker is absent, The Dark Knight loses most of its energy and dynamism.

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created_at: 2018-10-31 14:32:37
text:
  The Dark Knight is probably the smartest and most stylish action movie since the "The Matrix." It thinks and philosophizes. The subject it thinks and philosophizes about, perhaps not surprisingly, considering the times, is the Iraq war.

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text: An exceptionally smart, brooding picture with some terrific performances.
created_at: 2018-10-31 14:32:37
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created_at: 2018-10-31 14:32:37
text:
  Let's face it: If you're any sort of pop-culture or movie freak, you're going to see this flick. And you should, just for Ledger.

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created_at: 2018-10-31 14:32:46
text:
  Arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen.

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created_at: 2018-10-31 14:32:46
text:
  The story is dense, overlong, and studded with references that will make sense only to those intimate with Nolan's previous excursions into Batmanhood.

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created_at: 2018-10-31 14:32:46
text:
  The biggest surprise may just be how satisfying Nolan has made his farewell to a Dark Knight trilogy that many fans will wish he'd extend to a 10-part series, at least.

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text: Yes, The Dark Knight Rises. And rises. And rises some more.
created_at: 2018-10-31 14:32:46
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created_at: 2018-10-31 14:32:46
text:
  There was an opportunity here for Nolan to show us another way, to (again) stretch the boundaries of what is possible in a superhero film. Instead, alas, the latter half of The Dark Knight Rises retreats toward conventionality.

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created_at: 2018-10-31 14:32:46
text:
  A fitting conclusion to an artful trilogy, culminating with satisfying dazzle, despite some notable flaws.

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created_at: 2018-10-31 14:32:46
text:
  Nolan's finale gives us the inevitable with generous portions of suspense, surprise and delicious shock.

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created_at: 2018-10-31 14:32:46
text:
  [This] wrap-up wraps up few of the threads in the first two films, and that the climactic cliff-hangers are nothing special (as well as flabbily edited).

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created_at: 2018-10-31 14:32:46
text:
  Spoiler alert: "The Dark Knight Rises" will earn a billion dollars, be the subject of more master's theses than "Citizen Kane" and win the Academy Award for best picture.

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created_at: 2018-10-31 14:32:46
text:
  Nolan knows where the good stuff will be mined: big IMAX action scenes juxtaposed with intimate moments of dialogue.

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created_at: 2018-10-31 14:32:46
text:
  Moments are stretched. Every recollection must be illustrated by a flashback. Character motivations shift on a dime, and if you understand even half of what's going on -- not generally, but specifically -- you'll be doing better than most.

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created_at: 2018-10-31 14:32:46
text:
  I'm not arguing that Rises should be Singin' in the Rain. But its Wagnerian ambitions are not matched by its material. It hasn't earned its darkness.

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text: TDKR completes on the great trilogies in movie history.
created_at: 2018-10-31 14:32:46
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created_at: 2018-10-31 14:32:46
text:
  At a time when Hollywood seems incapable of doing anything that isn't a grand-scale fantasy, Nolan has hijacked the form to bring it down to earth.

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created_at: 2018-10-31 14:32:46
text:
  Production-wise, effects-wise, Nolan's movie - much of its big action sequences shot with Imax cameras - is spectacular.

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created_at: 2018-10-31 14:32:46
text:
  Others will see it differently, but for me this is a disappointingly clunky and bombastic conclusion to a superior series -- Nolan's biggest and worst movie to date.

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created_at: 2018-10-31 14:32:46
text:
  This could - should - have been a swifter movie, but it sends the Batguy out in style. And let's face it, he's earned it.

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created_at: 2018-10-31 14:32:54
text:
  [Rachid] Bouchareb's movie combines convention with insight in a manner that may prevent it from being a great film but probably helped clinch it as a productive one.

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created_at: 2018-10-31 14:32:54
text:
  Days of Glory is a rousing, old-fashioned World War II platoon movie in the gritty tradition of combat pictures like Don Siegel's Hell is for Heroes, Sam Fuller's The Big Red One and Steven Spielberg's Saving Private Ryan.

extra_data:
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created_at: 2018-10-31 14:32:54
text:
  Instead of guys named Danny and Polack and Sol and Brooklyn, you've got guys named Said and Yassir and Messaoud and Abdelkader. But it's the same deal. Prick them, do they not bleed? Blow them up, do their limbs not scatter and their guts not spill?

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created_at: 2018-10-31 14:32:54
text:
  Rachid Bouchareb's stirring war movie does for the North Africans what Ousmane Sembene and Thierno Faty Sow's Camp Thiaroye did for the Senegalese: it acknowledges the important role they played fighting alongside the French in World War II.

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text: A solidly-constructed window onto an era and a culture clash many Americans never knew existed.
created_at: 2018-10-31 14:32:54
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created_at: 2018-10-31 14:32:54
text:
  The deluge of World War II movies presents a challenge to Days of Glory, one it can only partially overcome. Very little about it is new.

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created_at: 2018-10-31 14:32:54
text:
  In recounting this conflicted tale, director Rachid Bouchareb displays some valour of his own, resisting what must have been a strong temptation to deal in aggrieved agitprop, and instead confining his attentions to a small group of indigenous soldiers.

extra_data:
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created_at: 2018-10-31 14:32:54
text:
  It could be a better movie. But it certainly convinces you of the nobility of the souls of the men whose boots were on the ground and whose bodies went into that same ground.

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text: Bouchareb shows a real talent for action sequences.
created_at: 2018-10-31 14:32:54
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2F83783%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:32:54
text:
  Rachid Bouchareb's Days of Glory, is a movingly acted, terrifically old-fashioned World War II picture rethought as a post-colonial rebuke.

extra_data:
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created_at: 2018-10-31 14:33:04
text:
  "The Death of Stalin" is a deep farce, but it is rooted in enough political reality that it hardly feels sensationalized. And given the current state of politics, it's as on-point as a breaking news alert.

extra_data:
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created_at: 2018-10-31 14:33:04
text:
  It's funny; ten times funnier, by my reckoning, than it has any right to be, and more riddled with risk than anything that Iannucci has done before, because it dares to meet outrage with outrage.

extra_data:
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created_at: 2018-10-31 14:33:04
text:
  "The Death of Stalin" makes real-life horrors the source of hilarity - and it is hilarious - while never making light of the insanity that inspired it.

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text: This is satirical history that invites prophecy - imagine a future Trump Administration version.
created_at: 2018-10-31 14:33:04
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created_at: 2018-10-31 14:33:04
text:
  "The Death of Stalin" should please moviegoers who appreciate humor that's significantly more sophisticated than we've become accustomed to encountering on the big screen these days.

extra_data:
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text: The Death of Stalin is actually a lot like Veep, except with gulags and executions.
created_at: 2018-10-31 14:33:04
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text: Sight gags and slapstick erupt from a pervasive atmosphere of dread and terror.
created_at: 2018-10-31 14:33:04
extra_data:
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created_at: 2018-10-31 14:33:04
text:
  Iannucci did not intend The Death of Stalin to be a direct commentary on the Trump presidency, and it should not be taken as one. But as they say: First time tragedy, second time farce.

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created_at: 2018-10-31 14:33:04
text:
  It's often raucously hilarious, neatly crafted, sometimes visually striking, packed with excellent performances and abrasively profane dialogue. Most significant of all, it's true.

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created_at: 2018-10-31 14:33:04
text:
  It never asks us to laugh at cruelty; it does make us laugh at the absurd pettiness and ultimate small-mindedness of the men perpetrating that cruelty. And Iannucci is a superb ringmaster.

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created_at: 2018-10-31 14:33:04
text:
  Iannucci may have turned Nury's somber novel into something of a goof, but he also takes a more complex view of Beria...Death of Stalin is a priceless political satir but what's really impressive is how hard it tries to fit Beria's story into the puzzle.

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created_at: 2018-10-31 14:33:04
text:
  It's a rich ensemble with varying accents, from Cockney to American, and uniform comic brilliance, including Michael Palin as Molotov, Jeffrey Tambor as Malenkov and Jason Isaacs as Zhukov.

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created_at: 2018-10-31 14:33:04
text:
  There's a universality to the humor that will reach even those with only a vague knowledge of who Stalin was.

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created_at: 2018-10-31 14:33:04
text:
  Director and co-writer Armando Iannucci puts it all on black (comedy), betting that the vast discrepancy between great power and small souls will make you laugh at the absurdity of it all - or at least not scream in horror.

extra_data:
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created_at: 2018-10-31 14:33:04
text:
  If it's a romp, then it's a romp that does what anything on this topic must do: leave audiences a little rattled, with a hint of ashes in the mouth.

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created_at: 2018-10-31 14:33:04
text:
  "The Death of Stalin" is a weird sort of hilarious, in that you easily might not laugh for minutes at a time. Instead of one big pie in the face, doled out at intervals, the movie presents an unending series of comic jabs ...

extra_data:
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created_at: 2018-10-31 14:33:04
text:
  The central conceit of The Death of Stalin is that what is funny is not always just funny. In this sense, the film is closer in spirit to Dr. Strangelove than, say Mel Brooks's The Producers.

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created_at: 2018-10-31 14:33:04
text:
  From start to finish, director/co-writer Armando Iannucci (creator of HBO's brilliant Veep) delivers an audacious and insightful and ridiculous and hilarious send-up that reminded me of the classic Monty Python films of the 1970s and 1980s.

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text: The comedic timing is impeccable throughout, with no weak links.
created_at: 2018-10-31 14:33:04
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created_at: 2018-10-31 14:33:04
text:
  Vladimir Putin's Ministry of Culture ministry has banned "The Death of Stalin" from being shown in Russia. There can be no greater praise.

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created_at: 2018-10-31 14:33:06
text:
  What's so wonderful about the film's flights of fancy is that they in no way diminish the emotional stakes of the piece, but they do keep the story from slogging down into gloominess.

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created_at: 2018-10-31 14:33:06
text:
  Sick children and their struggling parents rarely make for a lively film. But "Declaration of War" does just that in an unusual French mashup of stylized techniques and stinging blows of emotion.

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created_at: 2018-10-31 14:33:06
text:
  True to its title, "Declaration of War" is a visceral, forthright visit to the front lines of battle, where superhuman courage is called for as life-or-death skirmishes turn into a long slog of survival.

extra_data:
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created_at: 2018-10-31 14:33:06
text:
  A vibrant and heartfelt French film that captures the mood and the memories of young parents who found themselves in the trenches fighting for the life of their child.

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created_at: 2018-10-31 14:33:06
text:
  The subject matter is as serious as can be, yet the style is vibrant, energetic and engaging -- often tense, but without a trace of woe-is-me.

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created_at: 2018-10-31 14:33:06
text:
  Donzelli has, against all odds, crafted a genuinely moving ode to both the tenacity of filial love under extreme circumstances and the toll it extracts.

extra_data:
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created_at: 2018-10-31 14:33:06
text:
  Though it's certainly moving, it suffers from a frantically overproduced desperation to hold what the filmmakers seem to fear will be our wavering attention.

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created_at: 2018-10-31 14:33:06
text:
  What is surprising is how the film appreciates the way people unready for a huge responsibility can step up to the challenge, and find out who they really are in the process.

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created_at: 2018-10-31 14:33:06
text:
  The tonal shifts, the "Amelie"-style voiceover and the punk-retro soundtrack may jar some viewers who expect uninterrupted violins, but "Declaration of War" is alternative therapy that really works.

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text: Declaration of War turns autobiography into thrilling expressionist art.
created_at: 2018-10-31 14:33:06
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created_at: 2018-10-31 14:33:06
text:
  "Declaration of War" has it all: comedy, romance, fantasy, musical interludes and a child with a brain tumor. Wait - what?

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created_at: 2018-10-31 14:33:06
text:
  An unexpectedly upbeat autobiographical drama made with French New Wave pizzazz about a young boy with brain cancer and the parents who pull together to fight for him.

extra_data:
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created_at: 2018-10-31 14:33:06
text:
  I admit I admire the writing and acting of the two brave stars, who declare war on film in which there is only one enemy to fight -- their child's deadly disease.

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created_at: 2018-10-31 14:33:06
text:
  The film may even be too upbeat, especially the ending, which is too easy and contrived. Yet there's real emotion here...

extra_data:
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text: Declaration of War feels very present, very alive. And it's very much worth seeing.
created_at: 2018-10-31 14:33:06
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20120203_Sad_-_but_don_t_let_it_scare_you_away%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-10-31 14:33:06
text:
  As ponderous and overwrought as a film hogged by a couple of young hipsters named Roméo and Juliette can be.

extra_data:
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created_at: 2018-10-31 14:33:15
text:
  Deconstructing Harry is abrasive, complex, lacerating and self-revelatory. It's also very funny, most of the time.

extra_data:
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text: Certain echoes from Allen's own tabloid ferment get channeled through bombastic speakers here.
created_at: 2018-10-31 14:33:15
extra_data:
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created_at: 2018-10-31 14:33:46
text:
  In some ways, "Detroit" is Bigelow's simplest work to date. Not that its methods are anything but agile and deft.

extra_data:
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created_at: 2018-10-31 14:33:46
text:
  This unreconciled and incomplete film does an unusually good job of terrifying and unsettling us, before sending us back out into a world that's more like 1967 than we'd care to admit.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Evillagevoice%2Ecom%2F2017%2F07%2F28%2Fkathryn-bigelows-detroit-is-brazen-brutal-and-a-bit-of-a-mess%2F&at%3Asource=Village%20Voice


text: "Detroit," as a movie, is all over the place, yet oddly that messiness is one of its strengths.
created_at: 2018-10-31 14:33:46
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created_at: 2018-10-31 14:33:46
text:
  Flaws and all, Detroit is still well worth seeing -- shedding a sobering light on an extreme case of criminality under the color of authority.

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text: Relentless in its storytelling, "Detroit" is a film of blistering impact.
created_at: 2018-10-31 14:33:46
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text: Maddeningly imperfect but still honorable.
created_at: 2018-10-31 14:33:46
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created_at: 2018-10-31 14:33:46
text:
  [Detroit] is a film that, for all its emotional power, is strangely disengaged from the cultural and systemic forces that led to police brutality in 1967 and continue to do so today.

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created_at: 2018-10-31 14:33:46
text:
  The film is imperfect, but for anyone who still harbors delusions about systemic racism and police-community relations, "Detroit" is an important and effective wake-up call.

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created_at: 2018-10-31 14:33:46
text:
  Detroit is so effective at what it does and how it accomplishes its aims that it becomes almost unwatchable.

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created_at: 2018-10-31 14:33:46
text:
  Somewhere between a Straw Dogs-style "survive the night" home invasion narrative, Milgram experiment moral problem play and racial torture porn.

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created_at: 2018-10-31 14:33:46
text:
  The violence in Detroit is gratuitous simply because there is so much of it and it is so profoundly repugnant.

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created_at: 2018-10-31 14:33:46
text:
  It's hard to overstate just how visceral and harrowing an experience it is. Detroit is a well-made and evocative film that is also numbingly brutal with little to no reprieve.

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text: Detroit is an imperfect but entirely gripping drama.
created_at: 2018-10-31 14:33:46
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created_at: 2018-10-31 14:33:46
text:
  Bigelow and Boal want to make a moral howl of a movie that burns with felt life, but they wind up with a failure of historical imagination that undermines a harrowing true story.

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text: Bigelow has a way of making scripted drama feel like an utterly gripping newsreel.
created_at: 2018-10-31 14:33:46
extra_data:
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created_at: 2018-10-31 14:33:46
text:
  The injustice and anger behind it all feels like current reality, even a half-century on, making Detroit urgent viewing regardless of its character-development flaws.

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created_at: 2018-10-31 14:33:46
text:
  This may be the point that racist violence reduces its victims to an atrocious nothingness. But the unrelenting atrocity, so lacking in dramatic or emotional modulation, becomes numbing.

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created_at: 2018-10-31 14:33:46
text:
  Bigelow doesn't have as original, as distinctive, as reflective a sense of cinematic drama as the extraordinary subject matter of "Detroit" requires.

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created_at: 2018-10-31 14:33:46
text:
  Reteaming Bigelow and Boal, Detroit lacks the clarity of their previous collaborations but the ambitious period drama maintains their power to disturb, and question what it is to be an American.

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created_at: 2018-10-31 14:33:46
text:
  "Detroit" may be flawed in its bluntness and its inability to provide every character with an interior existence beyond villain and victim. But it remains inescapable in its conclusions ...

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created_at: 2018-10-31 14:33:47
text:
  For all its bloodletting, The Departed is an intoxicating film. It's a film that'll have your hands over your face with one eye peeking: The violence sickens, but the movie seduces.

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text: This crime thriller is a profane, blood-drenched joy to watch.
created_at: 2018-10-31 14:33:47
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enpr%2Eorg%2Ftemplates%2Fstory%2Fstory%2Ephp%3FstoryId%3D6212444&at%3Asource=NPR


created_at: 2018-10-31 14:33:47
text:
  Not only is The Departed not among the best of Scorsese's films; it's not even the best version of this film.

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created_at: 2018-10-31 14:33:47
text:
  This merrily vicious and violent Martin Scorsese film about cops and gangsters in Boston will never haunt your sleep, as Taxi Driver and Raging Bull do, but it will keep you excited and amused for well over two hours.

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created_at: 2018-10-31 14:33:47
text:
  After a pair of flawed Oscar-hunting epics, Martin Scorsese has returned to the gritty, violent mob drama that has always been his strong suit, and the result -- The Departed -- is his best film since 1990's Goodfellas.

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created_at: 2018-10-31 14:33:47
text:
  You'll have to go back to GoodFellas to find a Marty movie this fun, this enamored of language, of ethnic slurs, of "Gimme Shelter," of explosive violence. Scorsese's return to form is the year's most dynamic film. Really, how could it not be?

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created_at: 2018-10-31 14:33:47
text:
  As The Departed wears on, it becomes more exciting, more grimly funny and more nihilistic -- and that nihilism has a lasting impact.

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text: [A] glorious mess of a movie.
created_at: 2018-10-31 14:33:47
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text: [A] very entertaining, densely layered, just-short-of-fabulous melodrama.
created_at: 2018-10-31 14:33:47
extra_data:
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created_at: 2018-10-31 14:33:47
text:
  As so often before, the body count is high in a Martin Scorsese movie. But where once the bodies pulsated with life in all its vainglorious furor, here they drop like wooden ducks in an artificial pond.

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created_at: 2018-10-31 14:33:47
text:
  What makes this a Scorsese film, and not merely a retread, is the director's use of actors, locations and energy, and its buried theme. I am fond of saying that a movie is not about what it's about; it's about how it's about it.

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created_at: 2018-10-31 14:33:47
text:
  The Departed is Scorsese's most entertaining picture in years, dense, violent (more of his screen sadism played for laughs), and satisfying.

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created_at: 2018-10-31 14:33:47
text:
  Is Scorsese desperate? This screenplay has the scent of it, as if he is scraping for material to feed his basic filmic interests.

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created_at: 2018-10-31 14:33:47
text:
  Scorsese has put together a fantastic ensemble of actors: Some of the movie's best performances are the ones tucked into the corners, like Alec Baldwin's beefy, arrogant state police honcho.

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created_at: 2018-10-31 14:33:47
text:
  Freed from iconic figures and weighty themes, Martin Scorsese, in The Departed, gets to riff and rock. And the audience gets a huge, bloody, profane entertainment in the bargain.

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text: The storytelling here is a model of smooth precision.
created_at: 2018-10-31 14:33:47
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text: Assorted ladies, a few quick lines, and one good chase, making for a mediocre entry in the series.
created_at: 2018-10-31 14:33:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F2685_DIAMONDS_ARE_FOREVER&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:33:59
text:
  The ending, while high on pyrotechnics, is low on tension, bringing Connery's era to a rather dissatisfying conclusion.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D644&at%3Asource=ReelViews


text: Bond looks better than ever, partly because Sean Connery has returned to play him.
created_at: 2018-10-31 14:33:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C877586%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-10-31 14:33:59
text:
  We see different movies for different reasons, and Diamonds Are Forever is great at doing the things we see a James Bond movie for.

extra_data:
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text: Diamonds Are Forever doesn't carry the same quality or flair as its many predecessors.
created_at: 2018-10-31 14:33:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117790420%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:33:59
text:
  The movie's momentum is such that one never has much time to react to its lack of reason, only to its sensations of speed and narrow escape, and to the splendor of its crazy gadgets and décor.

extra_data:
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created_at: 2018-10-31 14:34:20
text:
  There are good performances from everyone in this long, often funny, very violent but exciting melodrama.

extra_data:
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created_at: 2018-10-31 14:34:20
text:
  McTiernan, who directed last summer's Predator, composes the action cleanly and logically, making good use of Jackson DeGovia's elaborate post-modernist set-the building becomes something of a character in itself.

extra_data:
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text: It's good, dumb fun.
created_at: 2018-10-31 14:34:20
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fdiehardrhowe_a0b1af%2Ehtm&at%3Asource=Washington%20Post


text: It gets your heart pounding, then makes you hate yourself for it.
created_at: 2018-10-31 14:34:20
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fdiehardrhinson_a0c8da%2Ehtm&at%3Asource=Washington%20Post


text: For what it is, this is the top model -- flash, bang, and witty one-liners all included.
created_at: 2018-10-31 14:34:20
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D308&at%3Asource=ReelViews


created_at: 2018-10-31 14:34:20
text:
  Die Hard is an action picture with a capital A. In fact, you might as well go ahead and capitalize the whole darn word.

extra_data:
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created_at: 2018-10-31 14:34:20
text:
  Die Hard is film's equivalent of a terrorist attack on your senses, but Willis' intensity and presence push it into guilty pleasure territory.

extra_data:
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text: A serviceable if rather overextended and overblown adventure thriller.
created_at: 2018-10-31 14:34:20
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created_at: 2018-10-31 14:34:20
text:
  As a grand flourish of cinematic technique, it is awesome; as a human drama, it is disgusting and silly, a mindless depiction of carnage on an epic scale.

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text: A hi-tech thriller with a human heart.
created_at: 2018-10-31 14:34:20
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F65455%2Fdie_hard%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:34:20
text:
  In the first half of Director John McTiernan's movie, Willis wears an undershirt. In the second half he gets rid of it. And that's pretty much it for his performance.

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created_at: 2018-10-31 14:34:20
text:
  Inappropriate and wrongheaded interruptions reveal the fragile nature of the plot and prevent it from working.

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text: Die Hard is as high tech, rock hard and souped up as an action film can be.
created_at: 2018-10-31 14:34:20
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created_at: 2018-10-31 14:34:26
text:
  The screenplay is precariously supported by the chips on John McClane's shoulders. Fortunately, it is also designed to Willis' unique specs.

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created_at: 2018-10-31 14:34:26
text:
  Even when the script wanders into cynical overkill, Harlin makes sure the violence has some impact, some moral consequence, by sketching in characters for a few representative victims.

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created_at: 2018-10-31 14:34:26
text:
  The filmmakers know the audience is challenging them to top themselves, and they've risen to the bait. Harlin and company build suspense the old-fashioned way. They earn it.

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text: A second-rate one-upping.
created_at: 2018-10-31 14:34:26
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fdiehard2dieharderrhowe_a0b28b%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:34:26
text:
  No one carries a one-liner better than Willis. He's also unusual among Hollywood's Action Men in seeming vulnerable at the same time as being invincible.

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text: Somewhat-muddled but still entertaining.
created_at: 2018-10-31 14:34:26
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D468&at%3Asource=ReelViews


created_at: 2018-10-31 14:34:26
text:
  It will surprise no one who saw the first Die Hard that the heart and soul of the new film is Bruce Willis, who this time is even better.

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created_at: 2018-10-31 14:34:26
text:
  The filmmakers seem to be operating under the assumption that the way you top a successful movie is by making one that's louder, cruder and more violent.

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created_at: 2018-10-31 14:34:26
text:
  The summer's best sequel and most satisfying blockbuster has finally arrived. Die Hard 2 is a blast.

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created_at: 2018-10-31 14:34:26
text:
  If your idea of a good time is watching a lot of stupid, unpleasant people insult and brutalize one another, this is right up your alley.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F2702_DIE_HARD_TWO&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:34:26
text:
  A number of scenes have been staged with satisfying kinetic flair, and Willis once again makes an appealing superhero. Yet without that great big booby-trapped skyscraper to hold the action together, the suspense dissipates.

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created_at: 2018-10-31 14:34:26
text:
  It's rambunctiously entertaining, a loop-de-loopy bumper car ride through a firecracker sky, all bright lights, sonic booms and impossible heroics.

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text: This is terrific entertainment.
created_at: 2018-10-31 14:34:26
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fdie-hard-2-die-harder-1990&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:34:26
text:
  This is the most cheerfully preposterous film of a jaw-dropping summer, which is not to say it's not fun, it's simply orchestrated Looney Tunes.

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text: Die Hard 2 lacks the inventivenes of the original but compensates with relentless action.
created_at: 2018-10-31 14:34:26
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created_at: 2018-10-31 14:34:40
text:
  While parts one and two built momentum to an exhausting, exhilarating climax, part three has too many peaks and valleys (and, it seems, more of the latter than the former).

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text: An audience on the edge of its seat doesn't quibble about plot points.
created_at: 2018-10-31 14:34:40
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text: The big set pieces don't build, really, they just pile up.
created_at: 2018-10-31 14:34:40
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Freviews%2Fcl-movie960406-207%2C0%2C440170%2Estory&at%3Asource=Los%20Angeles%20Times


text: Explosions aren't so funny anymore.
created_at: 2018-10-31 14:34:40
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fdiehardwithavengeancerkempley_c016b1%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:34:40
text:
  Basically a wind-up action toy, cleverly made, and delivered with high energy. It delivers just what it advertises, with a vengeance.

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created_at: 2018-10-31 14:35:14
text:
  I loved this movie. It seems to dream itself, as it tells the story of a young girl who comes alive in the summer of 1963.

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created_at: 2018-10-31 14:35:14
text:
  This is a shapely film, considered and concise. And if its rhetorical slickness eventually covers up its emotional core, that slickness has a pleasure of its own.

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created_at: 2018-10-31 14:35:14
text:
  The dance finale between Gray and Swayze, although an obvious crowd-pleaser, is performed to a contemporary song clearly intended for the charts, which blows the period feel right off the dance floor.

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created_at: 2018-10-31 14:35:14
text:
  Although the plot is sometimes implausible, the movie's music, dancing and romantic spirit carry a lot of it. In addition, Dirty Dancing has the virtues of a female main character (a bit unusual in a coming-of-age movie) and an interesting setting.

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created_at: 2018-10-31 14:35:14
text:
  While the music on the soundtrack is predictably overloud, the period detail is refreshingly soft-pedaled.

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created_at: 2018-10-31 14:35:14
text:
  The dancing here brings out the sensual dreaminess of the songs. Dirty Dancing -- what a great title! -- is such a bubbleheaded, retro vision of growing up in the sixties (or any other time) that you go out of the theatre giggling happily.

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created_at: 2018-10-31 14:35:14
text:
  If the ending of Eleanor Bergstein's script is too neat and inspirational, the rough energy of the film's song and dance does carry one along, past the whispered doubts of better judgment.

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text: The movie plays like one long, sad, compromise; it places packaging ahead of ambition.
created_at: 2018-10-31 14:35:14
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text: Smart and funny, touching and unabashedly sensual.
created_at: 2018-10-31 14:35:14
extra_data:
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created_at: 2018-10-31 14:35:14
text:
  Good production values, some nice dance sequences and a likable performance by Grey make the film more than watchable.

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text: Dirty Dancing works best when it's most direct and unpretentious.
created_at: 2018-10-31 14:35:14
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created_at: 2018-10-31 14:35:54
text:
  The movie resembles an episode of "The Twilight Zone" directed by Preston Sturges. An outlandish, pointedly allegorical conceit is inhabited not by symbolic figures but by terrestrial oddballs.

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text: Little people. Big ideas. Massive misfire.
created_at: 2018-10-31 14:35:54
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created_at: 2018-10-31 14:35:54
text:
  It's the rare movie that seems to execute every part of its concept absolutely wrong; a narrative, tonal, visual and sociopolitical fiasco the likes of which haven't been seen in many moons.

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created_at: 2018-10-31 14:35:54
text:
  You never quite know where "Downsizing" is going, and that is by design: Payne is unafraid to cultivate destabilization in his audience that some members will find off-putting, others liberating.

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text: The film, having launched a sprightly comic conceit, lets it glide away.
created_at: 2018-10-31 14:35:54
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created_at: 2018-10-31 14:35:54
text:
  The premise is absurd to the max, but Payne delivers a comedy for those who enjoy contemplating bigger themes behind the laughs along with an ending that is aptly sublime.

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created_at: 2018-10-31 14:35:54
text:
  The film then wanders into murky, puzzling territory, leaving viewers to wonder exactly what the story was all about.

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created_at: 2018-10-31 14:35:54
text:
  It's a surreal comedy that never goes for easy laughs but works in every scene to reach you on a deeper visceral level.

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created_at: 2018-10-31 14:35:54
text:
  If Payne had landed the mix of genres, Downsizing could have been a masterpiece. Spoiler (small print not required): He does not.

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created_at: 2018-10-31 14:35:54
text:
  Although the sci-fi trappings of Downsizing make it seem like a big departure from Payne's previous work - The Descendants, Sideways, About Schmidt - it is the same in important ways.

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created_at: 2018-10-31 14:35:54
text:
  As the movie grinds on, Payne tries to steer it into a parable about climate change and the refugee crisis, issues that sit heavily on its flimsy, jokey premise.

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created_at: 2018-10-31 14:35:54
text:
  Unfortunately, the central character is as small figuratively as he is literally, and that limits the movie's capacity to enthrall and engage.

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created_at: 2018-10-31 14:35:54
text:
  It's a movie in which too-muchness ends up being not-enoughness, since the script lacks a vital center.

extra_data:
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created_at: 2018-10-31 14:35:54
text:
  It's hard not to appreciate the visual and thematic scope of "Downsizing's" reach. But it's harder not to see the chasm between its strange, misshapen story and the grand, towering vision to which it aspires.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fbeta%2Elatimes%2Ecom%2Fentertainment%2Fmovies%2Fla-et-mn-downsizing-review-20171221-story%2Ehtml&at%3Asource=Los%20Angeles%20Times


created_at: 2018-10-31 14:35:54
text:
  Payne's brand of prickly humanism is on full display here; he seems to revel is the notion that it's only when we're uncomfortable that we have any chance at being good.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fdownsizing%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-10-31 14:35:54
text:
  Downsizing never quite goes where you think it's going, and normally, I'd say that's a plus. But confounding expectations only goes so far. You still have to get to a place worth getting to.

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created_at: 2018-10-31 14:35:54
text:
  Damon is in prime everyman mode as Paul, a good guy with a good heart who wouldn't mind catching a break, a big break, just once.

extra_data:
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created_at: 2018-10-31 14:35:54
text:
  Very quickly devolves into a bland story about a nondescript khaki-wearing guy who learns to care about the less-fortunate.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fdownsizing-2017&at%3Asource=RogerEbert%2Ecom


created_at: 2018-10-31 14:35:54
text:
  The movie is a surprise, the good kind, an instance of a filmmaker zigging just when you're expecting him to zag.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Ftime%2Ecom%2F5074589%2Fdownsizing-movie-review%2F&at%3Asource=TIME%20Magazine


created_at: 2018-10-31 14:36:07
text:
  Of course, it's nonsense -- pure, escapist bunk, with Bond, an elegant fellow, played by Sean Connery, doing everything (and everybody) that an idle day-dreamer might like to do.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D9807E7D9123CE63ABC4850DFB3668388679EDE%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


text: All of the elements of the formula are there, but in pleasing moderation.
created_at: 2018-10-31 14:36:07
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F2780_DOCTOR_NO&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:36:07
text:
  While it may appear tame by the standards of the later productions, it's an entertaining look back in movie history at a project that developed into a worldwide phenomenon.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D643&at%3Asource=ReelViews


text: An entertaining piece of tongue-in-cheek action hokum.
created_at: 2018-10-31 14:36:07
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117790576%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:36:19
text:
  Gosling and director Nicolas Winding Refn neatly manage the hat trick of paying homage to those wheelmen of yore while reinvigorating the genre with style, smarts and flashes of wit.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgog%2Fmovies%2Fdrive%2C1111797%2Fcritic-review%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:36:19
text:
  In grabbing our attention, [Refn] diverts it from what matters. The horror lingers and seeps; the feelings are sponged away.

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text: The first half of Drive unfolds like a romantic reverie.
created_at: 2018-10-31 14:36:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edallasnews%2Ecom%2Fentertainment%2Fmovies%2Freviews%2F20110915-drive-b%2Eece&at%3Asource=Dallas%20Morning%20News


created_at: 2018-10-31 14:36:19
text:
  The extreme and escalating violence will prove off-putting to some-frankly, I'm surprised not to have been among them-but for the rest, Drive is a needle-punch of adrenaline to the aorta.

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created_at: 2018-10-31 14:36:19
text:
  The look is artfully stylized, influenced by classic film noir; the mood is dark; the performances nuanced; and the story unnervingly exciting.

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text: What it had going for it was an uncanny and moving relationship between Gosling and Mulligan.
created_at: 2018-10-31 14:36:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewrepublic%2Ecom%2Farticle%2Ffilm%2F95110%2Fdrive-ryan-gosling-refn-noir&at%3Asource=The%20New%20Republic


created_at: 2018-10-31 14:36:19
text:
  To invest oneself emotionally in the central relationship, or the movie itself, would be akin to investing oneself emotionally in one's car. But when the car looks this good and drives this fast, why not?

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created_at: 2018-10-31 14:36:19
text:
  [Gosling] and this powerful film, which is ultimately about a moment of grace, deserve each other. He's the medium's most graceful minimalist.

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text: For all the movement in Drive, the quiet, deathly still moments are the ones that count.
created_at: 2018-10-31 14:36:19
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Fmovies%2F2011%2F09%2F15%2F2011-09-15_drive_review_ryan_gosling_cruises_to_new_level_of_his_career%2Ehtml&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:36:19
text:
  It's a film in love with both traditional noir mythology and ultra-modern violence, a combination that is not ideal.

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text: The pace of this film is a beautiful thing to behold, as Drive is a patient but taut thriller.
created_at: 2018-10-31 14:36:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Efilm%2Ecom%2Fmovies%2Freview-drive-delivers&at%3Asource=Film%2Ecom


created_at: 2018-10-31 14:36:19
text:
  It's fun, but the script, credited to Hossein Amini ("The Wings of the Dove"), is short on characterization and long on plot twists and wisecracks.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fp%2Fentertainment%2Fmovies%2Fman_on_transmission_4aYOolWcjHr2RBT0WP0ZIL%3FCMP%3DOTC-rss%26FEEDNAME%3D&at%3Asource=New%20York%20Post


created_at: 2018-10-31 14:36:19
text:
  Mainstream audiences will probably be confounded by "Drive," while lovers of gritty filmmaking will defend every exaggerated shotgun wound as art. Know which camp you're in before you enter the theater.

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created_at: 2018-10-31 14:36:19
text:
  This is no antic-frantic affair; instead, it's a cerebral game of stop-and-go, hide-and-seek, as the director behind the camera handles things exactly like the guy behind the wheel - with a stylish mixture of cold calculation and cool aplomb.

extra_data:
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created_at: 2018-10-31 14:36:19
text:
  Tasty, if sketchy, modern noir with car chases and bloody action that should turn the trick for genre-seeking audiences.

extra_data:
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text: Sure, it's shallow, but it's also slickly compelling, beautifully crafted and so damn shiny.
created_at: 2018-10-31 14:36:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F89945%2Fdrive%2Ehtml&at%3Asource=Time%20Out


text: Drive is pedal-to-the-metal stuff. Don't get behind the wheel unless you can take the rush.
created_at: 2018-10-31 14:36:19
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edetnews%2Ecom%2Farticle%2F20110916%2FENT02%2F109160337%2F1034%2Fent02%2FReview--%25E2%2580%2598Drive%25E2%2580%2599-is-a-sharp-turn&at%3Asource=Detroit%20News


created_at: 2018-10-31 14:36:29
text:
  The problem is that the imagery isn't rooted in any story impulse, and so its power dissipates quickly.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fdune%2FFilm%3Foid%3D1064006&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:36:29
text:
  Unless you have the book committed to memory, you'll find it practically impossible to follow the story.

extra_data:
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created_at: 2018-10-31 14:36:29
text:
  As you would expect from visionary director David Lynch, it is a movie of often staggering visual power, the most ambitious science fiction film since "2001"; it's also stupefyingly dull and disorderly.

extra_data:
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created_at: 2018-10-31 14:36:29
text:
  Most sci-fi movies offer escape, a holiday from homework, but Dune is as difficult as a final exam. You have to cram for it.

extra_data:
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created_at: 2018-10-31 14:36:29
text:
  This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time.

extra_data:
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text: Dune is a huge, hollow, imaginative and cold sci-fi epic.
created_at: 2018-10-31 14:36:29
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117790608%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:36:49
text:
  Steven Spielberg's E. T., The Extra-Terrestrial is the best cinematic fairy tale since The Wizard of Oz.

extra_data:
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created_at: 2018-10-31 14:36:49
text:
  What's perhaps most amazing about E.T., what distinguishes it from many of the other fantasy films of its era, is its ability to put an audience under a spell of childlike wonderment without infantilizing it.

extra_data:
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text: It holds up beautifully.
created_at: 2018-10-31 14:36:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enwitimes%2Ecom%2Funcategorized%2Feven-after-years-e-t-is-still-magical%2Farticle_a84bfb50-663a-5e5d-98fd-e8f61e8854cd%2Ehtml&at%3Asource=Associated%20Press


created_at: 2018-10-31 14:36:49
text:
  Though marred by Spielberg's usual carelessness with narrative points, the film alternates sweetness and sarcasm with enough rhetorical sophistication to be fairly irresistible.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fet-the-extra-terrestrial%2FFilm%3Foid%3D1131446&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:36:49
text:
  Although conclusively demonstrating Spielberg's preeminence as the popular artist of his time, E.T. finally seems a less impressive film than Close Encounters.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F64023%2Fet_the_extra-terrestrial%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:36:49
text:
  More than the work of any other filmmaker, Spielberg's output seems uniquely designed to induce in me this queasy false-memory syndrome.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Evillagevoice%2Ecom%2Ffilm%2Fhis-life-as-a-dog-6413964&at%3Asource=Village%20Voice


created_at: 2018-10-31 14:36:49
text:
  E.T. is essentially a spiritual autobiography, a portrait of the filmmaker as a typical suburban kid set apart by an uncommonly fervent, mystical imagination. It comes out disarmingly funny, spontaneous, bighearted.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-dyn%2Fcontent%2Farticle%2F2005%2F06%2F22%2FAR2005062201424%2Ehtml&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:36:49
text:
  It is the kind of film that young people are going to want to see again immediately after they've seen it.

extra_data:
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created_at: 2018-10-31 14:36:49
text:
  On inherent merit, the movie would not warrant such a highly publicized re-release, but this is one of those films that transcends what's on the screen.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D130&at%3Asource=ReelViews


created_at: 2018-10-31 14:36:49
text:
  Spielberg's direction and Melissa Mathison's script never lose sight of the realistic, low center of gravity world of childhood, in which such marvelous adventures happen every day.

extra_data:
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created_at: 2018-10-31 14:36:49
text:
  Though marred by Spielberg's usual carelessness with narrative points, the film alternates sweetness and sarcasm with enough rhetorical sophistication to be fairly irresistible.

extra_data:
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created_at: 2018-10-31 14:36:49
text:
  The marvel of this extraordinary movie is that it captures for even the most jaded grownup that pleasurable state of innocence and awe that only children are fortunate enough to experience.

extra_data:
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text: A film that connects so beautifully to our sense of wonder and joy.
created_at: 2018-10-31 14:36:49
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farticles%2Elatimes%2Ecom%2F2002%2Fmar%2F22%2Fentertainment%2Fet-turan22&at%3Asource=Los%20Angeles%20Times


text: A contemporary classic.
created_at: 2018-10-31 14:36:49
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created_at: 2018-10-31 14:36:49
text:
  Spielberg has crafted with warmth and humor a simple fantasy that works so superbly on so many levels that it will surely attract masses of moviegoers from all demographics.

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text: What E.T. does so well is to capture that moment in life when childhood seems to be slipping away.
created_at: 2018-10-31 14:36:49
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created_at: 2018-10-31 14:36:49
text:
  An appealing film this new one is, with some charm, some glee in the childrens' triumphs, some share in their friendship with E.T.

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created_at: 2018-10-31 14:36:49
text:
  Captivating, endearingly optimistic and magical at times, Steven Spielberg's fantasy about a stranded alien from outer space protected by three kids until it can arrange for passage home is certain to capture the imagination of the world's youth.

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text: [It] may become a children's classic of the space age.
created_at: 2018-10-31 14:36:49
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created_at: 2018-10-31 14:36:51
text:
  It's an extraordinary undertaking, and Nolan delivers a spellbinding ride. Out of the depths or man-made horror, he's created a gripping tale of human resolve.

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text: It isn't a standard war movie, but it sure is some beautiful, difficult thing.
created_at: 2018-10-31 14:36:51
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created_at: 2018-10-31 14:36:51
text:
  The movie works. Time and again, the action swells and dips, like a wave, then suddenly delivers a salty slap in the face.

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text: Masterful visual storytelling on an epic scale.
created_at: 2018-10-31 14:36:51
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text: Is it ethical to make a war movie this beautiful?
created_at: 2018-10-31 14:36:51
extra_data:
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created_at: 2018-10-31 14:36:51
text:
  Occasional bursts of flames, imperiling many of the effectively nameless characters, come as a relief from the chromatic tedium.

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created_at: 2018-10-31 14:36:51
text:
  It is hard to imagine a better tribute to this victory of survival than Nolan's spare, stunning, extraordinarily ambitious film.

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created_at: 2018-10-31 14:36:51
text:
  When the structure of Dunkirk becomes visible, when it stands as a mathematical demonstration of brave individual choices lining up in a tidy row, you might realize that you've been had.

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created_at: 2018-10-31 14:36:51
text:
  Technically awe-inspiring, narratively inventive and thematically complex, Dunkirk reinvigorates its genre with a war movie that is both harrowing and smart.

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created_at: 2018-10-31 14:36:51
text:
  Both intimate and epic, as emotional as it is tension-filled, it is being ballyhooed as a departure for bravura filmmaker Christopher Nolan, but in truth the reason it succeeds so masterfully is that it is anything but.

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created_at: 2018-10-31 14:36:51
text:
  The film is a wonder to experience (especially in Imax), but it's not perfect. For all the technical brilliance, there's something emotionally removed about the storytelling that keeps a viewer at arm's length throughout.

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created_at: 2018-10-31 14:36:51
text:
  Despite all the substandard characterization, what we do see sucks us in enough to keep us invested and, at times, riveted.

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created_at: 2018-10-31 14:36:51
text:
  "Dunkirk" bolts out the gate not like a thoroughbred racehorse, but like a pack of them, never stopping until - thunderingly, and with a feeling that encompasses both victory and defeat - it crosses the finish line.

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text: It's a series of riveting tableaux, but the human center is lacking.
created_at: 2018-10-31 14:36:51
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created_at: 2018-10-31 14:36:51
text:
  Few films have stripped war down to its terrifying, thrilling essence as Christopher Nolan's Dunkirk, and few films have turned war into such an overwhelming, almost physical experience.

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created_at: 2018-10-31 14:36:51
text:
  It's a gripping addition to the canon of war on film that is definitely worthy of attention, and some of the images are electrifying.

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created_at: 2018-10-31 14:36:51
text:
  Nolan's sense of memory and of history is as flattened-out and untroubled as his sense of psychology and of character.

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created_at: 2018-10-31 14:36:51
text:
  The tension starts from minute one and doesn't let up until the credits roll in "Dunkirk," Christopher Nolan's terse, nerve-jangling WWII drama.

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created_at: 2018-10-31 14:36:51
text:
  Dunkirk's plot is fairly uncomplicated. The thrill is in the deeply exhilarating pace at which the action unfolds.

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created_at: 2018-10-31 14:37:08
text:
  The film's alchemic blend of Bressonian rigor, Hitchcockian suspense, and overall proto-Nouvelle Vague cool more than compensates for its straightforward plotting ...

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created_at: 2018-10-31 14:37:08
text:
  Henri Decaë's black-and-white cinematography brings out the melancholy mystery of Paris' boulevards and cafes, and Ms. Moreau, shot with natural lighting and without make-up, is like a mournful goddess of glamour.

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text: A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony.
created_at: 2018-10-31 14:37:08
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text: A straightforward but classy thriller.
created_at: 2018-10-31 14:37:08
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created_at: 2018-10-31 14:37:08
text:
  A classic European film noir with an irresistible score by Miles Davis, it builds tension from a series of seemingly minor mistakes that echo the political/military context of the postwar era.

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text: Efficient but soulless.
created_at: 2018-10-31 14:37:08
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text: A consummate entertainment rich with the romantic atmosphere of Paris in the 1950s.
created_at: 2018-10-31 14:37:08
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ecalendarlive%2Ecom%2Fmovies%2Fturan%2Fcl-et-elevator29jul29%2C0%2C4839448%2Estory&at%3Asource=Los%20Angeles%20Times


created_at: 2018-10-31 14:37:08
text:
  Elevator to the Gallows is a treat for the film buff. Watching Moreau and Malle as they discover each other and a new trend in filmmaking, and listening to Miles Davis during their quest will remind you of what movies are all about.

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created_at: 2018-10-31 14:37:08
text:
  The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.

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created_at: 2018-10-31 14:37:08
text:
  These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.

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created_at: 2018-10-31 14:37:08
text:
  What turns it fabulous, indeed mythical, is the presence of another entity: Paris at night in the '50s, to the tune of Miles Davis's score as realized in the dappled hues of Henri Decae's gorgeous poetic cinematography.

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text: Elevator to the Gallows, killer stuff.
created_at: 2018-10-31 14:37:08
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created_at: 2018-10-31 14:37:08
text:
  Elevator to the Gallows married a new kind of jazz to a new kind of cinema, and created something altogether sublime.

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created_at: 2018-10-31 14:37:08
text:
  As French crime thrillers go, this is about as good as it gets. It's also an important film historically, and to top it off, the jazz score, by Miles Davis, is famous in its own right.

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created_at: 2018-10-31 14:37:08
text:
  The tasty 1957 noir thriller that introduced the world to French filmmaker Louis Malle, who at the time was a 24-year-old assistant director for Jacques Cousteau.

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text: One-hundred-proof unfiltered weirdness.
created_at: 2018-10-31 14:37:18
extra_data:
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created_at: 2018-10-31 14:37:18
text:
  You have to admire Noé's ballsy vision and loopy execution, and the way he sucks you into this world with such a bold fusion of sound and image.

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created_at: 2018-10-31 14:37:18
text:
  A strong contender for both the artiest drug movie and the druggiest art movie ever made, Gaspar Noé's tour de force of forced perspectives and free-form grief is, in every sense of the word, a trip.

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text: It's a dark and commanding vision, reaching for the heavens even as it wallows in the muck.
created_at: 2018-10-31 14:37:18
extra_data:
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created_at: 2018-10-31 14:37:18
text:
  [It's] certainly an immersive experience that's decidedly difficult to shake. The problem is that it's also the most excruciating sit in recent cinematic memory.

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text: A mash-up of the sacred, the profane, and the brain-dead, Enter the Void is addictive.
created_at: 2018-10-31 14:37:18
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evillagevoice%2Ecom%2F2010-09-22%2Ffilm%2Fhow-to-hallucinate-without-drugs-watch-enter-the-void%2F&at%3Asource=Village%20Voice


created_at: 2018-10-31 14:37:18
text:
  Director Gaspar Noé proved a shock poet in Irreversible. In Enter the Void, he's a shockingly tedious show-off.

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created_at: 2018-10-31 14:37:18
text:
  In visual terms, it's a whiz-bang marvel of swooping and soaring camera work and psychedelic imagery, lit by the gaudy fluorescence of Tokyo's seamier nightclubs.

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text: Enter the Void displays a dizzying virtuosity with the cinema of altered states.
created_at: 2018-10-31 14:37:18
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Elatimes%2Ecom%2Fentertainment%2Fnews%2Fla-et-enter-void-20100924%2C0%2C3997824%2Estory&at%3Asource=Los%20Angeles%20Times


created_at: 2018-10-31 14:37:18
text:
  It takes some adjustment, but Enter The Void is a trance-like experience, feeding the shimmering neon of Tokyo at night into a spectacular hallucinogenic head-trip.

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created_at: 2018-10-31 14:37:18
text:
  If you yourself are stoked for a lurid, oversexed, stupid-with-Freud Midnight Movie extravaganza -- a trip to El Topo via Mulholland Drive -- there are worse ways to spend 2 1/2 hours.

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text: An accomplished, daring, even great film.
created_at: 2018-10-31 14:37:18
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20101001__quot_Enter_the_Void_quot__is_a_dazzling_trip%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-10-31 14:37:18
text:
  Hallucinogenic, dazzling, depressing, daring and not entirely successful, "Enter the Void" is obviously out to blow some minds.

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created_at: 2018-10-31 14:37:18
text:
  As chowderheaded as some of its underlying pretensions are, the movie's still an astonishing work of cinema, alternately brilliant and disgusting, naïve and inspired, tedious and sublime.

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created_at: 2018-10-31 14:37:18
text:
  From the rapid-fire, purposely unreadable opening credits to the final baby POV shot of a birth, this is a dazzling and brutal exercise in cinematic envelope-pushing.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enypost%2Ecom%2Fp%2Fentertainment%2Fmovies%2Fenter_film_at_your_own_risk_8dfya84XNBJYeJHezwkWAJ&at%3Asource=New%20York%20Post


created_at: 2018-10-31 14:37:18
text:
  Gaspar Noé has followed up his 2002 Irreversible, an unwatchable exercise in provocation, with Enter the Void, an unbearable exercise in provocation.

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created_at: 2018-10-31 14:37:30
text:
  A stillborn comedy in which minutes sometimes mysteriously go by between even attempted gags, and in which virtually no comic scene works up to any kind of viable punch line or payoff.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Farticles%2Elatimes%2Ecom%2F1989-11-01%2Fentertainment%2Fca-20_1_movies-vikings-erik&at%3Asource=Los%20Angeles%20Times


created_at: 2018-10-31 14:37:30
text:
  "Erik the Viking," a Wagnerian slapstick fantasy, has the feel of a grown-up bedtime comedy, a gross, sillier "Princess Bride."

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created_at: 2018-10-31 14:37:30
text:
  An utterly worthless exercise in waste and wretched excess, uninformed by the slightest spark of humor, wit or coherence.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Ferik-the-viking-1989&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:37:30
text:
  The idea of telling the story of a Viking warrior who thought there must be more to life than rape and pillage is an amusing one, and for the most part Erik the Viking is an enjoyable film.

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created_at: 2018-10-31 14:37:30
text:
  Doesn't measure up to the best of the Python films, but it consistently entertains through the occasional gags that do not work and dialogue that is sometimes obscured by sound effects.

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created_at: 2018-10-31 14:37:48
text:
  One of the better new movies in town, and better in a genre -- science-fiction -- that at the crucial middle level where the history of movies is made, if not written, has recently been not so much bad as invisible.

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text: For a picture that's almost a complete misfire, it's painless to sit through.
created_at: 2018-10-31 14:37:57
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Esalon%2Ecom%2Fjan97%2Fwoody970120%2Ehtml&at%3Asource=Salon%2Ecom


created_at: 2018-10-31 14:37:57
text:
  It's difficult not to be impressed by what Allen has achieved with this film: successfully reviving the musical comedy in such a thoroughly delightful fashion.

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created_at: 2018-10-31 14:37:57
text:
  Much of the film's story is half-hearted, its jokes hit or miss, and what starts out feeling genial ends up unavoidably thin.

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created_at: 2018-10-31 14:37:57
text:
  Styled as a romantic confection, Everyone Says I Love You is, in fact, steeped in an unacknowledged middle-aged sadness that leaks from the writer-director and saps the energies of his cast.

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text: It would take a heart of stone to resist this movie.
created_at: 2018-10-31 14:37:57
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Feveryone-says-i-love-you-1997&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:37:57
text:
  Listening to the others sounding like a spouse in the shower makes one wonder: How bad could Barrymore be that she had to be dubbed?

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created_at: 2018-10-31 14:38:35
text:
  If Fear and Desire is uneven and sometimes reveals an experimental rather than a polished exterior, its over-all effect is entirely worthy of the sincere effort put into it.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2Flibrary%2Ffilm%2F040153kubrick-fear%2Ehtml&at%3Asource=New%20York%20Times


created_at: 2018-10-31 14:38:35
text:
  ... Fear and Desire shows that Kubrick's polished vision didn't emerge from a void. He had to start out with a rough draft first.

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created_at: 2018-10-31 14:38:35
text:
  Treat it like a wobbly, precocious demo from a 24-year-old with mighty aspirations, filled with hints of what he would become, and you'll be properly enthralled.

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text: It's really a series of sketches on one theme.
created_at: 2018-10-31 14:38:38
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created_at: 2018-10-31 14:38:38
text:
  A film of brilliant moments, but sadly less coherent - and, on senses, rather less personal - than most of Gilliam's work.

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created_at: 2018-10-31 14:38:38
text:
  Darn funny, but those moments of seemingly-inspired humor are more than offset by the rest of the movie, which is nearly unwatchable.

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created_at: 2018-10-31 14:38:38
text:
  It's certainly distinctive, looking at times like Richard Lester put through a postmodernist blender.

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text: (Gilliam's) vision is too reflexively comic to evoke the shadows of dread in Thompson's writing.
created_at: 2018-10-31 14:38:38
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created_at: 2018-10-31 14:38:38
text:
  If you encountered characters like this on an elevator, you'd push a button and get off at the next floor. Here the elevator is trapped between floors for 128 minutes.

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text: If Luc Besson's latest goes into absurd overdrive, it does so with entertaining finesse.
created_at: 2018-10-31 14:38:45
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created_at: 2018-10-31 14:38:45
text:
  [Besson] seems to like playing off the generic, though he probably thinks of it as working with the mythic, the classic.

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created_at: 2018-10-31 14:38:45
text:
  Begins with the materials of a violent thriller but transcends them with the story of the heroine's transformation.

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created_at: 2018-10-31 14:38:59
text:
  The sex scenes are, save the occasional bit of exposed flesh or brandished toy, fairly mild -- Freed is probably the least provocative film of the trilogy.

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created_at: 2018-10-31 14:38:59
text:
  There are unintentional laughs in the plodding, clunky story, but the biggest laugh is the one this series has had on the audience for three movies.

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created_at: 2018-10-31 14:38:59
text:
  There's plenty of artfully-lit airbrushed sex -- and unintended guffaws -- for those with a taste for midnight-movie-style chewy badness. Otherwise, the safe word should be "avoid."

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created_at: 2018-10-31 14:38:59
text:
  Though it's difficult to discern the flavour of ice cream used in one so-called erotic encounter, it's probably vanilla.

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text: A sequel so awful it needs to be described in detail to be believed. Therefore, a spoilereview.
created_at: 2018-10-31 14:38:59
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text: Actually really mostly pretty good.
created_at: 2018-10-31 14:38:59
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created_at: 2018-10-31 14:38:59
text:
  What a sorry state of affairs for moviegoers: all we want is a little coitus, but all we get is interruptus.

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created_at: 2018-10-31 14:38:59
text:
  The sex scenes are strangely mechanical and devoid of passion. It's probably a mixture of three things: directorial decisions, a lack of chemistry between the leads, and viewer apathy.

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created_at: 2018-10-31 14:38:59
text:
  These movies are derivative, often ridiculous, and, in the case of Fifty Shades Freed, unquestionably hilarious, but they're also the overheated comfort food I crave.

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created_at: 2018-10-31 14:38:59
text:
  If liberation is the endgame of "Fifty Shades Freed," most of the time we feel trapped right alongside the characters, immobilized by the pointless, suffocating beauty and the stultifying dramatic inertia of the world James has created for them.

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text: Did someone say "freed" already? Yes, please. Red. Red. Red.
created_at: 2018-10-31 14:38:59
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text: Might as well be called "So I Married a Sociopath."
created_at: 2018-10-31 14:38:59
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Echicagotribune%2Ecom%2Fentertainment%2Fmovies%2Fsc-mov-fifty-shades-freed-rev-0208-20180208-story%2Ehtml&at%3Asource=Tribune%20News%20Service


created_at: 2018-10-31 14:38:59
text:
  Freed appeals to women's biological urges-to secure a protective mate, to nest, to procreate-and depends on them leaving their brains at the theater door.

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text: I like these people. I'm rather sorry to see this series end.
created_at: 2018-10-31 14:38:59
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created_at: 2018-10-31 14:38:59
text:
  Johnson and Dornan's performances are wooden and their chemistry nonexistent (particularly in the movie's more-of-the-same sex scenes), but think of it all as ultra-deadpan entertainment and it kind of works.

extra_data:
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text: two hours of cruel and unusual punishment . The zero-star rating may be too kind
created_at: 2018-10-31 14:38:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Erollingstone%2Ecom%2Fmovies%2Freviews%2Fpeter-travers-fifty-shades-freed-is-pure-cinematic-masochism-w516369&at%3Asource=Rolling%20Stone


created_at: 2018-10-31 14:38:59
text:
  This lumbering trilogy of trash based on the books by E. L. James has so run out of blood and oxygen that it has varicose veins.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fobserver%2Ecom%2F2018%2F02%2Freview-50-shades-freed-puts-an-end-to-e-l-james-cheesy-trilogy%2F&at%3Asource=Observer


created_at: 2018-10-31 14:38:59
text:
  The impersonally crafted, emptily realized, expensively produced movie gets its modicum of humanity from Dakota Johnson, who has the gift of simply seeming alive and present when she's on camera.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Enewyorker%2Ecom%2Fculture%2Frichard-brody%2Ffifty-shades-freed-reviewed-it-feels-like-the-third-time&at%3Asource=New%20Yorker


created_at: 2018-10-31 14:38:59
text:
  With little else to keep me interested as the story stumbled along, I did enjoy keeping track of all the trendy names of various minor supporting characters.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fchicago%2Esuntimes%2Ecom%2Fentertainment%2Ffifty-shades-freed-the-joyless-at-times-kinky-life-of-an-awfully-wedded-wife%2F&at%3Asource=Chicago%20Sun-Times


text: They're actually ... a boring couple, truth be told.
created_at: 2018-10-31 14:38:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Ffifty-shades-freed-2018&at%3Asource=RogerEbert%2Ecom


created_at: 2018-10-31 14:39:16
text:
  Delivers a sucker punch to the audience and then pulls the rug out from under it. It is sensational.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fcgi-bin%2Farticle%2Ecgi%3Ff%3D%2Fc%2Fa%2F2000%2F04%2F28%2FDD63838%2EDTL&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-10-31 14:39:16
text:
  Blistering, hallucinatory, often brilliant, the film by David Fincher is a combination punch of social satire and sociopathology.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farticles%2Ephilly%2Ecom%2F1999-10-15%2Fentertainment%2F25506783_1_narrator-marla-singer-combination-punch&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-10-31 14:39:16
text:
  An outrageous mixture of brilliant technique, puerile philosophizing, trenchant satire and sensory overload, Fight Club is the most incendiary movie to come out of Hollywood in a long time. It's a mess, but one worth fighting about.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Ffistful-darkness-168314&at%3Asource=Newsweek


text: [A] bold, inventive, sustained adrenaline rush of a movie...
created_at: 2018-10-31 14:39:16
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117752116%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:39:16
text:
  Oh, for the time when men were men and were encouraged to beat the tar out of one another. That's the world "Fight Club" pines for.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Fmovies%2Ffight-club-bleak-not-unintelligent-1999-review-article-1%2E855526&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:39:16
text:
  Fight Club is an arresting, eventually appalling excursion into social satire by way of punishing violence.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonline%2Ewsj%2Ecom%2Farticle%2FSB939945066136192163%2Ehtml&at%3Asource=Wall%20Street%20Journal


text: This is American self-absorption at its finest.
created_at: 2018-10-31 14:39:16
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Ffight-club%2FFilm%3Foid%3D5788251&at%3Asource=Chicago%20Reader


text: If, as Fincher has said, this movie is supposed to be funny, then the joke's on us.
created_at: 2018-10-31 14:39:16
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eew%2Ecom%2Few%2Farticle%2F0%2C%2C271339%2C00%2Ehtml&at%3Asource=Entertainment%20Weekly


created_at: 2018-10-31 14:39:16
text:
  It is working American Beauty-Susan Faludi territory, that illiberal, impious, inarticulate fringe that threatens the smug American center with an anger that cannot explain itself, can act out its frustrations only in inexplicable violence.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C31832%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-10-31 14:39:16
text:
  If it had all continued in the vein explored in the first act, it might have become a great film. But the second act is pandering and the third is trickery.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Ffight-club-1999&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:40:02
text:
  Working within the constraints of a big studio film has brought out Gilliam's best: he's become a true storyteller and a wonderful director of actors. This time he delights not only the eye but the soul.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsweek%2Ecom%2Fid%2F127000&at%3Asource=Newsweek


created_at: 2018-10-31 14:40:02
text:
  A modern epic that fuses myth with hard-edged reality, it's a one-of-a-kind, thoroughly engaging experience.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fthefisherkingrhowe_a0b345%2Ehtm&at%3Asource=Washington%20Post


text: Scary, touching, often hilarious, this modern fairytale is surprisingly enchanting.
created_at: 2018-10-31 14:40:02
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F66731%2Fthe_fisher_king%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:40:02
text:
  Visually impressive, frequently pretentious, and extremely fluid as narrative (the 137 minutes sail by effortlessly), this mythic comedy-drama presents Gilliam as half seer, half snake-oil salesman and defies you to sort out which is which.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fthe-fisher-king%2FFilm%3Foid%3D1072968&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:40:02
text:
  The Fisher King is a disorganized, rambling and eccentric movie that contains some moments of truth, some moments of humor, and many moments of digression.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fthe-fisher-king-1991&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:40:02
text:
  The Fisher King has two actors at the top of their form, and a compelling, well-directed and well-produced story.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117790933%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:40:13
text:
  It's one of the most effective, honest portraits of childhood you'll ever see, and a touching, poignant snapshot of American life in 2017.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Edetroitnews%2Ecom%2Fstory%2Fentertainment%2Fmovies%2F2017%2F10%2F19%2Fmovie-review-florida-project-beaming-portrait-youth%2F106813796%2F&at%3Asource=Detroit%20News


created_at: 2018-10-31 14:40:13
text:
  The sun-washed reality of The Florida Project, which concludes with a touch of poetry that might break you in two. It's not a happy ending, but it is, like the rest of the film, pretty much perfect.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ebuzzfeed%2Ecom%2Falisonwillmore%2Fthe-florida-project-review%3Futm_term%3D%2Ekd1v812zJ1%23%2Eou7Z28gRE8&at%3Asource=BuzzFeed%20News


created_at: 2018-10-31 14:40:13
text:
  Dafoe delivers his finest performance in recent memory, bringing to levelheaded, unsanctimonious life a character who offers a glimmer of hope and caring within a world markedly short on both.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fgoingoutguide%2Fmovies%2Fthe-florida-project-bad-parenting-in-the-tawdry-shadow-of-disney-world%2F2017%2F10%2F11%2Fb2675bf6-a933-11e7-92d1-58c702d2d975_story%2Ehtml%3Futm_term%3D%2Ebd89581c7272&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:40:13
text:
  Baker places no dramatic emphasis on any individual scene, granting a sense of wide-eyed wonder to major and minor events alike.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fthe-florida-project%2FMovieTimes%3Foid%3D32136197&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:40:13
text:
  Rarely in a movie will you want a character to succeed more than Moonee. Yet Baker doesn't sugarcoat the odds, which, despite eventual moments of real magic, remain long indeed.

extra_data:
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created_at: 2018-10-31 14:40:13
text:
  Baker has imbued this whole terrific movie with a child's sense of discovery - the sort that can turn a decrepit, pastel corner of Orlando into a vibrant cinematic playground.

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text: I knew form the first shot that I was watching a truly great movie... It's so real, it's so raw.
created_at: 2018-10-31 14:40:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Eyoutube%2Ecom%2Fwatch%3Fv%3D9eLPIARtX48&at%3Asource=What%20the%20Flick%3F!


created_at: 2018-10-31 14:40:13
text:
  It doesn't just show what its characters go through, it observes. It notices. It studies. This is a film that pays attention to the little details that communicate huge feelings.

extra_data:
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text: This is a story told with authenticity and power, helped along by its cast of newcomers.
created_at: 2018-10-31 14:40:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Etheatlantic%2Ecom%2Fentertainment%2Farchive%2F2017%2F10%2Fthe-florida-project-review%2F541896%2F&at%3Asource=The%20Atlantic


created_at: 2018-10-31 14:40:13
text:
  The Florida Project, though, dances deftly around kitchen-sink realism and instead looks at this pastel world through the eyes of characters too young to know, or care, that they aren't rich.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2Fflorida-project-willem-dafoe-sean-baker-review-brooklynn-prince-20171024%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-10-31 14:40:13
text:
  Willem Dafoe knows from tortured roles (Platoon, The Last Temptation of Christ), but this creation -- a delicate blend of protector, fusspot and secret survivor -- is his richest, most lovable piece of work.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Etimeout%2Ecom%2Fus%2Ffilm%2Fthe-florida-project&at%3Asource=Time%20Out


created_at: 2018-10-31 14:40:13
text:
  [Director Sean Baker's] frantic depiction of Moonee's final fantasy verges on both brilliance and heartbreak.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fnews%2F2017%2Foct%2F18%2Fmovie-review-florida-project%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-10-31 14:40:13
text:
  Dafoe has never had a role this warm and sweet, and he plays it for low-keyed honesty. The kids and the adults, some non-professionals, all become part of a bright purple beehive.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagotribune%2Ecom%2Fentertainment%2Fmovies%2Fct-mov-florida-project-review-1009-story%2Ehtml%23nt%3Dbarker%26bn%3DBarker%252006%2520-%2520In%2520Case%2520You%2520Missed%2520It&at%3Asource=Chicago%20Tribune


created_at: 2018-10-31 14:40:13
text:
  As it stands, there's a greatness in it, but also stretches of emptiness. Still, this is an original piece of work, and no one who sees it will forget it.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esfgate%2Ecom%2Fmovies%2Farticle%2FThe-Florida-Project-is-an-uneven-but-12264378%2Ephp&at%3Asource=San%20Francisco%20Chronicle


created_at: 2018-10-31 14:40:13
text:
  You feel as if you've slipped inside of Moonee's enchanted world, while at the same time seeing the harsh reality of Halley's. That contrast is devastating, right up to a final sequence that's sure to break your heart in two.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Eseattletimes%2Ecom%2Fentertainment%2Fmovies%2Fthe-florida-project-review-fantasy-and-reality-mix-in-poignant-tale-of-childhood%2F%3Futm_source%3DRSS%26utm_medium%3DReferral%26utm_campaign%3DRSS_movies&at%3Asource=Seattle%20Times


created_at: 2018-10-31 14:40:13
text:
  Alexis Zabe's rapturous cinematography reminds us that magic is where you find it. You don't need a golden ticket to Mickey's kingdom, although you can see it from here.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ethestar%2Ecom%2Fentertainment%2Fmovies%2F2017%2F10%2F12%2Fflorida-project-shows-the-joy-and-beauty-in-a-childs-motel-wonderland-review%2Ehtml&at%3Asource=Toronto%20Star


created_at: 2018-10-31 14:40:13
text:
  It is because Baker views the world without blinders that the moments of lyricism in The Florida Project are so piercing. When a rainbow shows up in the sky, it's not just a rainbow; it's a benediction.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ecsmonitor%2Ecom%2FThe-Culture%2FMovies%2F2017%2F1005%2FRemarkable-The-Florida-Project-explores-vagaries-of-childhood&at%3Asource=Christian%20Science%20Monitor


created_at: 2018-10-31 14:40:13
text:
  The impression is a disturbing film of energy and compassion that left me with an inescapable sadness, from which director Baker offers no way out.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fobserver%2Ecom%2F2017%2F10%2Freview-the-florida-project-is-a-grim-look-at-life-on-disney-world-outskirts%2F&at%3Asource=Observer


created_at: 2018-10-31 14:40:13
text:
  It's film that'll make you wince at times, and you'll most likely not want to see twice, but seeing it once is an experience you'll not soon forget.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fchicago%2Esuntimes%2Ecom%2Fentertainment%2Fthe-florida-project-ably-explores-gloomy-lives-under-sunny-skies%2F&at%3Asource=Chicago%20Sun-Times


text: "The Florida Project" is - in nerve, guts, heart, and mind - one of the finest films of 2017.
created_at: 2018-10-31 14:40:13
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ebostonglobe%2Ecom%2Farts%2Fmovies%2F2017%2F10%2F11%2Fthe-florida-project-girl-grows-orlando%2FGvLcN7P5kpkEGj1zwljD2N%2Fstory%2Ehtml&at%3Asource=Boston%20Globe


created_at: 2018-10-31 14:40:33
text:
  For Your Eyes Only, however, looks like the work of people too smug in the belief they've got a good thing going to bother to make it interesting. It oozes unwarranted condescension.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fpqasb%2Epqarchiver%2Ecom%2Fboston-sub%2Fdoc%2F294079323%2Ehtml%3FFMT%3DFT%26FMTS%3DABS%3AFT%26type%3Dcurrent%26date%3DJun%2B26%252C%2B1981%26author%3DBruce%2BMcCabe%2BGlobe%2BStaff%26pub%3DBoston%2BGlobe%2B%2528pre-1997%2BFulltext%2529%26edition%3D%26startpage%3D1%26desc%3DREVIEW%2B%252F%2BMOVIE%253B%2BLATEST%2BBOND%2BRATES%2BA%2B00%253B%2B&at%3Asource=Boston%20Globe


created_at: 2018-10-31 14:40:33
text:
  Roger Moore has crumpled his comic-strip good looks into something approaching world-weariness, and the newfound maturity in his expression is reflected in director John Glen's style, which goes for the measured and elegant over the flashy and excessive.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F3663_FOR_YOUR_EYES_ONLY&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:40:33
text:
  No. 12 in the phenomenally durable James Bond series. For Your Eyes Only is undeniably easy on the eyes. Maybe too easy to prevent the mind from wandering and the lids from drooping.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=https%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Farchive%2Flifestyle%2F1981%2F06%2F26%2Feyes-bonds-new-laid-back-adventure%2Fdeb9d591-f087-4104-932a-a95e6fca36e8%2F&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:40:33
text:
  By the end of the '80s, Bond would be viewed as something of a relic, but at least the decade opened with an enjoyable outing.

extra_data:
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text: Look, Ma, no plot and poor dialogue, and Moore really is old enough to be the uncle of those girls.
created_at: 2018-10-31 14:40:33
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text: Moore is merely the best-oiled cog in this perpetual motion machine.
created_at: 2018-10-31 14:40:33
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text: Let's face it: When you've seen one impregnable mountaintop fortress, you've seen 'em all.
created_at: 2018-10-31 14:40:33
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created_at: 2018-10-31 14:40:33
text:
  One of the most thoroughly enjoyable of the 12 Bond pix [to date] despite fact that many of the usual ingredients in the successful 007 formula are missing.

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text: Most of the time, though, For Your Eyes Only is a slick entertainment.
created_at: 2018-10-31 14:40:33
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created_at: 2018-10-31 14:41:12
text:
  007 is very much with us again, and anyone who hasn't yet got to know him is urged to do so right away!

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created_at: 2018-10-31 14:41:12
text:
  For my money, still the best Bond, with a screwball plotline that keeps the locales changing and the surprises coming.

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text: The film lacks the exotic, colourful flamboyance of the best of its successors. So shoot me.
created_at: 2018-10-31 14:41:12
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created_at: 2018-10-31 14:41:12
text:
  Standing at the pinnacle of the series, From Russia with Love shows how good a Bond film can be when all the ingredients mesh.

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text: From Russia with Love is a preposterous, skillful slab of hardhitting, sexy hokum.
created_at: 2018-10-31 14:41:12
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created_at: 2018-10-31 14:41:38
text:
  In naturalistic and unforced strokes, he allows Grant to exist as a complex, even contradictory human, inviting the audience simply to sit with his life, his loss and what they both meant.

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created_at: 2018-10-31 14:41:38
text:
  Michael B. Jordan is simply brilliant in his portrayal of Grant, whom Coogler presents as a generally happy, if complex and somewhat troubled young man.

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created_at: 2018-10-31 14:41:38
text:
  The intimacy of debut writer-director Ryan Coogler's approach to the film and the no-frills, believably real quality of the main performances combine to drive the senselessness of Oscar's killing home with visceral impact.

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created_at: 2018-10-31 14:41:38
text:
  Coogler immerses the viewer in Grant's world, creating empathy for his struggles while also examining the realities that limit his options.

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created_at: 2018-10-31 14:41:38
text:
  Fruitvale is easy to see as something more than a movie - a diagnosis, perhaps, or a part of that sticky vortex we call the zeitgeist.

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created_at: 2018-10-31 14:41:38
text:
  "Fruitvale Station" isn't just a story of one family's tragedy, but a wounding snapshot of a society struggling somewhere between melting pot and battlefield.

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created_at: 2018-10-31 14:41:38
text:
  Fruitvale Station sums up Oscar's life, but the act of summing up can tell us only so much, since a young life is still a maze of promise and indecision.

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created_at: 2018-10-31 14:41:38
text:
  We feel the death on the platform so acutely not because it's a stupid act of randomness, but hardly untypical racist violence, but because we've come to love this man.

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created_at: 2018-10-31 14:41:38
text:
  By using a fly-on-the-wall approach, Coogler is able to tell his story in a straightforward style that gets the message across without seeming preachy.

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created_at: 2018-10-31 14:41:38
text:
  Michael B. Jordan (The Wire and Friday Night Lights) plays Oscar with the heart and compelling charm required to make us feel close to him.

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text: It's an unflinching, 360-degree character portrait.
created_at: 2018-10-31 14:41:38
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text: Writer-director Ryan Coogler's [film is an] assured and evenhanded debut.
created_at: 2018-10-31 14:41:38
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text: Empathy and authenticity keep you on the edge of your seat at Fruitvale Station.
created_at: 2018-10-31 14:41:38
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eocregister%2Ecom%2Farticles%2Fgrant-518039-station-fruitvale%2Ehtml&at%3Asource=Orange%20County%20Register


created_at: 2018-10-31 14:41:38
text:
  Some of this narrative feels cliched, but Coogler and his actors make it work by leaning toward understatement.

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created_at: 2018-10-31 14:41:38
text:
  It's a story of one young man's tragedy, a story that resonates with so many other tragedies. Oscar Grant wasn't some mere symbol; this film makes him flesh and, unfortunately, blood.

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created_at: 2018-10-31 14:41:38
text:
  It's a film to make you weep with sorrow and anger, and one of the most necessary films of the year.

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created_at: 2018-10-31 14:41:38
text:
  You wonder if Coogler would have felt freer had Grant somehow lived that night, if the director weren't put in a position where he felt the need to honor the dead by bringing him to dramatic life. But he believes in his ambition.

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text: Ritt's direction is all sweaty close-ups and mismatched shots.
created_at: 2018-10-31 14:41:41
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created_at: 2018-10-31 14:41:41
text:
  The tragedy implied by this character tells us what we need to know about the blacklist's effect on people's lives; the rest of the movie adds almost nothing else.

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text: It recreates the awful noise of ignorance that can still be heard.
created_at: 2018-10-31 14:41:41
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text: There is a real fear at the heart of this monstrously armored, desperately defensive film.
created_at: 2018-10-31 14:41:53
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created_at: 2018-10-31 14:41:53
text:
  If his considerable achievement in this long- awaited film falls short of his Olympian standards, there is a reason that ought to give Kubrick some satisfaction. The world has caught up with Kubrick and what he has to say.

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created_at: 2018-10-31 14:41:53
text:
  Although the elements of the story are simple and precise, Kubrick infuses a dreamlike, fatalistic quality.

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created_at: 2018-10-31 14:41:53
text:
  It's a great piece of filmmaking, diminished only by a second act that fails to live up to the first act of the Marines in training.

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created_at: 2018-10-31 14:41:53
text:
  Kubrick's direction is as steely cold and manipulative as the régime it depicts, and we never really get to know, let alone care about, the hapless recruits on view.

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created_at: 2018-10-31 14:41:53
text:
  No one who sees Full Metal Jacket will easily put the film's last glimpse of D'Onofrio, or a great many other things about Kubrick's latest and most sobering vision, out of mind.

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created_at: 2018-10-31 14:41:53
text:
  What gives this story its power is not really its originality, but the relentlessness of Kubrick's black-comic vision and the tightness of his focus.

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created_at: 2018-10-31 14:41:53
text:
  This is the most tightly crafted Kubrick film since Dr. Strangelove, as well as the most horrific; the first section alone accomplishes most of what The Shining failed to do.

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created_at: 2018-10-31 14:41:53
text:
  Full Metal Jacket is not a realistic film -- it is horror-comic superrealism, from a God's-eye view -- but it should fully engage the ordinary movie grunt.

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text: Full Metal Jacket, ice and wildfire, order and chaos, is intellectual war, hard thought.
created_at: 2018-10-31 14:41:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Ffullmetaljacketrkempley_a0ca77%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:41:53
text:
  [A] strangely shapeless film from the man whose work usually imposes a ferociously consistent vision on his material.

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created_at: 2018-10-31 14:41:53
text:
  It may seem too spare, too clinical, its moments of war even too familiar for some. But, aiming for minds as well as hearts, Kubrick hits his target squarely.

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created_at: 2018-10-31 14:41:53
text:
  Full Metal Jacket seems further proof that Kubrick is still trapped in self-pleasing cinematic exercise.

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text: An intense, schematic, superbly made Vietnam War drama.
created_at: 2018-10-31 14:41:53
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117791156%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:41:53
text:
  Kubrick's harrowing, beautiful and characteristically eccentric new film about Vietnam, is going to puzzle, anger and (I hope) fascinate audiences as much as any film he has made to date.

extra_data:
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created_at: 2018-10-31 14:42:05
text:
  In bursts, between the memories and the ghostly Who's Afraid of Stephen King? playlets, Flanagan shows that he probably could have made a leaner, meaner, more suspenseful film.

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created_at: 2018-10-31 14:42:05
text:
  Unsurprisingly, the film is [Mike Flanagan's] most accomplished to date, the result of the years he's spent giving a damn about his characters and their anguish. He's so good at it, he even makes it look easy.

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text: The best King adaptation of the year so far.
created_at: 2018-10-31 14:42:05
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created_at: 2018-10-31 14:42:05
text:
  When it works, it's because of Gugino, the rare performer who can suggest victimized despair and empowered triumph.

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created_at: 2018-10-31 14:42:05
text:
  When the movie arrives at a phenomenal, breakneck climax, and then keeps going with a totally implausible twist, it's adhering to the unwritten rule: No matter who's driving, everyone must bow to the King.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eindiewire%2Ecom%2F2017%2F09%2Fgeralds-game-review-carla-gugino-bruce-greenwood-mike-flanagan-stephen-king-netflix-1201879277%2F&at%3Asource=indieWire


created_at: 2018-10-31 14:42:05
text:
  Carla Gugino gives a tour-de-force performance in an arresting psychological thriller based on Stephen King's 1992 novel.

extra_data:
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created_at: 2018-10-31 14:42:05
text:
  As the renewed wave of interest in Stephen King continues to crash on our cinematic shores, we can only hope that future adapters and adaptions will be so well matched.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Writer-director Jordan Peele has fashioned a smart, scathing commentary ... as a base for his allegory on the horror of race in America.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Only grows more darkly relevant as the main story gets going, masterfully unfurling all of the real-life anxieties of Existing While Black while simultaneously mining that situation for all its twisted absurdity.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  In most slasher flicks, a guy like Chris would die first. Peele's joke is that the cliché has it backwards. Young black men know their lives are in peril from the first frame.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Emtv%2Ecom%2Fnews%2F2986295%2Fget-out-the-call-is-coming-from-inside-the-rich-white-suburban-house%2F&at%3Asource=MTV


created_at: 2018-10-31 14:42:27
text:
  Wait for those moments, scattered throughout the action, when the winces quicken into jolts and jumps; and consider how much is packed into Peele's terrific title.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Fmagazine%2F2017%2F03%2F06%2Fget-out-and-logan&at%3Asource=New%20Yorker


text: Truly, madly, mercilessly entertaining, even when it makes you want to jump out of your skin.
created_at: 2018-10-31 14:42:27
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enpr%2Eorg%2F2017%2F02%2F23%2F515781517%2Fget-out-a-terrifically-topical-and-terrifying-satire&at%3Asource=NPR


created_at: 2018-10-31 14:42:27
text:
  Kudos to Peele for tackling a painful subject in such a massively entertaining and thoroughly memorable fashion. [Full review in Japanese]

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fglobe%2Easahi%2Ecom%2Fcinema%2F2017110100004%2Ehtml%3Fpage%3D2&at%3Asource=The%20Asahi%20Shimbun%20GLOBE%20(Japan)


created_at: 2018-10-31 14:42:27
text:
  This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etheglobeandmail%2Ecom%2Farts%2Ffilm%2Ffilm-reviews%2Fget-out-the-horror-that-lurks-in-our-own-uneasiness%2Farticle34120789%2F&at%3Asource=Globe%20and%20Mail


created_at: 2018-10-31 14:42:27
text:
  Get Out is the satirical horror movie we've been waiting for, a mash-up of Guess Who's Coming to Dinner? and The Stepford Wives that's more fun than either and more illuminating, too.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evulture%2Ecom%2F2017%2F02%2Fmovie-review-jordan-peele-get-out%2Ehtml&at%3Asource=New%20York%20Magazine%2FVulture


created_at: 2018-10-31 14:42:27
text:
  An atmospheric, restrained, effective work of horror with a clear point of view, a darkly hilarious movie that never trips over itself in search of a cheap laugh or scare.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Jordan Peele makes his directing debut with a horror movie that sticks closely to genre convention even as its ribbing of white liberals hardens into a social point.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Echicagoreader%2Ecom%2Fchicago%2Fget-out%2FMovieTimes%3Foid%3D25446810&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:42:27
text:
  The praiseworthy quality of Get Out is that it delivers the goods without copycatting every cookie-cutter horror film being released today.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Freelviews%2Fget-out&at%3Asource=ReelViews


created_at: 2018-10-31 14:42:27
text:
  Part of what makes "Get Out" both exciting and genuinely unsettling is how real life keeps asserting itself, scene after scene.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Enytimes%2Ecom%2F2017%2F02%2F23%2Fmovies%2Fget-out-review-jordan-peele%2Ehtml%3Frref%3Dcollection%252Fcollection%252Fmovie-guide&at%3Asource=New%20York%20Times


created_at: 2018-10-31 14:42:27
text:
  By focusing the storyline on a particular form of racism -- the kind that's often disguised as peculiar envy -- Get Out reveals something more insidious.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Cultural appropriation shifts from 'problematic' to 'horrific' in writer-director Jordan Peele's sharp take on the scary world of stuff white people like.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Esandiegoreader%2Ecom%2Fmovies%2Fget-out%2F&at%3Asource=San%20Diego%20Reader


created_at: 2018-10-31 14:42:27
text:
  When the blood starts flowing, along with audience cheering, the battle for hearts and minds is well and truly on.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ethestar%2Ecom%2Fentertainment%2Fmovies%2F2017%2F02%2F23%2Fget-out-and-a-united-kingdom-show-black-and-white-issues-havent-faded-review%2Ehtml&at%3Asource=Toronto%20Star


created_at: 2018-10-31 14:42:27
text:
  What makes Get Out more than just a slam-bang scarefest is that, in its own darkly satiric way, it is also a movie about racial paranoia that captures the zeitgeist in ways that many more "prestigious" movies don't.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Peele succeeds where sometimes even more experienced filmmakers fail: He's made an agile entertainment whose social and cultural observations are woven so tightly into the fabric that you're laughing even as you're thinking, and vice-versa.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Ftime%2Ecom%2F4680563%2Fget-out-movie-review%2F&at%3Asource=TIME%20Magazine


text: A movie that not only functions as a solid scarefest but a razor-sharp satire.
created_at: 2018-10-31 14:42:27
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enj%2Ecom%2Fentertainment%2Findex%2Essf%2F2017%2F02%2Fget_out_review_a_bloody_horror_turns_black_comedy%2Ehtml&at%3Asource=Newark%20Star-Ledger


created_at: 2018-10-31 14:42:27
text:
  Following Oscar's pomp and self-importance, viewing Jordan Peele's fiercely entertaining thriller offers the perfect awards hangover cure. Audiences leave the theater shaken and stirred.

extra_data:
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created_at: 2018-10-31 14:42:27
text:
  Get Out has its surface scares, but it's what's lingering beneath that's most frightening: the sense that no matter where you turn, no matter how many people claim they're on your side ... they're out to get you.

extra_data:
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text: You want more.
created_at: 2018-10-31 14:42:58
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fghostbustersiipghowe_a0b21f%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:42:58
text:
  Hammered together out of the junkiest of elements, the movie rattles along with a pleasing rambunctiousness, tossing off its quips and one-liners and scoring on a remarkably high percentage of them.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fghostbustersiipghinson_a0a945%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:42:58
text:
  There's very little energy in the follow-through, and this time Murray's listlessness seems more anemic than comic.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F3998_GHOSTBUSTERS_TWO&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:42:58
text:
  The sequel is, on the whole, a fairly mechanical spook show, filled with grinning ghosts that are definitely ghoulish but hardly menacing.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Fmovies%2Fghostbusters-ii-lacks-spirit-1989-review-article-1%2E2252126&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:42:58
text:
  Even the special effects are more to the point of the comedy than they were in the first film. For some reason, this appears to leave more room for the sort of random funny business that Mr. Murray and his friends do best.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fmovies%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D950DE3DB143CF935A25755C0A96F948260%26partner%3DRotten%2BTomatoes&at%3Asource=New%20York%20Times


created_at: 2018-10-31 14:42:59
text:
  The plotting may be primitive, but it's all carried off with far more style and finesse than one might expect from the creators of Animal House and Meatballs.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=https%3A%2F%2Fwww%2Ehollywoodreporter%2Ecom%2Fnews%2Fghostbusters-thrs-1984-review-748028&at%3Asource=Hollywood%20Reporter


created_at: 2018-10-31 14:42:59
text:
  Essentially a $30 million version of Abbott and Costello Meet the Mummy but not at all a bad time, thanks mainly to Bill Murray's incredibly dry line readings and director Ivan Reitman's maintenance of a moderately coherent tone and plotline.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F3987_GHOSTBUSTERS&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:42:59
text:
  On balance, Ghostbusters is a hoot. It's Murray's picture, and in a triumph of mind over matter, he blows away the film's boring special effects with his one-liners.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farticles%2Echicagotribune%2Ecom%2F2014-02-24%2Fnews%2Fchi-ghostbuster-review-gene-siskel-020140224_1_bill-murray-ghostbusters-harold-ramis&at%3Asource=Chicago%20Tribune


text: There is more attention to special effects than to humor.
created_at: 2018-10-31 14:42:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enytimes%2Ecom%2Fmovie%2Freview%3Fres%3D9904E6D9123BF93BA35755C0A962948260&at%3Asource=New%20York%20Times


text: Ghostbusters is like romping through Disneyland's haunted house with Bill Murray.
created_at: 2018-10-31 14:42:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsday%2Ecom%2Fentertainment%2Fmovies%2Fghostbusters-newsday-s-1984-review-of-original-film-1%2E11891998&at%3Asource=Newsday


created_at: 2018-10-31 14:42:59
text:
  Ghostbusters is primarily a showcase for Murray, who slinks through the movie muttering his lines in his usual cheeky fashion and getting off an occasionally hilarious crack that proves he's thoroughly enjoying himself.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Fentertainment%2Fghostbusters-spoof-horror-movies-1984-review-article-1%2E2244935&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:42:59
text:
  Whoever thought of having evil's final manifestation take the form of a 100-ft. marshmallow deserves the rational mind's eternal gratitude.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C926579-1%2C00%2Ehtml&at%3Asource=TIME%20Magazine


text: This movie is an exception to the general rule that big special effects can wreck a comedy.
created_at: 2018-10-31 14:42:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fghostbusters-1984&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:42:59
text:
  Thirty years on, bustin' still makes us feel good. In fact, few movies have the power to make us feel good-er.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Flondon%2Ffilm%2Fghostbusters&at%3Asource=Time%20Out


text: Only intermittently impressive.
created_at: 2018-10-31 14:42:59
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117791247%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:43:15
text:
  Ultimately, Gladiator is an honorable and inoffensive spectacle with nothing extraordinary to recommend it.

extra_data:
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created_at: 2018-10-31 14:43:15
text:
  Gladiator is a triumph. On the surface, it's a terrific yarn with strong, rounded characters, agonizing suspense and visceral thrills. Look closer and you'll find rich historical themes, and a harrowing critique of violence as amusement.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Estartribune%2Ecom%2Flifestyle%2F11487906%2Ehtml&at%3Asource=Minneapolis%20Star%20Tribune


created_at: 2018-10-31 14:43:15
text:
  Ridley Scott thrusts us so close to the combat that all we see is a lot of whirling and thrashing, a sword thrust here and there, a spurt of blood, a limb severed. There's hardly a scene that is cleanly and coherently staged in open space.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Enewyorker%2Ecom%2Farchive%2F2000%2F05%2F15%2F2000_05_15_105_TNY_LIBRY_000020855&at%3Asource=New%20Yorker


created_at: 2018-10-31 14:43:15
text:
  Gladiator's combination of grim sanctimony and drenching, Dolby-ized dismemberings left me appalled.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Eslate%2Ecom%2Farticles%2Farts%2Fmovies%2F2000%2F05%2Fcrapus_maximus%2Ehtml&at%3Asource=Slate


created_at: 2018-10-31 14:43:15
text:
  Time for a little gladiatorial gore with your Milk Duds. Gladiator is here, and it's big, glorious and eminently dumb.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ehurriyetdailynews%2Ecom%2Fbox-office-hit-gladiator-begins-in-turkey-as-well%2Easpx%3FpageID%3D438%26n%3Dbox-office-hit-gladiator-begins-in-turkey-as-well-2000-05-19&at%3Asource=Associated%20Press


created_at: 2018-10-31 14:43:15
text:
  The fusion of the ancient and the modern -- even to the point of some sly echoes of our own sports-mad society -- is seamless. Gladiator does indeed deliver the glory that was Rome, but it also clinically dissects the assumptions on which it was built.

extra_data:
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created_at: 2018-10-31 14:43:15
text:
  The cast is strong (notably Nielsen as Commodus's vacillating sister, and the late Oliver Reed, unusually endearing as a gladiator owner), the pacing lively, and the sets, swordplay and Scud catapults impressive.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etimeout%2Ecom%2Ffilm%2Freviews%2F70255%2Fgladiator%2Ehtml&at%3Asource=Time%20Out


created_at: 2018-10-31 14:43:15
text:
  If there's a soft spot in your heart for the sword-&-sandal epic, then you'll swoon with giddy delight over Gladiator.

extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enydailynews%2Ecom%2Farchives%2Fnydn-features%2Fthumbs-gritty-epic-gladiator-russell-crowe-defines-tough-roman-hero-falls-grace-arena-article-1%2E869708&at%3Asource=New%20York%20Daily%20News


created_at: 2018-10-31 14:43:15
text:
  Crowe doesn't use tricks in this role to court our approval. He earns it the old-fashioned way, by daring to be quiet, if not silent, and intensely, implacably strong.

extra_data:
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created_at: 2018-10-31 14:43:15
text:
  Though the digital effects lack the weight and conviction of their equivalents in old Cecil B. De Mille movies, Ridley Scott's sword-and-sandal epic has some of the intensity of old Hollywood in terms of storytelling, spectacle, and violence.

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created_at: 2018-10-31 14:43:15
text:
  Gladiator is filled with brilliant filmmaking and features outstanding performances, but it's neither profound enough nor pop enough to be great -- it's mournful, serious, beautiful and, finally, pointless.

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text: The most visually spectacular of all Roman Empire epics.
created_at: 2018-10-31 14:43:15
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text: The Roman costume drama, all dressed to the IX's, has taken a long holiday from the big screen.
created_at: 2018-10-31 14:43:15
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etheglobeandmail%2Ecom%2Farts%2Fthe-roman-empire-struts-back%2Farticle767655%2F&at%3Asource=Globe%20and%20Mail


text: The film looks muddy, fuzzy and indistinct.
created_at: 2018-10-31 14:43:15
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fgladiator-2000&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:43:15
text:
  Russell Crowe solidly anchors this epic-scale gladiator movie - the first in nearly four decades - by using his burly frame and expressive face to give dimension to what might otherwise have been comic book heroics.

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text: A truly transporting trip back nearly 2,000 years.
created_at: 2018-10-31 14:43:15
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fvariety%2Ecom%2F2000%2Ffilm%2Freviews%2Fgladiator-3-1200461595%2F&at%3Asource=Variety


text: [An] offer director Francis Ford Coppola should have refused.
created_at: 2018-10-31 14:43:18
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Ewashingtonpost%2Ecom%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fthegodfatherpartiiirhowe_a0b2cb%2Ehtm&at%3Asource=Washington%20Post


created_at: 2018-10-31 14:43:18
text:
  The acting is merely passable, several characters are given nothing to do, and Michael's paranoid self-pity lends the film an absurd morality: Coppola expects us to sympathise with the semblance of virtue.

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created_at: 2018-10-31 14:43:18
text:
  It may be that Coppola was right to put off filing this last installment all these years; from the evidence here, he had nothing more to say.

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created_at: 2018-10-31 14:43:18
text:
  The Godfather Part III is a good movie, with moments of rare power, but it is not a great one -- a reason why many fans of the series have voiced their disappointment.

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created_at: 2018-10-31 14:43:18
text:
  Represents a certain moral improvement over its predecessors by refusing to celebrate and condemn violence and duplicity in the same breath, or at least to the same degree.

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created_at: 2018-10-31 14:43:18
text:
  The movie, a heady thicket of political intrigue and double crosses, is slower, talkier, and more prosaic than the first two films, and its narrative seams sometimes show. And yet it's more than the sum of its mazelike convolutions.

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created_at: 2018-10-31 14:43:18
text:
  The film is a slow fuse with a big bang -- one that echoes through every family whose own tragedy is an aching for things past and loved ones lost.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C972029%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-10-31 14:43:18
text:
  It is, I suspect, not even possible to understand this film without knowing the first two, and yet, knowing them, Part III works better than it should, evokes the same sense of wasted greatness, of misdirected genius.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Erogerebert%2Ecom%2Freviews%2Fthe-godfather-part-iii-1990&at%3Asource=Chicago%20Sun-Times


created_at: 2018-10-31 14:43:18
text:
  The Godfather Part III matches its predecessors in narrative intensity, epic scope, socio-political analysis, physical beauty and deep feeling for its characters and milieu.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Evariety%2Ecom%2Freview%2FVE1117789085%2Ehtml%3Fcategoryid%3D31%26cs%3D1&at%3Asource=Variety


created_at: 2018-10-31 14:43:21
text:
  Brosnan, however, looks set to stay. He'll never recapture the amused cool of the young Sean Connery, but he does overcome the handicap of looking like a humorless male model.

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text: James Bond's latest outing is big, and it's brash -- in short, it's double-oh-fun.
created_at: 2018-10-31 14:43:21
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created_at: 2018-10-31 14:43:21
text:
  Under the direction of Martin Campbell, GoldenEye is a film that respects its predecessors. No new heights are scaled here, but it's nevertheless a handsome, well-engineered film that gets the job done.

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text: At the most basic, crowd-pleasing level, Goldeneye does the trick.
created_at: 2018-10-31 14:43:21
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created_at: 2018-10-31 14:43:21
text:
  Brosnan's right there, born to play the part. Perhaps by design, he captures a bit from each predecessor -- the panache of Sean Connery, the cheeky humor of Roger Moore, the serious grit of Timothy Dalton.

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created_at: 2018-10-31 14:43:21
text:
  It's not a good sign that what I remember most about the movie is the lovely blue color of 007's new BMW convertible.

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created_at: 2018-10-31 14:43:21
text:
  In GoldenEye, [Brosnan's] performance achieves darker, Conneryesque tones. And the movie's relatively realistic take on Bond -- realistic, that is, by the series' flamboyant standards -- helps to give his work weight.

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created_at: 2018-10-31 14:43:21
text:
  There's something a mite pathetic about our culture still clinging to 007, but it's hard to deny that this is one of the most entertaining entries in the Bond cycle.

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created_at: 2018-10-31 14:43:21
text:
  Though GoldenEye is an acceptable Bond picture, it's a reasonable facsimile more than any kind of original, and it's hard not to feel a certain weariness while watching it unfold.

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created_at: 2018-10-31 14:43:21
text:
  James Bond, the British spy with a taste for the high life and a license to kill, comes back in surprisingly hardy and supple form.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Farticles%2Echicagotribune%2Ecom%2F1995-11-17%2Fentertainment%2F9511170004_1_bond-film-bond-girl-pierce-brosnan&at%3Asource=Chicago%20Tribune


created_at: 2018-10-31 14:43:21
text:
  Director Campbell keeps matters bowling along and even manages to recapture something of the look of the earlier films.

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created_at: 2018-10-31 14:43:21
text:
  I don't know whether the Bond series has a future, but if Xenia Onatopp ever returns to try for world domination, he may finally get a battle worth fighting.

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text: Supercharged with spectacular, thundering, brain-numbing fun.
created_at: 2018-10-31 14:43:21
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text: Richard Kiel, you are missed.
created_at: 2018-10-31 14:43:21
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Erotten&at%3Alink=http%3A%2F%2Fwww%2Etime%2Ecom%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C983763%2C00%2Ehtml&at%3Asource=TIME%20Magazine


created_at: 2018-10-31 14:43:21
text:
  Watching the film, I got caught up in the special effects and the neat stunts, and I observed with a certain satisfaction Bond's belated entry into a more modern world.

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created_at: 2018-10-31 14:43:21
text:
  Giving 007 a sleek bullet of a BMW instead of his trusty old Aston-Martin isn't exactly going to turn the world of Bond upside down. And, as it turns out, neither does the casting of Brosnan.

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created_at: 2018-10-31 14:43:35
text:
  ... what they give us in Goldfinger is an excess of-science-fiction fun, a mess of mechanical melodrama and a minimum of bedroom farce.

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created_at: 2018-10-31 14:43:35
text:
  Presented here in a newly restored digital print, it should look especially swish on the big screen.

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text: Although more gimmicky than From Russia with Love, this film is equally as entertaining.
created_at: 2018-10-31 14:43:35
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ereelviews%2Enet%2Fphp_review_template%2Ephp%3Fidentifier%3D237&at%3Asource=ReelViews


created_at: 2018-10-31 14:43:35
text:
  This 1964 entry is the most enjoyable of the James Bond thrillers starring Sean Connery -- perhaps because it's the most comic and cartoony in look as well as conception.

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created_at: 2018-10-31 14:43:35
text:
  If it is not a great film, it is a great entertainment, and contains all the elements of the Bond formula that would work again and again.

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text: There's not the least sign of staleness in this third sample of the Bond 007 formula.
created_at: 2018-10-31 14:43:35
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text: It's phenomenal!
created_at: 2018-10-31 14:43:35
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created_at: 2018-10-31 14:43:38
text:
  There's nothing extraneous about it, nothing excessive in its violence or its art. It's as desolate as it needs to be and no more.

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text: It upends everything you think you know about the mob and mob movies.
created_at: 2018-10-31 14:43:38
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Eguidelive%2Ecom%2Fportal%2Fpage%3F_pageid%3D33%2C97283%26_dad%3Dportal%26_schema%3DPORTAL%26item_id%3D71815&at%3Asource=Associated%20Press


created_at: 2018-10-31 14:43:38
text:
  Gomorrah is stark and powerful filmmaking, a welcome alternative to romanticized American mob melodramas.

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text: Gomorrah manages to be artful without being arty.
created_at: 2018-10-31 14:43:38
extra_data:
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created_at: 2018-10-31 14:43:38
text:
  The sense of authenticity in this movie is palpable, but the scenes are sometimes so dark and so impenetrable that it takes a herculean effort to keep up with who's who and what's going on.

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created_at: 2018-10-31 14:43:38
text:
  Garrone's gloomy assessment of the new world order is painfully on target: corruption comes in many guises, and it's as impossible to stop as it is to track.

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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ethestar%2Ecom%2FEntertainment%2Farticle%2F601519&at%3Asource=Toronto%20Star


created_at: 2018-10-31 14:43:38
text:
  [Director] Garrone's messy storytelling compounds an already messy history. He's a powerful filmmaker, though, and a fearless one. He knows where the bodies are buried -- and he shows them to us.

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text: Stark, raw and brutal, this isn't Hollywood's romantic version of the Mafia.
created_at: 2018-10-31 14:43:38
extra_data:
  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Enewsday%2Ecom%2Fentertainment%2Fmovies%2Fny-etgom6057999mar06a%2C0%2C3707041%2Estory&at%3Asource=Newsday


created_at: 2018-10-31 14:43:38
text:
  Over the course of this sprawling mosaic about the world's most fearsome Mafia organization, the Neapolitan Camorra, [director] Garrone makes the business look like a beast of many tentacles, spreading misery and death to everyone it touches.

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text: It's ugly. It's powerful. But it's hard to look away.
created_at: 2018-10-31 14:43:39
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fwww%2Ephilly%2Ecom%2Fphilly%2Fentertainment%2Fmovies%2F20090227_Ugly_mob_violence__Italian-style%2Ehtml&at%3Asource=Philadelphia%20Inquirer


created_at: 2018-10-31 14:43:39
text:
  If The Godfather is the operatic pinnacle of gangster movies, let Gomorrah be its biblical counterpart.

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text: Hell seems terribly familiar in Gomorrah, an Italian gangster film with a near-documentary feel.
created_at: 2018-10-31 14:43:39
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text: What the director has created is a ferocious portrait of total corruption.
created_at: 2018-10-31 14:43:39
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text: Directed by Matteo Garrone, Gomorrah is both a staggering realist thriller and a jeremiad.
created_at: 2018-10-31 14:43:39
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created_at: 2018-10-31 14:43:49
text:
  Let us say simply that there is something in most of us that will always treasure Selznick's flair for old-fashioned, full-bodied narrative even as we pay lip service to the most anemic forms of cerebration in the modern cinema.

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text: It is a bore.
created_at: 2018-10-31 14:43:49
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text: A critic-proof movie if there ever was one: it isn't all that good, but somehow it's great.
created_at: 2018-10-31 14:43:49
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  at%3Aimage=rottentomatoes%3A%2F%2Fimage%2Ereview%2Efresh&at%3Alink=http%3A%2F%2Fonfilm%2Echicagoreader%2Ecom%2Fmovies%2Fcapsules%2F4143_GONE_WITH_THE_WIND&at%3Asource=Chicago%20Reader


created_at: 2018-10-31 14:43:49
text:
  'It' has arrived at last, and we cannot get over the shock of not being disappointed; we had almost been looking forward to that.

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text: One of the truly great films, destined for record-breaking boxoffice business everywhere.
created_at: 2018-10-31 14:43:49
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created_at: 2018-10-31 14:43:49
text:
  Undoubtedly still the best and most durable piece of popular entertainment to have come off the Hollywood assembly lines.

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text: There has never been a picture like David O. Selznick's production of Gone With the Wind.
created_at: 2018-10-31 14:43:49
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created_at: 2018-10-31 14:43:49
text:
  Gone With the Wind endures and deepens with the passing of time because Scarlett and Rhett are as modern as its open ending.

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created_at: 2018-10-31 14:43:49
text:
  The film's subtle racism is insidious, going to great lengths to enshrine the myth that the Civil War wasn't fought over slavery - an institution the film unabashedly romanticizes.

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created_at: 2018-10-31 14:43:49
text:
  "Gone With the Wind" offers the kind of big, rich, opulent experience the movies are in a unique position to offer but seldom do.

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created_at: 2018-10-31 14:43:49
text:
  To see Gone With the Wind on a big screen again is to weep for the fearlessness with which Hollywood once believed the sublime was possible.

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text: On the whole, I thought the picture was OK.
created_at: 2018-10-31 14:43:49
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created_at: 2018-10-31 14:43:49
text:
  It is still a towering landmark of film, quite simply because it tells a good story, and tells it wonderfully well.

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created_at: 2018-10-31 14:43:49
text:
  It's remarkable that after spending almost eight hours of my existence in front of this film, I can remember only two points vividly.

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created_at: 2018-10-31 14:44:06
text:
  The film works as a character-driven narrative because Mr. Van Sant and his co-screenwriters are not afraid to unlock the psychological mysteries of their five major characters with clear and concise dialogue.

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created_at: 2018-10-31 14:44:06
text:
  It's acted and directed with care, and Damon is outstanding, his scenes with Driver being especially sparky.

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created_at: 2018-10-31 14:44:06
text:
  The best thing about Good Will Hunting is not in its well-crafted, psychological symmetries but in the just-plain messiness of its humanity. It's rowdy, it's funny, it's heartbreaking - it rings of life.

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text: ...a worthwhile sample of entertainment.
created_at: 2018-10-31 14:44:06
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created_at: 2018-10-31 14:44:06
text:
  While the charismatic performances of Damon and Affleck make "Good Will Hunting" a difficult entertainment to resist, doing just that is not as hard as the film would like to think.

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created_at: 2018-10-31 14:44:06
text:
  The headline story from this slice of honestly earned sentiment is Matt Damon, who delivers the year's No. 1 breakthrough performance directly atop his agreeable high-profile turn in John Grisham's The Rainmaker.

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text: Intimate, heartfelt and wickedly funny, it's a movie whose impact lingers.
created_at: 2018-10-31 14:44:06
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created_at: 2018-10-31 14:44:06
text:
  The outcome of the movie is fairly predictable; so is the whole story, really. It's the individual moments, not the payoff, that make it so effective.

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created_at: 2018-10-31 14:44:20
text:
  Pretty much three well-staged action sequences strung together with the dumbest imaginable connective tissue.

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created_at: 2018-10-31 14:44:20
text:
  Unnecessary but not unwatchable, this maintains a brisk pace as it moves through the familiar action set pieces, most of them decently orchestrated.

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created_at: 2018-10-31 14:44:20
text:
  It's all more than a little silly, but Willis' presence at least provides undercurrents of easy jocularity.

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created_at: 2018-10-31 14:44:20
text:
  I didn't think it was physically possible to doze off at a movie as loud as A Good Day to Die Hard, but for a few moments my mind found some distant, peaceful refuge.

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created_at: 2018-10-31 14:44:20
text:
  This is the Magpie School of action filmmaking: Anytime things start to make so little sense that you might lose the audience, just throw something shiny up on screen to distract.

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created_at: 2018-10-31 14:44:20
text:
  I guess the people making A Good Day to Die Hard don't understand that mortality is one of John McClane's most endearing qualities. Turning him into a cyborg with a sense of self-deprecating humor makes this a low point in the series' history.

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created_at: 2018-10-31 14:44:20
text:
  For anyone who remembers the "Die Hard" adventures at their vital and exciting best, this film feels like a near-death experience.

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text: Time to hang it up, guys ...
created_at: 2018-10-31 14:44:20
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text: Every action scene is telegraphed, and most of the dialogue is irrevocably stupid.
created_at: 2018-10-31 14:44:20
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created_at: 2018-10-31 14:44:20
text:
  John's appeal was always his ordinariness, but director John Moore has him surviving more explosions than Wile E. Coyote, and with hardly a scratch.

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text: This series needs to die here. That would be something to "Yippee Ki-Yay" about.
created_at: 2018-10-31 14:44:20
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created_at: 2018-10-31 14:44:20
text:
  A movie like A Good Day to Die Hard ought to either hire someone who can write catchy dialogue and at least superficially plausible characters or just let the real artists, the stuntmen, run the whole picture. No Humans Allowed.

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text: What a disappointment.
created_at: 2018-10-31 14:44:20
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created_at: 2018-10-31 14:44:20
text:
  A quarter-century after it began, A Good Day to Die Hard continues the franchise without undue embarrassment.

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created_at: 2018-10-31 14:44:20
text:
  If there's something crassly opportunistic about exploiting a real life disaster on the scale of Chernobyl for cheap thrills, that's part and parcel of the film's cynicism.

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created_at: 2018-10-31 14:44:20
text:
  All Die Hard movies lack sense -- that's a given. This one lacks personality. And that's unforgivable.

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text: This is the fifth and least of the Die Hard movies.
created_at: 2018-10-31 14:44:20
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created_at: 2018-10-31 14:44:26
text:
  Leone's blockbuster is balanced on the razor's edge between popular entertainment and art film. It took classic American themes and turned them inside out.

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created_at: 2018-10-31 14:44:26
text:
  Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.

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created_at: 2018-10-31 14:44:26
text:
  Art it is, summoned out of the imagination of Leone and painted on the wide screen so vividly that we forget what marginal productions these films were.

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created_at: 2018-10-31 14:44:26
text:
  Sergio Leone's grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.

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created_at: 2018-10-31 14:44:26
text:
  The uncut new print reclaims the widescreen majesty of Tonino Delli Colli's cinematography, allowing you to see every iconic wart and furrow on every bad guy's face.

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created_at: 2018-10-31 14:44:26
text:
  The third in the Clint Eastwood series of Italo westerns, The Good, the Bad and the Ugly is exactly that -- a curious amalgam of the visually striking, the dramatically feeble and the offensively sadistic.

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created_at: 2018-10-31 14:44:27
text:
  The most profoundly Catholic of contemporary filmmakers, Scorsese has here imagined a world without the slightest notion of sin-everything is permitted, and he is both fascinated and appalled by the total freedom of his characters.

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